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Uncommon Sheet Music for Flute and Alto Flute

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All scores that include a part for at least one flute.

  • Altès - Premier Solo pour La Flûte - Flute & Piano

    Altes PremierSolo nsmPremier Solo pour La Flûte, Op. 20, by Henry Altès

    Facsimile Edition by Noteworthy Sheet Music
    with a Foreword by Peter H. Bloom

    Flute Part and Piano Score, PDF $12.75

    Henry Altès (1826-1899) is primarily remembered today as the author of a particularly useful Méthode Complète de Flûte (1906), yet his impact on fellow flutists for nearly a century-and-a-half can hardly be overestimated.  A student of the Boehm flute pioneer Louis Dorus, Altès succeeded Dorus as Professeur au Conservatoire de Parisupon upon the latter's retirement in 1869 and served in that capacity for a record twenty-eight years. Premier Solo pour La Flûte was dedicated to Louis Dorus, and was the first of ten Morceaux des Concours that Altès would write for the annual Paris Conservatory competition.  That this was the only one of the ten to have been required in two contests speaks to its endearing durability.  (excerpted from the foreword by P. H. Bloom) 

    The NSM edition of the Premier Solo pour La Flûte avec Accompagnement de Piano by Henry Altès is an “enhanced” facsimile of the original print publication from Paris, chez S. Richault, Editeur, Boulevard Poissonniere, 26 au 1er, R4241. We used an image editing program to clean up digital scans of the original printed pages and make a few minor modifications and corrections, as noted in our publication. We have added a new cover page (paying tribute to Altès’ birthplace of Rouen with a painting by Gauguin) and a foreword by Mr. Bloom, but the music has not been re-notated and thus remains in the original style and format; please have a look at the free preview pages provided before ordering.

        

    Piano and Flute score, 12 pages; Flute Part, 5 pages; Total, 22 pages.

    Preview

     
  • Arriaga - Quartet No.1 - Flute

    arriaga nsmQuartet No.1, by Juan Crisóstomo de Arriaga

    Violin 1 Transcribed for Flute by Peter H. Bloom

    Flute Part, PDF $9.95

    Peter H. Bloom wrote the following foreword (© 2014):

    "Even among the most celebrated musical prodigies (Mozart, Mendelssohn, Pergolesi, and Varèse, for example) Juan Crisóstomo de Arriaga's genius and technical mastery are exceptional.  This D-minor quartet, one of three string quartets written in 1824, is a work of structural brilliance, rhetorical grace, and elegant intensity.

    Adapting music originally written for violin to flute is often relatively straightforward.   Occasional octave reassignment and re-interpretation of double stops are typical changes.   But when a flute assumes the voice of the first violin in the context of a string quartet, further accommodations are usually necessary.  Dynamic balance, sonority, clarity of phrasing and consistency of articulation among the ensemble require a reassessment of many interpretive indications that are native to the violin.  In this arrangement we have, as a rule, eliminated Portato indications; they are useful for violinists but merely distracting to the flutist.   Articulation and phrasing marks have occasionally been changed, or eliminated, in instances where violin-orientated directions might mislead the flutist.

    A final thought: The flutist proposing to replace the first violin in a string quartet of this beauty and integrity may meet resistance from string-playing colleagues.  After a fair reading, however, they'll share your enthusiasm for Arriaga's Quartet in D-minor for Flute and Strings."

    P. H. Bloom, Somerville, MA

    29, May 2014 ©

    We provide only the transcribed Flute part.   The Violin 2, Viola, and Cello parts, as well as the original Violin 1 part, are in the public domain and available as free PDFs downloads from IMSLP.org.

    Flute part, 9 pages; Total, 12 pages.

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  • Bach - Chaconne - Flute or Alto Flute

    Bloom_head_shot_orchid_SilpakornChaconne, BWV 1004, by J. S. Bach

    Transcribed for Flute or Alto Flute by Peter H. Bloom, PDF $9.98

    The Chaconne BWV 1004, originally from Johann Sebastian's Suite in D minor for unaccompanied violin, is among the most challenging, controversial, enigmatic, and magnificent works known. This transcription by Peter H. Bloom was created for unaccompanied alto flute in G or concert flute in C. Mr. Bloom is motivated by an interest in historical performance practice, devotion to the art of improvisation, fascination with the technique of the flute and alto flute, and an abiding love of this masterpiece of Bach's. As well as transposing and digitally engraving the original version of the Chaconne, Mr. Bloom provides practical, effective, and cogent performer's solutions to the many interpretive challenges that occur throughout this work.  

