woodwinds
All scores that include a part for at least one woodwind instrument.
Fauré - Sicilienne - Alto Flute
Sicilienne, Op.78, by Gabriel FauréTranscribed for Alto Flute (and Piano) by C.A.Vater
Alto Flute Part, PDF $3.79
Sicilienne (Opus 78) was composed by Gabriel Fauré in 1893 and first published as a chamber music version for solo cello or violin with piano accompaniment in 1898. Numerous transcriptions of this popular piece have been made, including arrangements for flute and piano, viola and piano, horn and piano, flute and harp, 2 flutes and piano, flute and clarinet, and piano solo, among others. Our alto flute part is a transcription based on the original violin and cello parts of the edition published by J. Hamelle in 1898. We provide only the transcribed alto flute part; the piano accompaniment is readily available as a free pdf download of the original score for piano and cello, now in the public domain.
Alto Flute part, 2 pages of music; Total, 4 pages.
Haydn - Adagio, Quartet Op.20, No.5 - Fl & Pf
Adagio from Quartet in F Major, Op.20, No.5, by F. J. HaydnArranged for Flute and Piano by John W. Pratt
Flute Part and Piano Score, PDF $10.00
The third movement of Haydn's string quartet Opus 20, No. 5 is an Adagio with a simple melody that is treated to delightful filigreed elaboration and obbligato decoration by the violin. Although more complex quartet movements are typically unsuited to transcription, in this beautiful Adagio the soloistic nature of the violin part and the simplicity of the lower string parts lend themselves very well to an arrangement for flute and piano, as in the fine transcription we offer here.
Flute part, 3 pages of music; Piano score, 7 pages of music; Total, 14 pages.
PreviewHaydn - Adagio, Quartet Op.17, No.1 - Afl & Pf
Adagio from Quartet in E Major, Op.17, No.1, by F. J. HaydnTranscribed for Alto Flute and Piano by John W. Pratt
Alto Flute Part and Piano Score, PDF $8.00
Haydn's early quartets, especially the three sets of six written between 1768 and 1771 (Opus 9, Opus 17, and Opus 20), advanced the development of the classical string quartet enormously in all respects. The third movement of Opus 17, No. 1 is an Adagio with a beautiful violin melody that is harmonized simply by the other three strings. Whereas Haydn's more complex movements generally are unsuitable for transcription, the relative simplicity of this gorgeous Adagio makes it an exception. We present here a transcription for alto flute and piano. The melody is highly effective on the alto flute, and the other string parts are readily adaptable to the piano.
Alto Flute part, 2 pages of music; Piano score, 6 pages; Total, 12 pages.
PreviewHaydn - Adagio from Sym. No.24 - Flute & Piano
Adagio from Symphony No. 24, by F. J. HaydnArranged for Flute and Piano by John W. Pratt
Flute Part and Piano Score, PDF $6.00
Franz Joseph Haydn (1732-1809) wrote his Symphony No. 24 in 1764. The second movement is a beautiful Adagio for solo flute accompanied by strings, with a place for a cadenza. We offer here a piano transcription of the string accompaniment, with appropriate adaptations in sonority, and the flute part with a written cadenza based closely on Haydn's material and style. Players will find the resulting one-movement flute sonata both affecting and highly rewarding.
Flute part, 2 pages; Flute & Piano score, 4 pages; Total, 10 pages.
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We also offer a professionally-printed hard copy edition of the Haydn Adagio for $13.49 plus a $5.95 shipping and handling fee. Due to prohibitively high international shipping rates, we ship print editions only to addresses in the USA. Please use the Contact Us form to let us know which hard copy publication(s) you would like to purchase, along with your email contact information and USPS mailing address. We will then send you a PayPal invoice for the sale and, once we receive notice from PayPal that you have paid for the item(s), we will ship your music to the address provided for delivery in 7-10 business days.
