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  • Benavides - The Piano in Spain

    Benavides Piano nsmThe Piano in Spain, by Ana Benavides

    Print Edition, 147 pages, paperback, $24.99


    Written by internationally accclaimed pianist and Steinway Artist Ana Benavides, this book covers the history of the piano in Spain, from its introduction to the time of Joaquín Turina. The edition is carefully researched and beautifully formatted, and contains numerous music examples and color images. Scholars, professional pianists, amateur musicians, and lovers of the piano generally will find this book indispensible for understanding the piano in Spain during the 19th century. Here is a list of the topics covered:
    1. Introduction of the Piano into Spain
    2. The First Spanish Piano Builders
    3. Music Conservatories and other Musical Spaces
    4. Editorial Activity and the Musical Press
    5. On the Way to Nationalism
    6. Spain and Europe
    7. Repertoire
    8. Maestros and Predecessors
    9. Isaac Albéniz
    10. Enrique Granados
    11. Manuel de Falla
    12. Joaquín Turina

    A review by Jonathan Santa Maria Bouquet of The Piano in Spain by Ana Benavides appeared in the Newsletter of The American Musical Instrument Society, Volume 44, No. 1, Spring 2015, p22.  The review has been republished on the NSM website with permission from AMIS.


    The Piano in Spain was published by Bassus Ediciones and is distributed in the USA by Noteworthy Sheet Music. We sell the book in paperback print edition only, not as a PDF, and only for shipment to addresses within the USA.

    To order, please use the Contact Us form to tell us which of NSM's print edition publications you would like to purchase, and include your email and USPS mailing addresses in the message. We will then send you a PayPal invoice for your purchase, which will include a $5.95 shipping and handling fee. Once we receive notice from PayPal that you have paid for the publication(s), we will ship your item(s) to the address you provided for delivery in 7-10 business days.

    For sales of the book in Europe, please visit www.anabenavides.com.

  • Benavides - Eduardo Ocón y Rivas - Piano

    Benavides Ocon nsmEduardo Ocón y Rivas—Obra completa para piano

    Compiled and Edited by Ana Benavides

    Solo Piano, Print Edition, 61 pages, paperback, $21.99

    Eduardo Ocón was one of Spain's most notable musical personages of the 19th century—an organist and composer, as well as the founder and director of the Malaga Conservatory. This book, Eduardo Ocón y Rivas—Obra completa para piano (copyright © 2007), is a compilation of the complete piano works of Eduardo Ocón, edited, renotated, and with an introduction by Ana Benavides. The works are rare masterpieces of Spanish piano music that have been rediscovered and reprinted in an edition formatted to facilitate reading by professionals and aficionados at any level. Here is a list of the works included in this anthology:
    - Rapsodia Andaluza, Op.9
    - Recuerdos de Andalucía, Bolero de Concierto, Op.8
    - Rheinfahrt. Estudio Fantástico
    - Gran Vals Brillante
    - Meditación
    - Estudio-Capricho para la mano izquierda, Op.10
    - Amor inmortal
    - En la playa. Barcarola

    Ana Benavides is an internationally acclaimed pianist and Steinway Artist who has performed recitals in Europe, Australia, South America, and North America. A regular visitor to international festivals both as soloist and chamber musician, she has maintained a keen interest in rare Spanish piano music of the 19th century. Visit www.anabenavides.com to learn more about the artist and her work.

    Eduardo Ocón y Rivas—Obra completa para piano was published by Bassus Ediciones Musicales and is distributed in the USA by Noteworthy Sheet Music. We sell the book in paperback print edition only, not as a PDF, and only for shipment to addresses within the USA.

    To order, please use the Contact Us form to tell us which of NSM's print edition publications you would like to purchase, and include your email and USPS mailing addresses in the message. We will then send you a PayPal invoice for your purchase, which will include a $5.95 shipping and handling fee. Once we receive notice from PayPal that you have paid for the publication(s), we will ship your item(s) to the address you provided for delivery in 7-10 business days.

    For sales of the book in Europe, please visit the Bassus Ediciones Musicales website.