    Flute or Alto Flute part, 10 pages; Total, 12 pages.

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  • Bach - Prelude & Fugue - Wind Quintet

    bach wtc 1 22 ww5.image 240pxPrelude and Fugue, WTC Book I, No.22, by J.S.Bach

    Transcribed for Woodwind Quintet by John W. Pratt, PDF $16.00

    Though written for keyboard, this Prelude and Fugue from Book I of Bach's Well-Tempered Clavier is wonderfully adaptable to an instrumental quintet.  The Prelude, with its serene harmonic pacing, reveals an almost Schubertian sublime beauty, and the magical counterpoint of the five-part fugue emerges crystal-clear.  The challenge for the players, as well as the pleasure, lies in ensemble achievements, not technical difficulties in individual parts.  Scored for Flute, Oboe, B-flat Clarinet, Horn, and Bassoon, with an alternate part for Alto Flute in place of Oboe.  

    Score, 6 pages; Parts, 2 pages each for Flute, Oboe (plus alternate Alto Flute), Clarinet, Horn, and Bassoon; Total, 20 pages.

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  • Bach - Prelude and Fugue, BWV 532 - arr. Woodwind Quartet

    Bach BWV532 WW4 nsmPrelude and Fugue, BWV 532, by J. S. Bach

    Arranged for Woodwind Quartet by John W. Pratt

    Score and Parts, PDF $15.97

    “Among the big Bach organ fugues, BWV 532 is unusually well suited to woodwind quartet.  Written during Bach's early, carefree Weimar period (only four children to support), it is high-spirited and can even be read as witty.  It benefits from having a separate sonority for each voice, especially when the countersubject interjects a perky comment in the subject's empty space.  It has rapid passage work throughout, almost suggesting Mendelssohn—but his chamber music, not his organ music!  It makes almost no significant use of the sheer power of the mighty “king of instruments”; the way the voices are brought in and deployed in itself provides the excitement and variations in volume.  Woodwinds have ample piano and forte capabilities for the purpose.  The Prelude is also readily adapted to woodwind quartet, consisting mainly of a straightforward four-part Alla breve.The Prelude’s brief introductory and concluding material includes pedal scales and other flourishes that are no less effective for being easy to play on winds. // The arrangement here preserves Bach's four voices almost exactly.” — from J. W. Pratt’s foreword to the edition

    Click to listen to computer-generated audio samples from the score; audio clips from the Prelude (m4-22) and the Fugue (m14-27), are separated by a brief pause. 

    Score, 16 pages; Flute part, 5 pages; Oboe part, 6 pages; Bb Clarinet part, 6 pages; Bassoon part, 5 pages;Total, 46 pages.

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  • Bach - Toccata, Adagio, and Fugue - Wind Quartet

    bach bwv564 nsmToccata, Adagio, and Fugue in C major, BWV 564, by J. S. Bach

    Arranged for Woodwind Quartet by John W. Pratt
    Score and Parts for Flute, Oboe, Clarinet, & Bassoon, PDF $21.25

    excerpted from JWP’s © foreword to the edition:
    Among J. S. Bach's big organ works, the Toccata, Adagio, and Fugue, BWV 564 is atypical in ways that make it unusually well suited to transcription for woodwind quartet.  Unlike most, it has a middle movement, an Adagio with an elaborate and gorgeous melody which lies comfortably for flute and can benefit greatly from the shaded, nuanced dynamics and articulations that a solo flutist can provide.  The other winds bring out Bach's beautiful voice-leading in the Adagio's two inner parts and its marching but not martial bass.  The four-part Fugue is unusual, too—light and lighthearted, happily adaptable to woodwinds, with no call for great power and, rather than a climactic ending, a fading coda that defies convincing treatment on the organ. The exuberant Toccata starts with an extended manual solo passage... mostly in 32nd notes, which... I felt it would be more effective as a game of frequent handoffs between instruments than as a series of longer individual études. The pedal solo, mostly 16ths, calls for the extra weight of doubling.

