Noteworthy Sheet Music, LLC

Uncommon Sheet Music for Flute and Alto Flute

German

  • Schumann Drei-Romanzen nsmDrei Romanzen, Op.94, by Robert Schumann

    Transcribed for Alto Flute (and Piano) by Carol A. Vater

    Alto Flute Part, PDF $5.96

    Robert Schumann composed his Drei Romanzen (Opus 94) for oboe and piano in 1849, and Simrock published the first edition, Drei Romanzen für Hoboe, ad libitum Violine oder Clarinette, mit Begleitung  des Pianoforte, in 1851.  Others have created arrangements of this popular piece for additional instruments, including cello, alto sax, soprano sax, tuba, flute, and horn.  The 3 Romances are beautifully adaptable to the alto flute’s range and sonority.  We provide here the alto flute part; the piano part is readily available in the public domain, free, as a pdf download of the score for oboe and piano.  Here is a link to one such source: Piano Score.

    JP__CAV_Pf__Alto_Flute_11.11.10_uncroppedAlto Flute part, 6 pages; Total, 8 pages

     

  • Title_page_image_for_websiteFantasiestücke, Op.73, by Robert Schumann

    Transcribed for Alto Flute and Piano by Carol A. Vater

    Alto Flute Part, PDF $5.96

    Robert Schumann composed his Fantasiestücke (Fantasy Pieces) for clarinet and piano, but also arranged them for cello with piano.  Others have since created arrangements of this highly popular and frequently performed piece for a variety of additional instruments.  The Fantasy Pieces are charmingly adaptable as a work for alto flute and piano, and we offer here our alto flute transcription (click to preview p1). The piano part is readily available in the public domain as a free pdf download of the score for clarinet and piano.  Here is a link to one such source: Piano Score 

    Alto Flute part, 6 pages; Total, 8 pages.

     

  • Reger_with_captionSuite in A Minor, Op.103a, by Max Reger

    Transcribed for Alto Flute and Piano by Carol A. Vater

    Alto Flute Part, PDF $11.98

    The Suite in A Minor for violin and piano by Max Reger was first published in 1908. The piece has been performed and recorded on flute, and arrangements of the beautiful Aria (3rd movement) have been published for violin and orchestra, as well as for cello and piano or organ. The piece is also highly suited to the rich, mellow sonorities of the alto flute. We offer here our transcription of all six movements of the violin part for alto flute. The piano part is readily available in the public domain as a free pdf download of the score for violin and piano. Here is a link to one such source: Piano Score

    Alto Flute part, 12 pages; Total, 14 pages.

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  • brahms with new caption jpgTrio in A Minor, Op.114, by Johannes Brahms

    Transcribed for Alto Flute, Cello, and Piano by Carol A. Vater

    Alto Flute Part, PDF $5.99

    Johannes Brahms (1833-1897) composed the Trio in A Minor for Clarinet, Cello and Piano in 1891 and subsequently created an alternate arrangement in which viola was substituted for the clarinet. The expressive qualities, range, and rich, dark tones of the alto flute are well-suited to this beloved piece.  In creating this transcription of the clarinet part for alto flute, every effort has been made to maintain the spirit and character of the original composition.  We provide here the Brahms Trio in A minor alto flute part; click to preview p1.  The piano and cello parts are readily available in the public domain as free pdf downloads of the original score and parts.  Here is a link to one such source:  Piano Score and Cello Part 

    Alto Flute part, 13 pages; Total, 15 pages.

  • JDCAVJP composite01smaller.from JD 11.17.10Acht Stücke, Op.83, by Max Bruch

    Transcribed for Clarinet, Alto Flute, and Piano by Davies, Pratt, and Vater

    Alto Flute Part, PDF $9.98

    Originally scored for clarinet, viola, and piano (or violin, cello, and piano), Bruch's Acht Stücke (Eight Pieces) adapts nicely for a trio with clarinet, alto flute, and piano. Bruch's beautiful melodies are well served by the rich tones of the alto flute. 

