All scores that include a part for at least one piccolo.
Laurels, by Timothy J. Bowlby
Contemporary Composition for Solo Flutist, playing flute, alto flute, and piccolo, PDF $9.00—adapted from excerpts of program notes written by the composer, Timothy J. Bowlby:Laurels, for solo flutist playing flute, alto flute, and piccolo, was written in 2018 for two of the composer’s flutist colleagues, Laurel Tempas and Peter H. Bloom. The piece is cast in a three-section form. The flute is featured exclusively in the initially march-like A section of the work. A “lyrical alto flute passage”, requested by Mr. Bloom, starts the middle or B section and the piccolo concludes it; the overall affect is one of contemplation and reflection in nature. The concluding A’ portion is begun by the piccolo and ends with a return to the flute and the march-like material that started the piece.Laurels was premiered by Peter H. Bloom in June, 2019; a recording of the performance can be accessed on YouTube at https://www.youtube.com/watch?v=e8s4Gos2lE8.
Flute part, 5 pages of music; Total, 8 pages.PreviewThe lovely cover image used for our Laurels edition is courtesy of wikiwand.com, Kalmia latifolia, the mountain laurel, calico bush, or spoonwood, image of flower buds. Attribution-ShareAlike 1.0 Generic (CC BY-SA 1.0). The image has been cropped, enlarged and sharpened.
Play of Light, by Richard Nelson
Contemporary Composition for Flute (doubling piccolo & bass flute) and Harp
Score and Flute Part, PDF $15.25
Play of Light, for flute and harp, was written for the duo "2" (Peter H. Bloom and Mary Jane Rupert). The piece is built around spaciousness, transparency, multi-hued shadings and playful chases. The incorporation of bass flute and piccolo further enhances the inherently rich color possibilities of the flute/harp combination—the three flute instruments in succession form a sort of "super-flute" in the work's final section.
Drawing on his jazz and improvisation background, composer Richard Nelson in this composition leads the players into a substantial section that they complete through improvisation. While they follow signposts on intensity, energy and pitch content that he provides, this practice nonetheless creates an element of intrigue and unpredictability that the composer values highly. It also assures that each performance of the piece will have a strongly individual profile.
Peter H. Bloom gave a lecture on “Effective Writing for Flutes and the Contemporary Flutist” at the 2018 Snow Pond Composers Workshop. In his presentation, Mr. Bloom discussed various topics using four contemporary works published by Noteworthy Sheet Music, including Play of Light, as examples. We later published a free text version of this excellent presentation on our website, in the Reviews and Articles section, including some of the audio clips and supplemental written materials that Mr. Bloom used as demonstrations.
Score, 23 pages; Flute part, 9 pages; Total, 36 pages.Preview
We also offer a print version of Play of Light by Richard Nelson, for those who prefer to purchase the work as a professionally-printed hard copy. Due to prohibitively high international shipping rates, we ship print editions only to addresses in the USA. The cost of the hard copy edition of Play of Light is $25.93, plus a $5.95 shipping and handling fee. Please use the Contact Us form to let us know which print publication(s) you would like to purchase, along with your email contact information and USPS mailing address. We will then send you a PayPal invoice for the sale and, once we receive notice from PayPal that you have paid for the item(s), we will ship your music to the address provided for delivery in 7-10 business days.
A Little Grand Wedding March Waltz, by Tom Schnauber
Score for Piccolo and Trombone, PDF $4.99
This piece was written for the wedding of two good friends of mine from graduate school. One was a trombonist and the other a piccolo specialist. It was conceived in the lovely tradition of Hausmusik: short, simple, fun, and meant for two people to play with each other or for friends. Also, though the score indicates trombone and piccolo, it should be equally satisfying with a cello or bassoon on the lower part and a standard flute on the upper. Or even contrabassoon and piccolo . . . whatever you have available. —Tom Schnauber
Score, 3 pages; Total, 4 pagesPreview
Sing-Along Materials, arranged by John W. Pratt
Piano Scores and Lyrics, Free Downloads
In an ongoing project with John Pratt, we are uploading a variety of free materials for community sing-alongs. These include large-font lyrics sheets and piano scores with modifications or arrangements by Mr. Pratt. Just click on the title links or download buttons to access the pdfs, free of charge.We Gather Together - Netherlands folk song optional piccolo part
==========================He has also made a version without octaves for two players at one piano. We Gather Together, 4-hand version without octaves
Our friend John Pratt decided to liven up the traditional Thanksgiving hymn when he plays it at his extended family's annual feast, and we decided to make his version freely available to others similarly inclined. The first stanza is traditional, the second adds all the octaves John is able to play, and the third replaces the usual bass line with one which marches along step-wise, mostly in eighths, leading to a few nontraditional harmonies. For 2022 he added an optional piccolo part to accompany the piano and voice score.