    Click to listen to a computer-generated audio sample from the end of the Toccata into the beginning of the Adagio.

    Score, 17 pages; Flute part, 6 pages; Oboe part, 5 pages; Bb Clarinet part, 5 pages; Bassoon part, 4 pages; Total, 46 pages.

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  • Bartók - For Children - arr. for Wind Duo or Trio

    Bartok ForChildren Bk2 fl cl nsmFor Children, by Béla Bartók

    Selected Pieces arranged as Duos or Trios for Winds by John W. Pratt

    extracted from the preface:Béla Bartók was not only a major composer in a post-Romantic extended tonal style, but he was also a superb pianist with a precise technique, a scholarly explorer of folk music, and a serious pedagog. Folk melodies and harmonies strongly influenced his music, both indirectly and often directly, including many of his orchestral and chamber works, as well as solo piano pieces ranging in difficulty from easy to virtuosic. His For Children (Gyermekeknek,1908-1909, Sz. 42) was written for solo piano, and the original Books 1 and 2 contained 42 pieces after Hungarian folksongs and 43 pieces after Slovakian folksongs, respectively. Besides the usual purposes of music written for children, Bartók sought to broaden their musical experience with, for instance, modal and other scales, and harmonies outside the traditional western canon. For Childrenis by no means pablum; though the notes may be easy to play, these pieces have a lot else to offer. They were written when Bartók’s folksong research was well under way and his notational efforts at their peak. Students, teachers, and every-day players can make as much of them as they like... as simple tunes for beginners content to learn basic notes and rhythms, or as more advanced studies on articulation, musicality, etc. 

    John Pratt is in the process of arranging Bartók’s For Children for various wind duo and trio combinations.  More editions will be added as they become available (all as downloadable PDFs).  Note that each edition is organized for convenient page turns, if printed two-sided in its entirety.  Click the edition you want to purchase in the table below and Add to Cart.

     

    ► Bartók - For Children, Book 1 - arr. for Flute (or Oboe) and Bb Clarinet - PDF $14.75
    Bartok ForChildren Bk1 fl cl nsmMany of the For Children folksongs are entirely or mostly for two voices, like Bach’s two-part inventions in style if not structure or harmony, and thus convenient for wind duo and no more childish for Bartók than Bach. Many others are also adaptable to flute or oboe and clarinet or bassoon, mostly by spreading the left-hand chords in time. This edition includes 25 pieces from Book 1 (after Hungarian folksongs) arranged as duets; all of them can be played by clarinet and either flute or oboe, but we also include alternative versions with octave changes that are better suited to oboe for six of the pieces. We provide a score, but not separate parts, as both players can easily play off copies of the score. Click to listen to computer-generated audio samples from the score; audio clips of #11 Me and the Rain with flute and clarinet and #32 Wedding Day and Night with oboe and clarinet are separated by a brief pause. 

     

     

    Score, 26 pages; Total, 30 pages.Preview: Book 1, Flute (or Oboe) and Clarinet

     

    ► Bartók - For Children, Book 1 - arr. for Oboe (or Flute) and Bassoon - PDF $14.75

    Bartok ForChildrenBk1 ob bn nsmPlease see the information provided under "Book 1 - arr. for Flute (or Oboe) and Bb Clarinet", since much of it applies here as well. Our oboe (or flute) and bassoon edition includes the same 25 pieces from Book 1 (after Hungarian folksongs) arranged and optimized as duets for oboe and bassoon, with alternative versions better suited for flute and bassoon provided for two of the pieces. Players can easily read off copies of the score, so separate parts are not provided.

    Score, 21 pages; Total, 24 pages. Preview: Book 1, Oboe (or Flute) and Bassoon

     

    ► Bartók - For Children, Book 2 - arr. for Flute (or Oboe) and Bb Clarinet - PDF $12.75

    Bartok ForChildren Bk2 fl cl nsmAs noted above, many of the For Children folksongs are entirely or mostly for two voices, and many others are also adaptable to flute or oboe and clarinet or bassoon. This edition for flute (or oboe) and clarinet includes 23 pieces from Book 2 (after Slovakian folksongs) arranged as duets; all of them can be played by clarinet and either flute or oboe, but we also include alternative versions that are more suitable for oboe for three of the pieces. We provide a score, but not separate parts, as both players can easily play off copies of the score.