  • Glazunov – Elegy – Clarinet

    Glazunov Elegy Cl nsmElegy, Op.44, by Alexander Glazunov

    Transcribed for Bb Clarinet (and Piano) by John W. Pratt

    Clarinet Part — PDF $3.99

    Alexander Konstantinovich Glazunov (b. St. Petersburg, 1865; d. Paris, 1936) was a major composer in the late Russian romantic tradition. His Elegy, Op.44, was written for viola and piano in 1893, and has been transcribed by John W. Pratt for Bb clarinet. The piece is about 6 minutes long, elegiac but not lugubrious. It consists of a lovely melody in 9/8 enhanced by a simple but warm piano accompaniment. The viola melody is readily transcribed for other instruments, since it is without double stops. The piano part is freely available at IMSLP.org.

    Clarinet part, 2 pages; Total, 6 pages.

  • Bloom - From the Drawer - Tenor or Soprano and Saxophone Quartet

    Bloom From-the-Drawer Voice-Saxophones nsmFrom the Drawer, for Voice and Saxophones, by Peter H. Bloom

    Contemporary Composition for Tenor or Soprano, with Saxophone Quartet

    Score and Parts, PDF $13.99

    Boston-based flutist Peter H. Bloom created two versions of his composition From the Drawer, the edition listed here for Tenor or Soprano with Saxophone Quartet (soprano saxophone, alto saxophone, tenor saxophone, and baritone saxophone) and a second edition for Tenor or Soprano with Flute (doubling Piccolo), Clarinet, Bassoon, and Horn; both editions have been published by Noteworthy Sheet Music. The score provides a musical setting for the intensely emotional poem by Constantine Cavafy. The composer suggests that the vocalist (depending on his or her performance style/background/aesthetic judgment) should free to employ amplification at his/her discretion. 

     

    Here are Mr. Bloom's comments about From the Drawer, taken from his preface (Copyright © 2015) to the edition:

    "Constantine Cavafy’s 1923 poem, From the Drawer, captures the acerbic condition of longing, the impossibly private nature of affection, and the occultation of time. Its poignancy is universal; transcending gender, age, era, place, and even translation. Rather than rely on one particular translation of Cavafy’s text, I’ve drawn on a number of versions to arrive at a paraphrase that both informs and is shaped by the musical score.

    The musical setting is a sonic image of the intensely emotional response to a flood of memory that informs the poet’s narrative: now pensive, now anxious, now wistful, now joyous, now fraught, now resigned, and ever mercurial."  P. H. Bloom, September 19, 2015

    Score, 14 pages; Tenor or Soprano part, 2 pages; Soprano Saxophone part, 4 pages; Alto Saxophone part, 3 pages; Tenor Saxophone part, 3 pages; Baritone Saxophone part, 3 pages; Total, 29 pages.

    Preview

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    We also offer a professionally-printed hard copy edition of From the Drawer for $23.78 plus a $5.95 shipping and handling fee. Due to prohibitively high international shipping rates, we ship print editions only to addresses in the USA. Please use the Contact Us form to let us know which hard copy publication(s) you would like to purchase, along with your email contact information and USPS mailing address. We will then send you a PayPal invoice for the sale and, once we receive notice from PayPal that you have paid for the item(s), we will ship your music to the address provided.

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  • Li Qi - Fog - Flute Alone

    LiQi Fog nsmFog, by Li Qi


    Contemporary Composition for Solo Flute, PDF $5.99

    Fog was written in 2012 by the up-and-coming young composer Li Qi.  In addition to receiving other projects and awards, Li Qi was selected by the Wellesley Chamber Music Workshop to compose the program's commissioned piece for 2016, An Autumn Dusk in the Mountains for flute1, flute2/alto flute, cello, and piano.


    Short, interesting, and challenging, Fog will appeal to advanced flutists and their audiences. Inspired by the poem "Stray Birds" by Rabindranath Tagore, the piece strives to capture in a musical way the recurring interplay between fog and sunlight, as a representation of the circle of life with all its sorrow, joy, and continuously-unfolding beauty.  A recording of a 2012 performance of Fog by Heath White at the Jacobs School of Music, Indiana University, has been posted on YouTube; please click the link to listen.

    Our front cover image is from Wikimedia Commons: "The Mount Emei" by pookieevans (CC BY-SA 2.0).


    Flute part, 3 pages; Total, 7 pages.