One of the most common problems with song books for community sing-alongs, especially for seniors, is that the lyrics are too small to be seen easily. John Pratt has created large-font lyrics sheets with the words (public domain) for 42 popular songs for the holiday season. Open the pdf by clicking the link above and print as few or as many as you'd like.
Mr. Pratt has also created a booklet format for the large-font lyrics for holiday songs  to , called The NSM Carol Book, which is handy for group sing-alongs and is easily re-usable. The booklets should be printed double-sided on 8.5" x 11" paper (or 9" x 12", if available), stapled in the middle and folded to form a 5.5" x 8.5" booklet. Since printing directions will be different for every printer, we leave it to our visitors to know what settings to use on their own equipment to have all pages come out in order, right-side up, etc. With my Canon ImageCLASS MF4890 machine, for example, I would do the following: print using fit to page, landscape orientation, 2-sided, flipping on short edge; then staple along the mid-line and fold down the center along the staples so that the Contents are on the front page. Note that a long-arm stapler (reaching to 5.5") is required for manual stapling, but some institutions may have printer/copiers that can auto-staple along the mid-line.
Snow Pond Composers Workshop Anthology New Music for Flute 2015
Edited by Joshua Tomlinson, PDF $21.95
The first annual Snow Pond Composers Workshop took place June 7-13, 2015, under the direction of Edward Jacobs and Richard Nelson. The workshop was part of the broader Snow Pond Music Festival taking place in Sidney, Maine. Peter H. Bloom was the Visiting Performing Artist, and Elliott Schwartz was the Guest Composer. The Snow Pond Composers Workshop Anthology—New Music for Flute 2015, edited by Joshua Tomlinson, includes all of the scores presented at the workshop:
ED by Sean O. G. Burns | one player, on flute with kick drum and voice
Where Wind Blows by William C. Edwards | solo flute
Farewell to Charms by Henry Feinberg | solo flute
Amuse-Bouche by Edward Jacobs | solo flute
Published by American Composers Alliance, reprinted with permission.
Stillness by Richard Nelson | trumpet, saxophone, guitar, bass, and drums/percussion;
or, flute and electric guitar (or other small combination of instruments)
Party On, Bloom! by Alan Racadag | one player, on piccolo, C-flute, alto flute,
and optional bass flute
Soliloquy III by Elliott Schwartz | one player, on flute, piccolo, alto flute, and piano
Published by American Composers Alliance, reprinted with permission.
Something Human by Joshua Tomlinson | solo flute
Indecision (...or maybe not) by Isaac Ward | solo flute
Vyvirian Folk Songs by Julian Ward | solo flute
Quicksilver by Joshua Zinn | solo flute
This is a remarkable collection of new music for flute, which Noteworthy Sheet Music is pleased to make available to the broader flute community. Our edition includes composer biographies and performance notes, as well as the scores.Scores, 39 pages of music; Total, 64 pages.
Awarded 2018: Congratulations to composer Edward Jacobs on being awarded a prestigious Guggenheim Foundation Fellowship.Peter H. Bloom gave a lecture on “Effective Writing for Flutes and the Contemporary Flutist” at the 2018 Snow Pond Composers Workshop. In his presentation, Mr. Bloom discussed various topics using four contemporary works published by Noteworthy Sheet Music, including Amuse-Bouche and Soliloquy III, as examples. We later published a free text version of this excellent presentation on our website, in the Reviews and Articles section, including some of the audio clips and supplemental written materials that Mr. Bloom used as demonstrations... click the link to access the text version.===========================================================We also offer a plastic-comb-bound print edition of the Snow Pond Anthology for $37.32 plus a $5.99 shipping and handling fee. We ship print editions only to addresses in the USA. Please use the Contact Us form to let us know which hard copy publication(s) you would like to purchase, along with your email contact information and USPS mailing address. We will then send you a PayPal invoice for the sale and, once we receive notice from PayPal that you have paid for the item(s), we will ship your music to the address provided.===========================================================
Butterfly Effects, by Elizabeth Vercoe
Contemporary Composition for Flute(s) and Harp
Flute Part and Harp Score, PDF $26.99
Butterfly Effects is an intriguing and varied piece in seven sections for flute and harp in which the flutist is asked to play bass, alto, piccolo and concert flutes. The titles are the names of butterflies: Mourningcloak, Banded Blue Pierrot, Common Jezebel, Question Mark, Monkey Puzzle, Karner Blues, and Psyche.