    Score, 17 pages; Total, 22 pages.Preview: Book 2, Flute (or Oboe) and Clarinet

     

    ► Bartók - For Children, Book 2 - arr. for Oboe (or Flute) and Bassoon - PDF $12.75

    Bartok ForChildrenBk2 ob bn nsmPlease see the information provided under "Book 2 - arr. for Flute (or Oboe) and Bb Clarinet", since much of that applies here as well. The oboe (or flute) and bassoon edition includes the same 23 pieces from Book 2 (after Slovakian folksongs), here arranged and optimized as duets for oboe and bassoon, with an alternative version better suited for flute for one of the pieces. The score can easily be used by both players, so no separate parts are provided.

    Score, 15 pages; Total, 18 pages. Preview: Book 2, Oboe (or Flute) and Bassoon

     

    Add To Cart Product Name Price
    Bartók - For Children, Book 1 - arr. for Flute (or Oboe) and Clarinet
    $14.75
    Bartók - For Children, Book 1 - arr. for Oboe (or Flute) and Bassoon
    $14.75
    Bartók - For Children, Book 2 - arr. for Flute (or Oboe) and Clarinet
    $12.75
    Bartók - For Children, Book 2 - arr. for Oboe (or Flute) and Bassoon
    $12.75

  • Beach - 3 Compositions - Alto Flute & Piano

    beach op40 nsm 245px3 Compositions, Op.40, by Amy Beach

    Transcribed for Alto Flute and Piano by C.A.Vater

    Piano Score and Alto Flute Part, PDF $10.50

    Amy Marcy Cheney was born in Henniker, New Hampshire in 1867 and began composing music at the age of four.  Initially home-schooled as a pianist, she continued her music studies in Boston and made her professional debut as a pianist at age 16.   She later became a soloist with the Boston Symphony Orchestra.  At 18, she married the prominent Boston physician Dr. Henry Harris Aubrey Beach and began using "Mrs. H. H. A. Beach" as her professional name.  She continued to perform occasionally as a pianist, but for many years she focused her musical skills primarily on composing.   After her husband's death in 1910, Mrs. Beach resumed her performing career, beginning with a three year tour of Europe, while also continuing to write music.   Her works were received with great acclaim, and Amy Beach became one of America's leading composers and the first American woman composer to achieve widespread recognition in the United States and abroad.   During her lifetime, she wrote more than 150 numbered works, spanning a variety of genres that included piano pieces, chamber music, orchestral works, sacred choral music, and a great many songs.

    Amy Beach's 3 Compositions for Violin and Piano, Op.40, were first published in 1898.   Written in the romantic style, the three pieces are (1) the beautiful but sombre La Captive, (2) a lovely, lyrical Berceuse, and (3) a lively but still tender Mazurka.  In addition to alto flute transcriptions of all three pieces, we include in our edition a version of the Mazurka transcribed for flute and piano (score and part), for those wishing to give this option a try as well.

    Alto Flute part, 4 pages; Piano/Alto Flute Score, 10 pages;

    Alternate "Mazurka" Flute part, 2 pages; "Mazurka" Piano/Flute Score, 5 pages;

    Total, 29 pages.

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  • Beethoven - Adelaide - Flute & Piano

    beethoven adelaide nsmAdelaide, by Ludwig van Beethoven

    Anonymous Arrangement for Flute, each edition with a Foreword by P. H. Bloom

    New Edition, Flute Part and Piano Score (flute part in small staff) – PDF $10.50

    Facsimile Edition, Flute Part and Piano Score (original with clarinet part in small staff) – PDF $8.25 

    Beethoven completed his musical setting for Friedrich von Matthison's poem Adelaide in 1796.  The song quickly became a favorite interpretive vehicle for instrumentalists as well as singers.  Clarinetist Iwan Müller's "bel canto" treatment, essentially the original melody with added ornaments, cadenzas, and interpretive notations, remained a favorite among concertizing clarinetists for more than a century.  It's likely that Müller's work informs the anonymous arrangement for flute, published by Diabelli in the second quarter of the 19th century, that we present here....  This anonymous paraphrase of Adelaide is a masterful study of the subtle nuance and passionate restraint of "bel canto" instrumental praxis.  (excerpted from the foreword © by P. H. Bloom)