    Preview

     

  • Mozart - Kegelstatt Trio - Alto Flute

    Mozart Kegelstatt Afl nsm"Kegelstatt" Trio in E-flat major, K.498, by W. A. Mozart


    Transcribed for Alto Flute, Viola, and Piano by John W. Pratt, with a Program Note by Peter H. Bloom
    Alto Flute Part, PDF $7.99

    As Editor-in-Chief of Noteworthy Sheet Music, LLC, I recently found myself in the unusual situation of having received transcriptions of the "Kegelstatt" Trio clarinet part for alto flute from two of NSM's most experienced and proficient arrangers, John W. Pratt and Peter H. Bloom. That both arrangers chose to create a "Kegelstatt" part for alto flute, and that their transcriptions were nearly identical, attests to the value of adapting this Mozart clarinet part and its natural fit for the alto flute. Our edition includes Mr. Pratt's alto flute part transcription, as well as a program note written by Mr. Bloom for his upcoming alto flute performances of the "Kegelstatt" Trio with Ensemble Aubade (Peter H. Bloom, flutes; Francis Grimes, viola; and Mary Jane Rupert, piano/harp). —cav, December, 2016

    Our edition includes only the alto flute transcription of the clarinet part; the original piano score and viola part are in the public domain and may be downloaded free of charge from IMSLP.org as good quality PDFs.


    Alto Flute part, 6 pages; Total, 10 pages.

    Preview
  • Weber - Andante e Rondo Ongarese - Alto Saxophone (and Piano)

    Weber Op.35 sax nsmAndante e Rondo Ongarese, Op.35, by Carl Maria von Weber


    Transcribed for Alto Saxophone (and Piano) by John W. Pratt
    Alto Saxophone Part, PDF $6.99

    In presenting our transcription of the Andante e Rondo Ongarese by Carl Maria von Weber for alto saxophone, we are keeping with a long-standing tradition of creating saxophone arrangements of 19th century recital pieces.  This piece was first written in 1809 for viola, but was revised in 1813 for bassoon, in which form it became increasingly popular.  NSM previously published our own version of Weber's Op.35 for clarinet, and after consultation with our saxophonist colleagues we decided to offer an alto saxophone version as well.  In preparing his transcriptions of this fun, challenging piece, John Pratt worked from the public domain edition for piano and bassoon at imslp.org, where a free pdf download of the piano part is available.  Our edition provides the transcribed solo part, which works perfectly with the pre-existing piano score.


    Alto Saxophone part, 5 pages; Total, 8 pages.

    Preview
  • Hoffmeister - Sonata in D minor, Op.50, Duo 3 - Two Flutes

    Hoffmeister Op50No3 Fl-Fl nsmSonata in D minor, Op.50, Duo 3, by Franz Anton Hoffmeister

    Duet for Two Flutes
    Score and Parts, PDF $11.25

    Franz Anton Hoffmeister (1754-1812) was a German music publisher and prolific composer. He studied law in Vienna, but after becoming captivated by the music scene in that city he devoted the rest of his life to music. His compositional output includes numerous symphonies and overtures, operas, string quartets, pieces for piano, and a great many compositions for flute, including concertos and chamber works. Noteworthy Sheet Music's edition of the Sonata in D minor, Duo 3 from Hoffmeister's Trois Duos pour Deux Flûtes, Op.50 was edited and notated by Richard A. Evans and Bronnie Stroud. Years ago, Mr. Evans located several original editions of 18th and 19th century flute duets, long since out of print, at the Library of Congress. He found them quite enjoyable to play, and undeserving of their current obscurity. NSM agreed and is offering updated editions of these flute-flute duets, as well as editions transcribed for flute and clarinet (browse under under Wind Ensembles or Clarinet).

    mp3 iconClick the mp3 icon to listen to a short audio sample of the Hoffmeister Sonata in D minor first movement, performed and recorded by Demi Stevens, a former student of Richard Evans, playing both parts of the duet.
    "This is a fabulous duet and has been incredibly fun to practice. Thank you for making it available!"
    "Cheers to my mentor's awesome arrangement. I hope you enjoy! With love and admiration, ~Demi"

    Score, 15 pages; Flute-1 part, 8 pages; Flute-2 part, 8 pages; Total, 34 pages.