    In creating this transcription of the viola part for alto flute, we have taken great care to maintain the spirit and character of the original instrumentation.  We provide here the alto flute part - click to preview p1.  The piano and clarinet parts are readily available in the public domain as free pdf downloads of the score and parts.  Here is a link to one such source:  Piano Score and Clarinet Part

    Alto Flute part, 17 pages; Total, 19 pages.

  • Robert_Schumann_1839Märchenbilder, Op.113, by Robert Schumann

    Transcribed for Alto Flute and Piano by J.W.Pratt & C.A.Vater

    Alto Flute Part, PDF $9.98

    Märchenbilder (Fairy Tale Pictures) was composed for viola and piano by Robert Schumann, and the work is now a staple of the viola repertoire. The piece was alternately indicated for violin and piano by the composer himself. We have created a transcription of the viola part for alto flute, which we provide here. The piano part is readily available in the public domain as a free pdf download of the score for viola and piano. Here is a link to one such source: Piano Score.

    Alto Flute Part, 10 pages; Total, 12 pages.

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  • JP_at_piano_11.11.10.croppedToccata, Adagio, and Fugue, BWV 564, by J. S. Bach 

    Transcribed for Piano by John W. Pratt, PDF $14.84

    BWV 564 is unusual among Bach's big organ works.  It has a middle movement, an Adagio with an elaborate and gorgeous melody which can benefit greatly from the piano's shaded, nuanced dynamics and articulation.  The fugue, too, is atypical - light and lighthearted, well suited to the piano, with a fading coda that is if anything harder to treat convincingly on the organ than on the piano.  The exuberant Toccata is also highly effective and fun to play on the piano.  Click to preview p1 of the score for Bach's Toccata, Adagio, and Fugue for piano.

    Piano part, 15 pages; Total, 17 pages.

  • schubert.sonata in c major nsmSonata in C Major, D.613, by Franz Schubert

    Completion by John W. Pratt

    Piano Score, PDF $7.99

    Schubert's D.613 consists of two unfinished movements in C major. The first, in sonata form, includes an entire exposition of 86 bars and 35 bars of development ending in a dramatic turn toward E major.  We complete this beautiful movement here by adding, in Schubert's style, a suitably proportioned return to C major, a regular recapitulation with a modified bridge passage, and a new coda looking toward the heavenly Adagio in E major commonly assumed to be the intended slow movement to follow.

    The noted Schubert scholar Brian Newbould wrote the following to Mr. Pratt regarding his completion of D.613: "I find your arguments for completing the piece in the way you do perfectly convincing..... As for the completion itself, I've read and played it through a few times and it runs well.  You have fulfilled your aims, in just about as self-effacing a way as you can - which is clearly your hope."

    Piano score, 8 pages; Total, 12 pages.

  • Bloom_head_shot_orchid_SilpakornChaconne, BWV 1004, by J. S. Bach

    Transcribed for Flute or Alto Flute by Peter H. Bloom, PDF $9.98

    The Chaconne BWV 1004, originally from Johann Sebastian's Suite in D minor for unaccompanied violin, is among the most challenging, controversial, enigmatic, and magnificent works known. This transcription by Peter H. Bloom was created for unaccompanied alto flute in G or concert flute in C. Mr. Bloom is motivated by an interest in historical performance practice, devotion to the art of improvisation, fascination with the technique of the flute and alto flute, and an abiding love of this masterpiece of Bach's. As well as transposing and digitally engraving the original version of the Chaconne, Mr. Bloom provides practical, effective, and cogent performer's solutions to the many interpretive challenges that occur throughout this work. Click to preview a page of the Bach Chaconne.

    Flute or Alto Flute part, 10 pages; Total, 12 pages.

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  • brahmsVariations on a Theme of Robert Schumann, Op.23, by J. Brahms

    Transcribed for Piano Solo by John W. Pratt, PDF $19.75

    Brahms wrote his beautiful Variationen über ein Thema von Robert Schumann for piano four hands, but essentially all the musical ideas are captured in this transcription for solo piano. The variations range from delicately decorative to spectral to warmly Brahmsian to bravura and even witty. The last, suffused with sadness, solemnity, resignation, and reaffirmation, combines a funeral march with the theme, which is known as Schumann's last idea because it came to him at night shortly before his attempted suicide and final commitment to an asylum. 