Gabrielsky - Adagio et Variations - Fl & Pf
Adagio et Variations pour la Flûte sur un Thême de Caraffa, Op. 71, by W. GabrielskyGassett Collection - New Edition by Noteworthy Sheet Music
Flute Part and Piano Score, PDF $18.75
Johann Wilhelm Gabrielski (or Gabrielsky), 1795-1846, was an acclaimed German flutist and composer from Berlin. In 1814 Gabrielski secured a position as flutist at the theatre in Stettin and within two years was appointed to the Royal Court. Gabrielski's compositions, of which there are more than 100, were highly esteemed and popular in his day. Although these works have much to offer modern day flutists as well, Gabrielski's music is neither widely known nor readily available today. The Adagio et Variations pour la Flûte, Op. 71, exploits melodic material by Michele Enrico Carafa (Caraffa) di Colobrano (1787-1872), a Naples born musician who had a remarkably successful career in Paris as a composer for the Opéra-Comique and as a professor of composition and counterpoint at The Conservatoire. The work showcases the flutist's virtuosity, atop a relatively uncomplicated piano accompaniment.
For additional information about the Gassett Collection, please see see our article An Introduction to the Gassett Collection.
Flute part, 11 pages; Piano Score, 16 pages; Total, 31 pages.
PreviewDressler - Portrait Charmant - Flute (or Vn) & Piano
Portrait Charmant, by Raphael DresslerGassett Collection - Facsimile Edition by C.A.Vater/Noteworthy Sheet Music
Part for Flute or Violin and Piano Score, PDF $3.00
Raphael Dressler (1784-1835) was a well-known Austrian flutist and composer. He wrote more than 100 compositions for flute and published a popular flute method book, New and Complete Instructions for the Flute. His career included a position as first flutist in the Kärntnerthor Theater orchestra in Vienna and many years as a teacher and performer in London. Dressler's Portrait Charmant is the fifth of his Douze Thèmes Favoris pour Pianoforte et Flûte (ou Violon). The piece is a short work, simple yet indeed charming, and playable by flutists (or violinists) and pianists of many skill levels. A favorite of ours, Portrait Charmant can also be played effectively as a solo work for flute or violin alone.
For additional information about the Gassett Collection, please see see our article An Introduction to the Gassett Collection.
Piano score, 3 pages; Flute or Violin part, 1 page; Total, 8 pages.
PreviewLane - Transverse Fractures - Flute & Piano
Transverse Fractures, by Peter Van Zandt LaneContemporary Composition for Flute and Piano, PDF $20.00
Peter Van Zandt Lane's compositions have been featured on various festivals and conferences such as the New York City Electroacoustic Music Festival, Spark Festival, FEASt Fest, SEAMUS National Conferences, Forecast Music, Festival Miami, and LIPM/IEMS at the world renowned Teatro Colón in Buenos Aires. He has received awards in several competitions including the CRS Young Composers competition, the Forecast Music International Composers Competition, The Greater Miami Youth Symphony Composition Competition, and the Cleveland Orchestra Miami Residency Call for Scores. He has been a finalist twice for the ASCAP/SEAMUS Student Commission, and is an active member of the Composers in Red Sneakers, one of the country's longest-running composer consortiums.
Transverse Fractures (2009) is a short, virtuosic, high-energy duet for flute and piano. The piece was derived from a larger, longer chamber work entitled Partial Fractures, which the composer wrote for NotaRiotous Ensemble. Transverse Fractures, approximately 5 minutes long, is a piece of considerable difficulty for both the flutist and the pianist.
Piano Score, 13 pages; Flute Part, 7 pages; Total, 23 pages.
PreviewWalckiers - 2nd Book of Duets - Two Flutes
Trois Duos Concertants Brillants et Faciles pour Deux Flutes, by Eugène WalckiersGassett Collection - New Editions by C.A.Vater/Noteworthy Sheet Music, with a Foreword by Peter H. Bloom
2me Livre de Duos pour 2 Flutes, Opus 11
Duo 1: Flute 1 Part, Flute 2 Part, and Score PDF $10.50
Duo 2: Flute 1 Part, Flute 2 Part, and Score PDF $15.00
Duo 3: Flute 1 Part, Flute 2 Part, and Score PDF $16.50
Eugène Walckiers studied composition at the Paris Conservatoire with Anton Reicha and became a masterful, inventive, and prolific composer and arranger of 19th century chamber music. Both his original compositions and his arrangements are deeply significant in their expression of a particular, highly developed aesthetic approach. Walckiers' 2me Livre de Duos pour 2 Flutes, Opus 11, was dedicated to his friend Théodore Baltazaro and comprises three duets of three movements each. NSM has re-notated all of the Opus 11 duets using a modern music composition software program.