    Preview

     

  • Finlayson - 3 Pagan Dances - Percussion Ensemble

    3 Pagan Dances, by Walter A. Finlayson


    Finlayson 3PaganDances-II nsmContemporary Compositions for Percussion Ensemble
    I. Goddess of the Earth: Score and Parts, PDF $8.99
    II. Rain Forest: Score and Parts, PDF $6.99
    III. Temple of the Sun: Score and Parts, PDF $13.99


    Noteworthy Sheet Music's chief editorial consultant Peter H. Bloom received Walter Finlayson's previously-unpublished score for 3 Pagan Dances from the composer's daughter, and we were delighted for the opportunity to become acquainted with this rousing, intoxicating work.  For our publications, we've opted to create separate editions for the three pieces, giving players the choice of acquiring only one or two of the 3 Pagan Dances at a time, depending on their level of interest and performance needs.  In each case we have maintained the composer's allocation of instruments per player. Pagan Dance I. Goddess of the Earth is scored for (1) snare drum/suspension cymbal/gong, (2) tom-toms, (3) temple blocks/xylophone/cowbell, (4) bells, (5) chimes, and (6) timpani.  Pagan Dance II. Rain Forest is scored for (1) bongos/claves, (2) finger cymbals/suspension cymbal, (3) maracas/gong/wind chimes, (4) bells/tom-toms/gourd, (5) xylophone/timpani, and (6) vibraphone.  Pagan Dance III. Temple of the Sun is scored for (1) xylophone, (2) tom-toms, (3) temple blocks, (4) gong/suspension cymbal, (5) chimes/crash cymbal, and (6) timpani. Our editions of the 3 Pagan Dances include both scores and parts.
    Click on the MP3 icons below to listen to audio samples from a 1964 performance of the work:
    I. Goddess of the Earth audio  mp3 icon
    mp3 iconII. Rain Forest
    mp3 iconIII. Temple of the Sun
    We at NSM are pleased to aid in the re-discovery of some of Walter Finlayson's compositions; for additional biographical information about this remarkable composer, please visit the Our Composers page.

     

    Finlayson 3PaganDances-I nsmI. Goddess of the Earth: Score, 8 pages; Parts for (1) snare drum/suspension cymbal/gong, (2) tom-toms, (3) temple blocks/xylophone/cowbell, (4) bells, (5) chimes, and (6) timpani, 1 page each; Total, 16 pages
    Preview I

     
    Finlayson 3PaganDances-II nsmII. Rain Forest: Score, 6 pages; Parts for (1) bongos/claves, (2) finger cymbals/suspension cymbal, (3) maracas/gong/wind chimes, (4) bells/tom-toms/gourd, (5) xylophone/timpani, and (6) vibraphone, 1 page each; Total, 14 pages.
    Preview II

    Finlayson 3PaganDances-III nsmIII. Temple of the Sun: Score, 13 pages; Parts for (1) xylophone, 2 pages, (2) tom-toms, 2 pages, (3) temple blocks, 2 pages, (4) gong/suspension cymbal, 1 page, (5) chimes/crash cymbal, 1 page, and (6) timpani, 2 pages; Total, 26 pages.
    Preview III

     


    Add To Cart Product Name Price
    Finlayson - 3 Pagan Dances, I.Goddess of the Earth - Percussion Ensemble
    $8.99
    Finlayson - 3 Pagan Dances, II.Rain Forest - Percussion Ensemble
    $6.99
    Finlayson - 3 Pagan Dances, III.Temple of the Sun - Percussion Ensemble
    $13.99

  • Cambini - Sonata in D Major - Two Flutes

    Cambini Op.5No1 FlFl nsmSonata in D Major, Op.5, No.1, by Giuseppe Maria Cambini

    Duet for Two Flutes
    Score and Parts, PDF $7.99

     

    Giuseppe Maria Cambini (1746-1825) was an Italian-born violinist and composer. He was one of the most prolific composers of his era, particularly of instrumental works, of which he wrote over 600, including numerous symphonies, 149 string quartets and over 100 trios, as well as ballets, operas, & oratorios. Flutists will know him for his concertos and extensive body of chamber works featuring the flute, including duos, trios, quartets and quintets.

    Noteworthy Sheet Music published this edition of Cambini's Sonata in D Major, Op.5, No.1 at the suggestion of flutist Richard A. Evans, who long ago obtained the duet from the Library of Congress and believed it undeserving of its current obscurity. We at NSM agreed that the duet should be made more readily available to present-day musicians and audiences. Our edition provides both score and parts, and incorporates articulation and dynamic edits supplied by Mr. Evans.

    Note that Cambini's Opus 5 flute duets were made into trios by the addition of a bass part composed by Thomas Billington. A PDF scan of the trio edition for two flutes and continuo arranged by Billington is available at IMSLP.org as Cambini's 6 Duos for Two Flutes, Opus 11 (London, printed for Longman & Broderip, n.d.).

    Score, 8 pages; Flute-1 part, 4 pages; Flute-2 part 4 pages; Total, 22 pages.