    After offering our facsimile edition of Adelaide for some time, we decided to create a newly-notated modern edition as well.  We love (and perform) this piece so much, that we didn't want anyone to forgo an opportunity to acquaint themselves with it merely due to the 19th century presentation of the facsimile.  Now, there is a choice between the facsimile edition and a modern edition, the latter of course having the flute part in small staff in the score.

    Preview
    Add To Cart Product Name Price
    Beethoven - Adelaide - Facsimile Edition: Clarinet & Piano score, 9 pages; Flute part, 2 pages
    $8.25
    Beethoven - Adelaide - New Edition: Flute & Piano score, 10 pages; Flute part
    $10.50
     

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    We also offer a professionally-printed hard copy edition of Adelaide for $15.75 plus a $5.95 shipping and handling fee to addresses in the USA.  Please use the Contact Us form to let us know which hard copy publication(s) you would like to purchase, along with your email contact information and USPS mailing address.  We will then send you a PayPal invoice for the sale and, once we receive notice from PayPal that you have paid for the item(s), we will ship your music to the address provided.

  • Berbiguier - Grande Fantaisie - Flute & Piano

    Berbiguier Op77 nsmGrande Fantaisie, Op. 77, by T. Berbiguier

    Gassett Collection - Facsimile Edition by Noteworthy Sheet Music, with a Foreword by Peter H. Bloom

    Flute and Piano Parts, PDF $16.99

    Benoit Tranquille Berbiguier (1782-1838) was among the preeminent European flutists of the early nineteenth century.  Berbiguier was a prolific composer, and his nearly 150 published works include sets of duos and trios for flutes, as well as music that features flute with piano, orchestra, and chamber ensembles.  His Grande Fantaisie avec Variations pour Flûte avec Accompagnement de Piano Forte (Opus 77) was composed on two motifs from Der Freischütz, Carl Maria von Weber's monumental opera which premiered in Berlin in 1821 and became an immediate international sensation.  Sheet music for flute and piano. 

    Piano part, 9 pages; Flute part, 8 pages; Total, 24 pages.

     
  • Berbiguier - Les Regrets - Flute & Piano

    Berbiguier Les-Regrets nsmLes Regrets, Op.104, by T. Berbiguier

    Gassett Collection - Facsimile Edition by Noteworthy Sheet Music, with a Foreword by Peter H. Bloom

    Flute Part and Piano Score, PDF $18.00

    Berbiguier dedicated Les Regrets (Mélodie Concertante, Opus 104) to his close friend, the composer-'cellist Pierre-Louis Hus-Desforges.  Les Regrets appears to be a missive of consolation from one musical colleague to another, both disillusioned and scarred veterans of decades of nationalist French intrigue.  Though the initial theme is a plaintive rendering of a dour dead-march, its development is mournfully elegant.  The subsequent developments serve to uplift performer and listener with a musical meditation that, though turbulent, avoids bathos.  Dashes of a bit of scherzo here and there move the music, ultimately, to an heroic major-key finale. 

    Piano score, 18 pages; Flute part, 6 pages; Total, 32 pages.

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  • Berbiguier - Nouvelle Fantaisie - Flute & Piano

    Cover_with_green_border._jpg_imageNouvelle Fantaisie pour Flûte, Op. 80, by T. Berbiguier

    Gassett Collection - Facsimile Edition by Noteworthy Sheet Music, with a Foreword by Peter H. Bloom

    Flute and Piano Parts, PDF $13.50

    Berbiguier's Nouvelle Fantaisie (Opus 80), like his Grande Fantaisie (Opus 77), was composed on melodies from Carl Maria von Weber's genre-defining opera Der Freischütz.  Both pieces were published around 1825.  Enthusiasm for Der Freischütz continued to build in subsequent decades, as evinced by the nearly numberless fantaisies, paraphrases, souvenirs, and variations that have been published.  Melodies from Freischutz pervade the classic repertoire of instruments from aeolian pianola to zither, including examples for concertina, mandolin, saxophone, and ocarina quartet.  Piano and flute sheet music. 