A review written by Katherine Borst Jones was published in the September, 2013 issue Flute Talk magazine. "The publication contains extensive notes and material on the composer. The second duet is great material for sightreading as well as studying the 19th century style of composition. Printed as flute 1 and flute 2, separately, the copy is clear and easy to read." Click to read the full review.
For additional information about the Gassett Collection, please see see our article An Introduction to the Gassett Collection.
Duo 1: Fl 1 & Fl 2 Score, 14 pages; Flute 1 part, 9 pages; Flute 2 part, 9 pages; Total, 37 pages. $10.50
Preview Duo 1Duo 2: Fl 1 & Fl 2 Score, 20 pages; Flute 1 part, 11 pages; Flute 2 part, 11 pages; Total, 47 pages. $15.00
Preview Duo 2Duo 3: Fl 1 & Fl 2 Score, 25 pages; Flute 1 part, 11 pages; Flute 2 part, 11 pages; Total, 54 pages. $16.50
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For those who would prefer to purchase a professionally-printed hard copy of this piece, rather than the PDF download, our print edition ofDuo 3 from the 2nd Book of Duos for Two Flutes, Op.11 by Eugène Walckiers is available directly from NSM for $28.05 plus a $5.95 shipping and handling fee to addresses in the USA. Please use the Contact Us form to let us know which hard copy publication(s) you would like to purchase, along with your email contact information and USPS mailing address. We will then send you a PayPal invoice for the sale and, once we receive notice from PayPal that you have paid for the item(s), we will ship your music to the address provided.
Walckiers - 5th Book of Duets - Two Flutes
Three Concertante Duets for Two Flutes, by Eugène WalckiersGassett Collection - Facsimile Edition by C.A.Vater/Noteworthy Sheet Music, with a Foreword by Peter H. Bloom
5th Book of Duets
Duetto 1: Flute 1 Part and Flute 2 Part, PDF $10.50
Duetto 2: Flute 1 Part and Flute 2 Part, PDF $10.50
Duetto 3: Flute 1 Part and Flute 2 Part, PDF $12.00
Eugène Walckiers (1793-1866) studied composition at the Paris Conservatoire with Anton Reicha and became a masterful, inventive, and prolific composer and arranger of 19th century chamber music. Walckiers was also a flutist, having been a protégé of the legendary Tulou. Rockstro, in his Treatise on the Flute (London, 1889), paid great tribute to Walckiers when he wrote: "The duets, trios and quartets of Walckiers belong to the highest school of French art, and prove their composer to have been a man of real genius. They are exceedingly imaginative, occasionally rather eccentric, yet always elegant, charming, and scholarly."
Rosamund Plummer wrote an independent review of Noteworthy Sheet Music's edition of Walckiers' Duetto 1 which was reproduced on the NSM website after first being published by Flute Focus.
Jason Ng & Campbell Wang won a Gold Award in the Secondary Duet Class of the 2012 New Zealand Woodwind Competition for their performance of Eugène Walckiers' 5th Book of Duets—Duetto I, published by Noteworthy Sheet Music.
For additional information about the Gassett Collection, please see see our article An Introduction to the Gassett Collection.