    Preview
  • Devienne - Sonata in D Major - Two Flutes

    Devienne Op.10No.1 Fl-Fl nsmSonata in D Major, Op.10, No.1, by François Devienne

    Duet for Two Flutes

    Score and Parts, PDF $9.99

    François Devienne (1759-1803) was a French composer, flutist and bassoonist, as well as a professor at the Paris Conservatory. His compositional output included: 12 operas; many concerted pieces for various wind instruments, with orchestra; overtures; concertos, quartets, trios, sonatas, etc. for flute, piano, and other instruments; 12 suites; numerous romances, chansons, etc.; and an influential flute method book, Méthode de flûte (1795).  

    Noteworthy Sheet Music published this edition of Devienne’s Sonata in D Major, Op.10, No.1 at the suggestion of flutist Richard A. Evans, who long ago obtained the duet from the Library of Congress and believed it undeserving of its current obscurity. We at NSM agreed that the duet, which has two movements, Allegro spirituoso and Rondo: Allegro poco presto, should be made more readily available to present-day musicians and audiences. Our edition provides both score and parts, and incorporates articulation and dynamic edits supplied by Mr. Evans.

    Score, 10 pages; Flute-1 part, 5 pages; Flute-2 part 5 pages; Total, 24 pages.

    Preview
  • Gifford - The Pied Piper of Hamelin - An Operetta

    Gifford PiedPiper nsmThe Pied Piper of Hamelin, by Marjorie Otis Gifford

    An Operetta, from the Poem by Robert Browning
    Facsimile Edition by Noteworthy Sheet Music, LLC, PDF $24.99

    Marjorie Otis Gifford (1909-2003) was a composer, choirmaster, and long-time music and piano teacher in CT and NY.  At age 24, she put music to Robert Browning's classic poem The Pied Piper of Hamelin, creating a children's operetta for her students.  In her preface to the operetta, Mrs. Gifford states that perhaps the best performance of The Pied Piper was at the Lenox School in NYC, where she was teaching in 1938; that production was directed by Antoinette Perry, who later became known as 'Tony' of the Tony Awards.  Indeed, there are additional famous personalities and much fascinating history associated with the remarkable life of Marjorie Otis Gifford.

    The Pied Piper of Hamelin operetta was brought to NSM's attention by Gale Finlayson, daughter of composer and music educator Walter Finlayson, and we created our facsimile edition of the operetta at Gale's request.  Marjorie Otis Gifford and Walter Finlayson were great friends, and in her preface Mrs. Gifford credits Mr. Finlayson with putting her operetta down on paper.  NSM has received permission to publish the operetta from both the executor of Mrs. Gifford's estate and from Deborah O'Connor, the artist who created the charming illustrations that grace the internal pages of the operetta.  We hope that, in publishing our facsimile edition, we can contribute to sustaining the legacy of Marjorie Otis Gifford and enabling future generations of young music students to perform and enjoy her work.

    Marjorie Otis Gifford's The Pied Piper of Hamelin operetta was performed by the Rutland Youth Theatre of Rutland, VT, on March 2, 2018; click the link to visit YouTube and watch clips of this performance videotaped and posted by Ms. Finlayson.

    Score with music and lyrics for voices and piano accompaniment, 67 pages; text of the Robert Browning poem addendum, 7 pages; Total, 78 pages.

    Preview

    Please use the Contact Us link to order The Pied Piper of Hamelin operetta PDF.  Upon receiving your request, we will send you an invoice via PayPal and, once PayPal acknowledges receiving your payment, we will email a copy of the PDF to you directly.

  • Farrenc – Trio, Op.45 – Viola

    Farrenc TrioOp45 Va nsmTrio, Op.45, by Louise Farrenc

    Transcribed for Viola by C.A.Vater and J.W.Pratt (originally for cello)

    Viola Part, PDF $9.99

    The Farrenc Trio for Flute, Cello, and Piano, Op.45 is a big romantic piece, at times stirring, sweet, stormy, sad, dramatic, or lively, but always compelling throughout its entire four movements. As a flutist, I have enjoyed playing this piece many times, so I was intrigued and delighted to receive a request from flutist Peter H. Bloom that NSM prepare a transcription of the cello part for viola, so that his group Ensemble Aubade could perform a flute/viola/piano version. As Peter Bloom commented, the Trio is “not just a good piece to have been written by a woman in the 19th century; it’s a very good piece for anyone to have written anytime.” The Trio actually feels perfect for the viola, as most of the original cello part lies within viola range, and sections that do not can be modified for the viola tessitura without straying significantly from the composer’s musical intent. Our edition provides only the transcribed viola part; PDFs of the original score and flute part are freely available at imslp.org. —cav

    Viola Part, 12 pages; Total, 16 pages.