    Sheet music for solo piano – Brahms' Variationen über ein Thema von Robert Schumann – click to preview p1.

    Piano score, 21 pages; Total, 23 pages.

  • Weber GrandDuo Afl nsmGrand Duo Concertant, Op.48, by Carl Maria von Weber

    Transcribed for Alto Flute and Piano by John W. Pratt

    Alto Flute Part, PDF $9.98

    Carl Maria von Weber (1786-1826), an important forerunner of the Romantic school, was a prolific composer, yet wrote only three substantial chamber works.  One is the Grand Duo Concertant for clarinet (or violin) and piano.  Sounding a bit like Mozart on steroids, with robust harmonies and brilliant passagework, it has three movements - an exciting Allegro con fuoco, a beautiful Andante with a very rich, chordal piano accompaniment and passionate piano interlude, and a sparkling Rondo.  We offer this excellent alto flute transcription of the clarinet part; click to preview p1 of the Alto Flute part. The piano part is readily available in the public domain, as a free high quality pdf download of the score for clarinet and piano; here is a link to the listing on imslp.org: Piano Score

    Alto Flute part, 10 pages; Total, 12 pages.

  • Weber GrandDuo Fl nsmGrand Duo Concertant, Op.48, by Carl Maria von Weber

    Transcribed for Flute and Piano by John. W. Pratt

    Flute Part, PDF $9.98

    Carl Maria von Weber (1786-1826), an important forerunner of the Romantic school, was a prolific composer, yet wrote only three substantial chamber works.  One is the Grand Duo Concertant for clarinet (or violin) and piano.  Sounding a bit like Mozart on steroids, with robust harmonies and brilliant passagework, it has three movements - an exciting Allegro con fuoco, a beautiful Andante with a very rich, chordal piano accompaniment and passionate piano interlude, and a sparkling Rondo.  This flute transcription of the Weber clarinet part is an NSM favorite; click to preview p1.  The piano part is readily available in the public domain, as a free high quality pdf download of the score for clarinet and piano; here is a link to the listing on imslp.org:  Piano Score

    Flute part, 10 pages; Total, 12 pages.

  • beethoven adelaide nsmAdelaide, by Ludwig van Beethoven

    Anonymous Arrangement for Flute, each edition with a Foreword by P. H. Bloom

    New Edition, Flute Part and Piano Score (flute part in small staff) – PDF $10.50

    Facsimile Edition, Flute Part and Piano Score (clarinet part in small staff) – PDF $8.25 

    Beethoven completed his musical setting for Friedrich von Matthison's poem Adelaide in 1796.  The song quickly became a favorite interpretive vehicle for instrumentalists as well as singers.  Clarinetist Iwan Müller's "bel canto" treatment, essentially the original melody with added ornaments, cadenzas, and interpretive notations, remained a favorite among concertizing clarinetists for more than a century.  It's likely that Müller's work informs the anonymous arrangement for flute, published by Diabelli in the second quarter of the 19th century, that we present here....  This anonymous paraphrase of Adelaide is a masterful study of the subtle nuance and passionate restraint of "bel canto" instrumental praxis.  (excerpted from the foreword ©by P. H. Bloom)

    After offering our facsimile edition of Adelaide for some time, we decided to create a newly-notated modern edition as well.  We love (and perform) this piece so much, that we didn't want anyone to forgo an opportunity to acquaint themselves with it merely due to the 19th century presentation of the facsimile.  Now, there is a choice between the facsimile edition and a modern edition, the latter of course having the flute part in small staff in the score.

     

    beethoven adelaide nsmNew Edition: Flute & Piano score, 10 pages; Flute part, 4 pages; $10.50.

     

     

     

    adelaide-123111-webFacsimile Edition: Clarinet & Piano score, 9 pages; Flute part, 2 pages; $8.25.