Duetto 1: Flauto Primo part, 9 pages; Flauto Secondo part, 7 pages; Total, 21 pages. $10.50Duetto 2: Flauto Primo part, 9 pages; Flauto Secondo part, 7 pages; Total, 21 pages. $10.50Duetto 3: Flauto Primo part, 9 pages; Flauto Secondo part, 9 pages; Total, 23 pages. $12.00Berbiguier - Les Regrets - Flute & Piano
Les Regrets, Op.104, by T. BerbiguierGassett Collection - Facsimile Edition by C.A.Vater/NSM, with a Foreword by Peter H. Bloom
Flute Part and Piano Score, PDF $18.00
Berbiguier dedicated Les Regrets (Mélodie Concertante, Opus 104) to his close friend, the composer-'cellist Pierre-Louis Hus-Desforges. Les Regrets appears to be a missive of consolation from one musical colleague to another, both disillusioned and scarred veterans of decades of nationalist French intrigue. Though the initial theme is a plaintive rendering of a dour dead-march, its development is mournfully elegant. The subsequent developments serve to uplift performer and listener with a musical meditation that, though turbulent, avoids bathos. Dashes of a bit of scherzo here and there move the music, ultimately, to an heroic major-key finale.
For additional information about the Gassett Collection, please see see our article An Introduction to the Gassett Collection.
Piano score, 18 pages; Flute part, 6 pages; Total, 32 pages.
PreviewNicholson - Coolun - Fl or Fl & Pf or Fl & Hp
Coolun, A favorite Irish Air with Four Variations, by C. NicholsonGassett Collection - Facsimile Edition by C.A.Vater/Noteworthy Sheet Music
Piano Score and Flute Part, PDF $9.99
Charles Nicholson (1795-1837) was a masterful, hugely popular, and highly influential English flutist and teacher, famous for his individual style and powerful tone. Among Nicholson's compositions are 13 fantasies and 15 airs with variations, including Coolun. A favorite Irish Air with Four Variations arranged for the Flute with an ad libitum Accompaniment for the Piano Forte, or Harp. The "Coulin" or "Coolan" was described in an 1833 letter to the editor of the Dublin Penny Journal (www.libraryireland.com) as "an air, that once heard even in the earliest infancy, can never be forgotten—a melody which breathes the most touching tenderness and exquisite sensibility, and the memory of which, enables the Irish to hear Scotland's 'O, Nanny wilt thou gang with me,'—or her 'Banks and Braes,' without envious repinings."
Nicholson's consummate rendition of Coolun is highly effective when played either as a solo for flute alone or by flute with accompaniment of piano, lever harp, or pedal harp. The Gassett Collection print from which our facsimile was created consists of a score for piano forte and flute, without a separate flute part. The flute part included in our edition was created from the score using a modern music notation software program.
Noteworthy Sheet Music's publication of Coolun was favorably reviewed by Katherine Borst Jones in the January, 2014 issue of Flute Talk magazine. You can read the review, reproduced on our website for your convenience, or at Flute Talk (subscribers).
For additional information about the Gassett Collection, please see see our article An Introduction to the Gassett Collection.
Piano score, 6 pages; Flute part, 5 pages; Total, 15 pages.
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To order our print edition of Coolun, A Favorite Irish Air arranged for Flute and Piano or Harp for $16.98 plus a $5.95 shipping and handling fee to addresses in the USA. Use the Contact Us form to let us know which hard copy publication(s) you would like to purchase, along with your email contact information and USPS mailing address. We will then send you a PayPal invoice for the sale and, once we receive notice from PayPal that you have paid for the item(s), we will ship your music to the address provided.
Vercoe - To Music - Flute Alone
To Music, by Elizabeth VercoeContemporary Composition for Solo Flute, PDF $6.99
Dr. Elizabeth Vercoe has been a composer at the St. Petersburg Music Festival in Russia, the Cité International des Arts in Paris, and the MacDowell Colony, and held the Acuff Chair of Excellence at Austin Peay State University in 2003. She has won many awards, commissions, and publications along with grants from the Artists Foundation and the National Endowment for the Arts. Her music is recorded on the Centaur, Capstone, Owl, Leonarda, and Parma labels and is published in print edition by Arsis Press.
To Music (2003) is a short, atmospheric solo for flute in four contrasting sections. At times the music is virtuosic, occasionally calling for multiphonics and other special effects. The titles of the four sections are taken from the haunting poetry of the Russian writer, Anna Akhmatova, a poet deeply interested in music.