Excerpted from Elizabeth Vercoe's preface: "Butterfly Effects for flute and harp was written for the duo "2", with flutist Peter H. Bloom and harpist Mary Jane Rupert, who premiered the first parts of the piece in Bangkok and the entire work in Illinois in 2010. Along with the butterflies themselves, a quotation from Zhuangzi was the starting point for the music: "Am I a human who dreamt of being a butterfly or am I now a butterfly who dreams of being human?" The Taoist philosopher's dream illustrates, among other lessons, his sense of oneness with all living beings. // All seven movements are short, some only a minute in length. Mourningcloak, for alto flute and harp, is somber and reflective. Banded Blue Pierrot (concert flute) is short and glittering. Common Jezebel is a sultry tango for bass flute and harp that becomes increasingly chromatic and contrapuntal, requiring the harpist to do some fancy footwork. Question Mark, also for bass flute, requires the flutist to use "beat boxing" and key slap techniques that maximize the percussive qualities of the flute. Monkey Puzzle, in a kind of mimicry of the confusing antennae and pseudo antennae of the insect, flutters along to the middle of the piece and then proceeds backwards to the beginning in what is known as retrograde motion. Karner Blues adopts some of the riffs of blues instrumentalists and singers in the only movement for piccolo. Psyche, a word meaning breath or soul in Greek, is for concert flute and reminds us again of the Zhuangzi dream and the oneness of all living beings."
Butterfly Effects may be performed by one flutist playing multiple instruments, or by multiple flutists each playing one instrument for the relevant movement(s).
Our striking cover image for this publication is of the painting "Jezebel Tapestry #2" by Louisa King Fraser, used with the artist's permission.
Butterfly Effects for flute(s) and harp received a rave review by Nicole Riner in the Fall 2015 edition of the National Flute Association’s membership magazine The Flutist Quarterly. Read the review in its entirety reprinted on the NSM website with permission from the NFA, or visit the NFA website.
Peter H. Bloom gave a lecture on “Effective Writing for Flutes and the Contemporary Flutist” at the 2018 Snow Pond Composers Workshop. In his presentation, Mr. Bloom discussed various topics using four contemporary works published by Noteworthy Sheet Music, including Butterfly Effects, as examples. We later published a free text version of this excellent presentation on our website, in the Reviews and Articles section, including some of the audio clips and supplemental written materials that Mr. Bloom used as demonstrations.
The Elizabeth Vercoe CD "Butterfly Effects and Other Works" was released in November 2018. The CD is available through Navona Records and features the title track performed by duo "2". Here is a quote from Cinemusical's review of the CD: "The album opens with a multi-movement work for flutes and harp, Butterfly Effects (2009). Across the seven movements, Vercoe explores the qualities of different instruments in the flute family: alto flute, bass flute, concert flute, and piccolo. The music has a slight impressionistic quality to it, aided by the harp’s material. Against this is first a rather dreamy, dark opening movement (“Mourningcloak”); a faster-paced flitting “Banded Blue Parrot”; a tango (“Common Jezebel”); intriguing effects like beat-boxing (“Question Mark”) and blues riffs (“Karner Blues”); and a palindromic compositional technique (“Monkey Puzzle”). The flute lines allow for registral exploration and often features some sinuous lines. Some are sultrier than others, but it is as if these are all like watercolor brushstrokes that tend to be somewhat introspective in this often stunningly beautiful work." Another nice review of this CD, written by Nicole Riner, came out in the Flutist Quarterly Spring 2019 edition; here's a quote: "I had the pleasure of reviewing the sheet music for Butterfly Effects for this publication in 2015 and found it to be wonderfully diverse and intriguing. /// Bloom and Rupert perform this work deftly and with a great sense of unity”.
Flute part, 16 pages; Harp Score, 43 pages; Total, 66 pages.Preview
We also offer a printed hard copy edition of Butterfly Effects for $45.88 plus a $5.95 shipping and handling fee. Due to prohibitively high international shipping rates, we ship print editions only to addresses in the USA. Please use the Contact Us form to let us know which hard copy publication(s) you would like to purchase, along with your email contact information and USPS mailing address. We will then send you a PayPal invoice for the sale and, once we receive notice from PayPal that you have paid for the item(s), we will ship your music to the address provided.