     

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    We also offer a professionally-printed hard copy edition of Adelaide for $15.75 plus a $5.95 shipping and handling fee to addresses in the USA.  Please use the Contact Us form to let us know which hard copy publication(s) you would like to purchase, along with your email contact information and USPS mailing address.  We will then send you a PayPal invoice for the sale and, once we receive notice from PayPal that you have paid for the item(s), we will ship your music to the address provided.

  • Furstenau Adagio-Rondo nsmAdagio et Rondo Brillant, Op.95, by A. B. Fürstenau

    Gassett Collection - Facsimile Edition by Noteworthy Sheet Music with a Foreword by Peter H. Bloom

    Flute Part and Piano Score, PDF $12.00

    Anton Bernhard Fürstenau (1792-1852) was among the most revered flutists of the 19th century.  Following his appointment to the post of principal flute for the Royal Chapel at Dresden in 1820, Fürstenau became a valued colleague and close personal friend of the court's music director, Carl Maria von Weber.  The influence of Weber's dramatic melodic gestures and edgy harmonic shifts can be heard in this passionately evocative Adagio et Rondo Brillant.  An NSM favorite!  

    Piano score, 12 pages; Flute part, 4 pages; Total, 20 pages.

  • Simeon_Loring_photoDeath and the Maiden, Op.95, by Franz Schubert

    Arranged for Woodwind Quintet by Simeon Loring

     

    Simeon Loring is a retired professor of music at CUNY (City University of New York). He played for many years with the Goldman Band and also served as conductor. He is now essentially a chamber music player, and is the clarinetist in the L'Amore della Musica woodwind quintet. He has been a member of the Amato Opera and is on the Board of Directors of the Amore Opera in New York City. He also serves on the Board of Directors for the Mr. Holland's Opus Foundation and is the music director of the Stockbridge Sinfonia in Massachusetts.

    Mr. Loring has arranged music for various ensembles over the years. Regarding his arrangement of Schubert's String Quartet No. 14 in D minorfor woodwind quintet he writes: "Schubert's Death and the Maiden is one of the great masterworks of the Romantic Era.  I have attempted to keep the pathos and beauty while changing the instrumentation.  We woodwind players need the opportunity to experience the sublime beauty of this work."  Click to preview p1 of the score.

    The arranger has provided his piece as four independent movements which may be purchased separately; each movement contains the score and parts for flute, oboe, clarinet, horn, and bassoon.  Alternatively, the piece may be downloaded as a complete edition, which contains the score and parts for all four movements combined into a single pdf.   

    Complete Edition (Movements 1-4), Score & Parts, 296 pages, PDF $60.00

     

    1st Movement, Score & Parts, 96 pages, PDF $29.95

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    2nd Movement, Score & Parts, 51 pages, PDF $16.95 

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    3rd Movement, Score & Parts, 41 pages, PDF $16.95

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    4th Movement, Score & Parts, PDF 120 pages, $29.95

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  • reissiger  furstenau nsmLes Inseparables!, Op.45, by Reissiger & Fürstenau

    Grand Original Duets for Piano and Flute, No.1

    Gassett Collection - Facsimile Edition by Noteworthy Sheet Music

    Flute and Piano Parts, PDF $20.25

    Carl Gottlieb Reissiger's Opus 45 was written as a Sonata for Violin and Piano, but was adapted for flute by Anton Bernhard Fürstenau.  Fürstenau (1792-1852) composed and arranged many works for flute.  He was among the most admired flutists of the 19th century and remains a well-known favorite of flutists today.  Reissiger (1798-1859) was an accomplished composer of opera, orchestral, and chamber music.  An influential figure in the city of Dresden, he served as Director of the Dresden Opera and later as Kapellmeister.  Les Inseparables! No.1, is the first of the Three Grand Original Duets for Piano and Flute by Reissiger and Fürstenau.  The piece, which consists of three movements, is a virtuosic work that should delight and challenge both players.  Click to preview p1 of the Flute part.

    Piano part, 21 pages; Flute part, 6 pages; Total, 33 pages.