Click to access a recording of To Music performed by flutist Peter H. Bloom in 2011 which has been posted on YouTube.
To Music can also be heard on the PARMA Recordings all-Vercoe CD
Preview Flute part, 5 pages; Total, 8 pages.
titled Kleemation and Other Works byElizabeth Vercoe, which has received excellent critical reviews. Click to read an IAWM Journal review Dr. Laura G. Kafka or one by Lee Passarella published by Audiophile Audition magazine. "There's more poetic reference in To Music, the titles of whose four short sections are taken from Russian poet Anna Akhmatova's work. Like the Fantasy, it successfully showcases the colors and techniques available to the modern practitioner of her instrument, in this case the flute."The image on our sheet music cover page displayed above is of Nathan Altman's 1914 painting, Portrait of Anna Akhmatova. Please note that this image, courtesy of Wikipedia, is public domain in the United States because it was first published before 1923 but it remains copyrighted in its source country. Therefore, we offer two editions of this publication, a USA edition with the Altman cover image and a non-USA edition without the cover image. The editions are otherwise identical.
To Music was commissioned by flutist Lisa Vanarsdel and written for her and for the Laurels Flute Project. The piece was premiered in 2005 by flutist Peter Bloom on the Quincy Library concert series in Quincy, Massachusetts. In 2009 Capstone Records issued a recording entitled "Points of Entry" (CP 8806, second volume of the Laurels Flute Project) with flutist Nancy Stagnitta performing To Music. Listen to a bit of To Music:
mp3 tomusic=============================================================================================
We also offer a print version of To Music, for those who prefer to purchase the piece as a professionally-printed hard copy. The price is $11.88 plus a $5.95 shipping and handling fee. Due to prohibitively high international shipping rates, we ship print editions only to addresses in the USA. Please use the Contact Us form to let us know which hard copy publication(s) you would like to purchase, along with your email contact information and USPS mailing address. We will then send you a PayPal invoice for the sale and, once we receive notice from PayPal that you have paid for the item(s), we will ship your music to the address provided.
Reissiger & Sedlatzek - La Pasta - Fl & Pf
La Pasta! Op.36, by Reissiger & SedlatzekConcertantes Variations sur la Cavatina de Rossini, No.3
Gassett Collection - Facsimile Edition by C.A.Vater/Noteworthy Sheet Music, with a Foreword by Peter H. Bloom
Flute and Piano Parts, PDF $13.50
Reissiger and Sedlatzek's work La Pasta is a particularly effective concert piece with which the accomplished flutist can enthrall a diverse audience by evoking the dramatic majesty of grand opera while applying the scintillating techniques of the 19th century virtuoso. La Pasta is flutist Johann Sedlatzek's homage, celebration, and souvenir of the redoubtable mezzo-soprano Giuditta Pasta (1798± - 1866±), arranged by the superb composer/conductor Carl Gottlieb Reissiger. Pasta (nee Negri) was a cynosure of Italian opera who created brilliant dramatic roles for Bellini, Donizetti, and Rossini. Legendary Maria Callas (1923-77) is often compared to Pasta by opera aficionados, but few are likely to have heard both in their prime. — P. H. Bloom, 5/23/2011
For additional information about the Gassett Collection, please see see our article An Introduction to the Gassett Collection.
Piano part, 13 pages; Flute part, 5 pages; Total, 24 pages
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Briccialdi - Fantaisie pour la Flûte - Fl & Pf
Fantaisie pour la Flûte, Op.110, by BriccialdiGassett Collection - Facsimile Edition by C.A.Vater/Noteworthy Sheet Music
Flute Part and Piano Score, PDF $13.50
The virtuoso Italian flutist Giulio Briccialdi (1818-1881) was a captivating performer and a brilliant and prolific composer of works for the flute. His compositions became highly popular among flutists and include several concerti and numerous duets, caprices, fantasies, and etudes. He served as professor of flute at the Academy of St. Cecilia in Rome and later at the Florence Conservatoire. A proponent of the Boehm flute, Briccialdi is best known today for his invention of the Briccialdi B-flat thumb key and for his variation on the Carnival of Venice, "Il Carnevale di Venezia" (Op.78). We offer here our facsimile edition of his charming, challenging, and otherwise unavailable Fantaisie pour la Flûte sur des motifs de l'opera La Sonnambula de Bellini (Op.110).