    Preview
  • Bauer – Sonata, Op.22 – Alto Saxophone

    BauerOp22 sax nsmSonata, Op.22, by Marion Bauer

    Transcribed for Alto Saxophone (and piano) by Paul Cohen (originally for viola and piano)

    Alto Saxophone Part, PDF $11.79

    Paul Cohen is one of America's most sought-after saxophonists for orchestral and chamber concerts and solo recitals.  In addition to being a renowned performer and recording artist, he is also a talented arranger, lecturer, and collector of rare and historical instruments.  Dr. Cohen holds MM and DMA degrees from the Manhattan School of Music; he currently serves on the faculties of the Manhattan School of Music and Rutgers University.  We at NSM were pleased for the opportunity to collaborate with him on this publication of his transcription of Marion Bauer’s Sonata for alto saxophone.

    from Dr. Paul Cohen’s preface to the NSM edition © April 7, 2021: 

    “Bauer composed this sonata in 1932 or 1935.  It originally was written for viola, and dedicated to the memory of her friend and colleague, Albert Stoessel who was a distinguished American violinist, conductor, author, composer, and educator in the 20th century.  Bauer soon after created her own idiomatic transcription for clarinet and piano, and the sonata was published as a work for viola or clarinet in 1951.  It is revealing to see the differences in the viola and clarinet versions.  The piano part remains unchanged in both.

    PC photo cropped 100 webThere is a history of music for viola successfully adapted for saxophone by the composers.  Fernande Decruck’s Sonata (1943) for saxophone and piano (or orchestra) was originally written for viola, as was Ross Lee Finney’s Sonata in A Minor from 1937 (viola and piano), adapted for saxophone in the early 1970s.  Several works for alto saxophone and orchestra written for the American saxophonist Elise Hall were originally written for viola, including Florent Schmitt’s Legende (1918) and Choral Variee´ (1903) by Vincent D’Indy. Adolph Busch composed his Suite for violin and either viola or alto saxophone in 1926, while in 1923 Darius Milhaud replaced the viola with the saxophone in La Creation du Monde literally positioning the saxophone in the viola chair in the string section.  My saxophone adaptation of Bauer’s Sonata combines elements of the clarinet and viola versions, creating a version appropriate for the alto saxophone.  This includes changes in range, articulation, phrasing and dynamics to create an idiomatic (though challenging) version for the alto saxophone faithful to the musical intent of the composer.”

    For additional information about Marion Bauer, please see the text excerpted from Peter H. Bloom’s preface to NSM’s 2014 publication of his transcription of the Sonata for alto flute.

    We provide only the transcribed alto saxophone part in our edition; a pdf of the piano score is available from imslp.org.

    Alto Saxophone Part, 11 pages; Total, 14 pages

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  • Dvořák – Romance, Op. 11 – trans. Clarinet

    Dvorak Romance cl nsmRomance, Op. 11 by Antonín Dvořák

    Transcribed for B♭ Clarinet by C. A. Vater (originally for violin)

    Part for B♭ Clarinet, PDF $6.97

    Czech composer Antonín Dvořák based his Romance, Opus 11 on the slow movement of his String Quartet in F minor, composed in 1873, re-working that Andante con moto quasi allegretto to create two versions of the Romance, one for solo violin and orchestra (B.39) and another for solo violin and piano (B.38).  The Romance is one of Dvořák’s most magnificent melodic works, teaming with romance, lyricism, and emotional intensity.  Understandably, the piece became extremely popular and has been transcribed for several other instruments, including viola, cello, guitar, and flute.  In creating an NSM edition of the work for clarinet (and piano), we have incorporated several changes in the solo part to account for sonic differences between the clarinet and the violin.  In so doing, every effort has been made to maintain the spirit, character, and flow of Dvořák’s original composition.  We provide here our transcribed B♭ clarinet part only; the score for violin and piano is readily available in the public domain as a free pdf download from imslp.org, and that piano part can be used in performance along with our clarinet part.

    B♭ Clarinet part, 4 pages; Total, 6 pages.

    Preview