    Piano part, 11 pages; Flute part, 7 pages

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  • Bloom - Ablaze She Came in the Dream - Flute, Cello, and Guitar

    Bloom Ablaze-Fl-Vc-Guit nsmAblaze She Came in the Dream, by Peter H. Bloom

    Contemporary Composition for Flute, Cello, and Guitar (or Electric Guitar)

    Flute, Cello, & Guitar Parts, and Score, PDF $22.97

    Ablaze She Came in the Dream by flutist Peter H. Bloom was scored in its original version for flute, viola, and guitar.  This intriguing piece comprises eleven brief episodes, which may be repeated any number of times.  It is intended to serve as an interpretive vehicle for the performers and thus should be executed freely and expressively.  Ablaze received its premier performance in November, 2014, in Boston as part of the Church of the Advent Library Concert Series and featured Mr. Bloom on flute, Frank Grimes on viola, and Anastasiya Dumma on electric guitar.

    In the spring of 2016, NSM received a request for a cello version of Ablaze; we complied by creating, in collaboration with the composer, an adaptation for flute, cello, and guitar.  Ablaze is not only an exciting piece to hear, it's fun to play as well.  Both the viola and cello editions are suitable for adventurous, advanced players.  Those wishing to purchase one of our Ablaze editions and then order an additional alternative viola or cello part for a small charge should use the Contact Us form to let us know; we'll make arrangements to accommodate your request.

    Score, 23 pages; Flute Part, 11 pages; Guitar Part, 12 pages; Cello Part, 12 pages; Total, 66 pages.

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  • Bloom - Ablaze She Came in the Dream - Flute, Viola, and Guitar

    Bloom Ablaze nsm245rAblaze She Came in the Dream, by Peter H. Bloom

    Contemporary Composition for Flute, Viola, and Guitar (or Electric Guitar)

    Flute, Viola, & Guitar Parts and Score, PDF $22.97

    Flutist Peter H. Bloom is no stranger to Noteworthy Sheet Music or to our customers, as he has contributed several popular arrangements and transcriptions to our catalog and he also serves as an editorial consultant for NSM.

    Now we are very pleased to offer this newly published (2014) and highly intriguing original composition by Mr. Bloom entitled Ablaze She Came in the Dream.  The piece comprises eleven brief episodes written for the unusual trio combination of flute, viola, and guitar (or electric guitar).   Ablaze is intended to serve as an interpretive vehicle for the performers and thus should be executed freely and expressively.   The work is suitable for advanced players.

    Click to access a recording of the premier performance of Ablaze which took place on November 21, 2014 in Boston, MA, as part of the Church of the Advent Library Concert Series.  The performance features Peter H. Bloom on flute, Frank Grimes on viola, and Anastasiya Dumma on electric guitar.

    Score, 23 pages; Flute Part, 11 pages; Guitar Part, 12 pages; Viola Part, 12 pages; Total, 66 pages.

    Preview

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    We also offer a professionally-printed hard copy edition of Ablaze She Came in the Dream for $45.88 plus a $5.95 shipping and handling fee. Due to prohibitively high international shipping rates, we ship print editions only to addresses in the USA. Please use the Contact Us form to let us know which hard copy publication(s) you would like to purchase, along with your email contact information and USPS mailing address. We will then send you a PayPal invoice for the sale and, once we receive notice from PayPal that you have paid for the item(s), we will ship your music to the address provided for delivery in 7-10 business days.

  • Bloom - From the Drawer - Tenor or Soprano, Flute, Clarinet, Bassoon, Horn

    Bloom FTD nsmFrom the Drawer, by Peter H. Bloom

    Contemporary Composition for Tenor or Soprano, with Flute (doubling Piccolo), Clarinet in B-flat, Bassoon, and Horn in F

    Score and Parts, PDF $13.99

    Peter H. Bloom is a Boston-based flutist, whose original compositions and arrangements are published by Noteworthy Sheet Music.  From the Drawer was written for Tenor or Soprano, with Flute (doubling Piccolo), Clarinet, Bassoon, and Horn, and provides a musical setting for the intensely emotional poem by Constantine Cavafy.