  • R-S LaPasta nsmLa Pasta! Op.36, by Reissiger & Sedlatzek

    Concertantes Variations sur la Cavatina de Rossini, No.3

    Gassett Collection - Facsimile Edition by Noteworthy Sheet Music

    Flute and Piano Parts, PDF $13.50

    Reissiger and Sedlatzek's  work  La Pasta is a particularly effective concert piece with which the accomplished flutist can enthrall a diverse audience by evoking the dramatic majesty of grand opera while applying the scintillating techniques of the 19th century virtuoso.  La Pasta is flutist Johann Sedlatzek's homage, celebration, and souvenir of the redoubtable  mezzo-soprano Giuditta Pasta (1798± - 1866±), arranged by the superb composer/conductor Carl Gottlieb Reissiger.  Pasta (nee Negri)  was  a cynosure of Italian opera who created brilliant dramatic roles for Bellini, Donizetti, and Rossini.  Legendary Maria Callas (1923-77) is often compared to Pasta  by opera aficionados, but few are likely to have heard both in their prime.  — P. H. Bloom, 5/23/2011

    Click to preview p1 of the Flute part.

    Piano part, 13 pages; Flute part, 5 pages; Total, 24 pages

  • Bach BWV532 WW4 nsmFugue in D-major, BWV 532, by J. S. Bach

    Transcribed for Woodwind Quartet by John W. Pratt

    Score and Parts, PDF $21.25

    Among the big Bach organ fugues, BWV 532 is unusually well suited to woodwind quartet.  Written during Bach's early, carefree Weimar period (only four children to support), it is high-spirited and even witty.  It benefits from having a separate sonority for each voice, especially when the countersubject interjects a perky comment in the subject's empty space.  It has rapid passage work throughout, almost suggesting Mendelssohn — but his chamber music, not his organ music! 

    The woodwind quartet arrangement (for flute, oboe, B-flat clarinet, and bassoon) preserves Bach's four voices almost exactly.  Click to preview p2 of the score for Bach's Fugue in D major for woodwind quartet.

    Score, 11 pages; Parts, 20 pages; Total, 34 pages.

  • Gabrielsky_Op.71_imageAdagio et Variations pour la Flûte sur un Thême de Caraffa, Op. 71, by W. Gabrielsky

    Gassett Collection - New Edition by Noteworthy Sheet Music

    Flute Part and Piano Score, PDF $18.75

    Johann Wilhelm Gabrielski (or Gabrielsky), 1795-1846, was an acclaimed German flutist and composer from Berlin.  In 1814 Gabrielski secured a position as flutist at the theatre in Stettin and within two years was appointed to the Royal Court.  Gabrielski's compositions, of which there are more than 100, were highly esteemed and popular in his day.  Although these works have much to offer modern day flutists as well, Gabrielski's music is neither widely known nor readily available today.  The Adagio et Variations pour la Flûte, Op. 71, exploits melodic material by Michele Enrico Carafa (Caraffa) di Colobrano (1787-1872), a Naples born musician who had a remarkably successful career in Paris as a composer for the Opéra-Comique and as a professor of composition and counterpoint at The Conservatoire.  The work showcases the flutist's virtuosity, atop a relatively uncomplicated piano accompaniment.  Click to preview p1 of the score.

    Flute part, 11 pages; Piano Score, 16 pages; Total, 31 pages. 

  • Schumann-Op105-imageSonata in A minor, Op.105, by Robert Schumann

    Transcribed for Alto Flute and Piano by John W. Pratt

    Alto Flute Part, PDF $6.99

    Sonata in A Minor, Opus 105, was the first of two violin sonatas composed by Robert Schumann in 1851.  The first movement has a gentle melody very well suited to the alto flute and the kind of flowing piano accompaniment and overlapping harmonies one finds in much of Schumann's chamber music. The Allegretto, with its hesitations and shifting moods and motifs, is also well suited to the alto flute. The restless final movement is exciting and effective (and a workout for both players) whatever solo instrument is used. The range and dynamics of Schumann's violin part, as well as its character, fit the alto flute's nature and capabilities beautifully. We provide our alto flute transcription of the violin part; click to preview p1.  The piano score and original violin partare available elsewhere in the public domain as free pdf downloads (click on the link).

    Alto Flute part, 9 pages of music; Total, 12 pages.