    Here are Peter Bloom's comments about From the Drawer from the composer's preface (Copyright © 2015) to the edition:

    "Constantine Cavafy’s 1923 poem, From the Drawer, captures the acerbic condition of longing, the impossibly private nature of affection, and the occultation of time. Its poignancy is universal; transcending gender, age, era, place, and even translation. Rather than rely on one particular translation of Cavafy’s text, I’ve drawn on a number of versions to arrive at a paraphrase that both informs and is shaped by the musical score.

    The musical setting is a sonic image of the intensely emotional response to a flood of memory that informs the poet’s narrative: now pensive, now anxious, now wistful, now joyous, now fraught, now resigned, and ever mercurial."  P. H. Bloom, September 19, 2015

    Our sheet music edition of From the Drawer was featured on the New Products page of the Summer 2016 edition of "The Flutist Quarterly", journal of The National Flute Association.

    Score, 14 pages; Tenor or Soprano part, 2 pages; Flute part, 4 pages; Clarinet part, 3 pages; Bassoon part, 3 pages; Horn part, 3 pages; Total, 29 pages.

    Preview
     

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    We also offer a professionally-printed hard copy edition of From the Drawer for $23.78 plus a $5.95 shipping and handling fee. Due to prohibitively high international shipping rates, we ship print editions only to addresses in the USA. Please use the Contact Us form to let us know which hard copy publication(s) you would like to purchase, along with your email contact information and USPS mailing address. We will then send you a PayPal invoice for the sale and, once we receive notice from PayPal that you have paid for the item(s), we will ship your music to the address provided.

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  • Briccialdi - Fantaisie pour la Flûte - Fl & Pf

    Briccialdi_with_captionFantaisie pour la Flûte, Op.110, by Briccialdi

    Gassett Collection - Facsimile Edition by Noteworthy Sheet Music

    Flute Part and Piano Score, PDF $13.50

    The virtuoso Italian flutist Giulio Briccialdi (1818-1881) was a captivating performer and a brilliant and prolific composer of works for the flute.  His compositions became highly popular among flutists and include several concerti and numerous duets, caprices, fantasies, and etudes.  He served as professor of flute at the Academy of St. Cecilia in Rome and later at the Florence Conservatoire.  A proponent of the Boehm flute, Briccialdi is best known today for his invention of the Briccialdi B-flat thumb key and for his variation on the Carnival of Venice, "Il Carnevale di Venezia" (Op.78).  We offer here our facsimile edition of his charming, challenging, and otherwise unavailable Fantaisie pour la Flûte sur des motifs de l'opera La Sonnambula de Bellini (Op.110).   

    Piano score, 13 pages; Flute part, 5 pages; Total 23 pages.

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  • Bridge – 4 More Short Pieces – Flute or Alto Flute (and Piano)

    Bridge 4-More-Short-Pieces nsmCradle Song, Gondoliera, Mélodie, and Elégie, by Frank Bridge

    Transcribed for Flute or Alto Flute (and Piano) by J. W. Pratt
    Flute Part, Alto Part, PDF $11.99
    Like the 4 Short Pieces for Violin and Pianoforte published in transcription by Noteworthy Sheet Music earlier this year, these additional four short pieces by Bridge "provide a fine and delightful introduction to an accessible post-romantic composer who should be better known." Published by Bridge between 1903 and 1911, the works included in our second edition are transcriptions of Cradle Song, written for violin or cello and piano, Gondoliera for violin and piano, and Mélodie and Elégie for cello and piano. Mr. Pratt has created transcriptions of all four pieces for both flute and alto flute, and we include both instrument versions in this combined edition. We think Cradle Song and Elégie are particularly beautiful on the alto flute, but all are effective on either instrument, so we prefer to let our flutists decide on which instrument they choose to play each piece. We provide our flute and alto flute parts only; the original piano scores work well with our transcriptions and are available, along with the violin and cello parts, as free pdf downloads at imslp.org—click the links to access the scores for Cradle Song, Gondoliera, Mélodie, and Elégie.
    Flute part, 6 pages; Alto Flute part, 6 pages; Total, 14 pages.

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  • Bridge – 4 Short Pieces – Flute or Alto Flute (and Piano)

    Bridge 4-Short-Pieces Fl-or-Afl nsm4 Short Pieces, by Frank Bridge

    Transcribed for Flute or Alto Flute (and Piano) by J.W.Pratt

    Flute Part, Alto Part, PDF $8.99


    The 4 Short Pieces by Frank Bridge were written for violin and piano, and first published in 1912. As noted in John Pratt's foreword to the edition, they "provide a fine and delightful introduction to an accessible post-romantic composer who should be better known."  The pieces are "Meditation", "Spring Song", "Lullaby", and "Country Dance".  Mr. Pratt has created transcriptions of the violin parts for both flute and alto flute, and we include both instrument versions in this edition. We think Nos. 1 and 3 sound particularly nice on the alto flute and No. 4 is a splendid romp on the C flute, but all four are effective on either instrument, so we prefer to let our flutists decide on which instrument they choose to play each piece. We provide only our flute and alto flute transcriptions; the piano score, including the original violin part, is available as a free pdf download at imslp.org.

    Flute part, 5 pages; Alto Flute part, 5 pages; Total, 14 pages.

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  • Cambini - Sonata in D Major - Flute and Clarinet

    Cambini Op5No1 fl-cl nsmSonata in D Major, Op.5, No.1, by Giuseppe Maria Cambini

    Transcribed for Flute and B-flat Clarinet by R.A.Evans
    Score and Parts, PDF $7.99

    Giuseppe Maria Cambini (1746-1825) was an Italian-born violinist and composer.  He was one of the most prolific composers of his era, particularly of instrumental works, of which he wrote over 600, including numerous symphonies, 149 string quartets and over 100 trios, as well as ballets, operas, & oratorios.  Flutists will know him for his concertos and extensive body of chamber works featuring the flute, including duos, trios, quartets and quintets.


    Cambini wrote his Sonata in D Major, Op.5, No.1 for two flutes, and Noteworthy Sheet Music has published a re-notated version of the flute duet at the suggestion of flutist Richard A. Evans, who long ago obtained the music from the Library of Congress and believed it undeserving of its current obscurity.  Aware of the scarcity of music composed for flute-clarinet duos, Mr. Evans also initiated this flute-clarinet edition of Cambini's Sonata in D Major by transcribing the flute-2 part for clarinet in B-flat. We at NSM agreed that the Op.5, No.1 duet should be made more readily available to present-day musicians and audiences, in both the flute-flute and flute-clarinet versions.  Our editions provide both scores and parts, and incorporate articulation and dynamic edits supplied by Mr. Evans.

    Score, 8 pages; Flute part, 4 pages; B-flat Clarinet part 4 pages; Total, 22 pages.

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  • Cambini - Sonata in D Major - Two Flutes

    Cambini Op.5No1 FlFl nsmSonata in D Major, Op.5, No.1, by Giuseppe Maria Cambini

    Duet for Two Flutes
    Score and Parts, PDF $7.99

     

    Giuseppe Maria Cambini (1746-1825) was an Italian-born violinist and composer. He was one of the most prolific composers of his era, particularly of instrumental works, of which he wrote over 600, including numerous symphonies, 149 string quartets and over 100 trios, as well as ballets, operas, & oratorios. Flutists will know him for his concertos and extensive body of chamber works featuring the flute, including duos, trios, quartets and quintets.

    Noteworthy Sheet Music published this edition of Cambini's Sonata in D Major, Op.5, No.1 at the suggestion of flutist Richard A. Evans, who long ago obtained the duet from the Library of Congress and believed it undeserving of its current obscurity. We at NSM agreed that the duet should be made more readily available to present-day musicians and audiences. Our edition provides both score and parts, and incorporates articulation and dynamic edits supplied by Mr. Evans.

    Note that Cambini's Opus 5 flute duets were made into trios by the addition of a bass part composed by Thomas Billington. A PDF scan of the trio edition for two flutes and continuo arranged by Billington is available at IMSLP.org as Cambini's 6 Duos for Two Flutes, Opus 11 (London, printed for Longman & Broderip, n.d.).

    Score, 8 pages; Flute-1 part, 4 pages; Flute-2 part 4 pages; Total, 22 pages.

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