For additional information about the Gassett Collection, please see see our article An Introduction to the Gassett Collection.
Piano score, 13 pages; Flute part, 5 pages; Total 23 pages.
PreviewTulou – Intro. et Rondo pour la Flûte - Fl & Pf
Introduction et Rondo pour la Flûte, Op.49, by TulouGassett Collection - Facsimile Edition by C.A.Vater/Noteworthy Sheet Music, with a Foreword by Peter H. Bloom
Flute Part and Piano Score, PDF $12.75
Jean-Louis Tulou (1786-1865) was a prominent, virtuoso French flutist, composer, and flute maker. He was a member of the orchestra of the Paris Opéra, and served as professor of flute at the Paris Conservatoire from 1829-1856. Tulou composed a great many works for flute, including 5 concertos and numerous solos and duets. In 1835 he published his "Méthode de Flûte", still valuable today as a guide to performance practice in the early 19th century and for instruction on playing pre-Boehm keyed flutes. We offer here our facsimile edition of Tulou's Introduction et Rondo pour la Flûte avec Accompagnement de Piano (Op.49), an energetic, enjoyable romp for flute.
For additional information about the Gassett Collection, please see see our article An Introduction to the Gassett Collection.
Piano score, 12 pages; Flute part, 5 pages; Total, 21 pages.
PreviewReissiger & Fürstenau - Les Inseparables! - Fl & Pf
Les Inseparables!, Op.45, by Reissiger & FürstenauGrand Original Duets for Piano and Flute, No.1
Gassett Collection - Facsimile Edition by C.A.Vater/Noteworthy Sheet Music
Flute and Piano Parts, PDF $20.25
Carl Gottlieb Reissiger's Opus 45 was written as a Sonata for Violin and Piano, but was adapted for flute by Anton Bernhard Fürstenau. Fürstenau (1792-1852) composed and arranged many works for flute. He was among the most admired flutists of the 19th century and remains a well-known favorite of flutists today. Reissiger (1798-1859) was an accomplished composer of opera, orchestral, and chamber music. An influential figure in the city of Dresden, he served as Director of the Dresden Opera and later as Kapellmeister. Les Inseparables! No.1, is the first of the Three Grand Original Duets for Piano and Flute by Reissiger and Fürstenau. The piece, which consists of three movements, is a virtuosic work that should delight and challenge both players.
For additional information about the Gassett Collection, please see see our article An Introduction to the Gassett Collection.
Piano part, 21 pages; Flute part, 6 pages; Total, 33 pages.
PreviewWalckiers - Fantaisie pour la Flûte - Fl & Pf
Fantaisie pour la Flûte, Op.65, by Eugène WalckiersGassett Collection - Facsimile Edition by C.A.Vater/Noteworthy Sheet Music, with a Foreword by Peter H. Bloom
Flute Part and Piano Score, PDF $19.50
A student of Jean-Louis Tulou, Eugène Walckiers (1793-1866) was a flutist and an exceptionally talented composer. His Fantaisie pour la Flûte Sur la Ronde du Postillon de Lonjumeau is a delightfully engaging and challenging work based on emblematic material from the comic opera by the French composer Adolphe Adam (1803-1856). The famous Ronde du postillon appears at the end of Act I of Le Postillon de Lonjumeau (The Coachman of Lonjumeau), which premiered in Paris in 1836.
For additional information about the Gassett Collection, please see see our article An Introduction to the Gassett Collection.
Piano score, 19 pages; Flute part, 8 pages; Total, 32 pages.
PreviewFürstenau - Adagio et Rondo Brillant - Fl & Pf
Adagio et Rondo Brillant, Op.95, by A. B. FürstenauGassett Collection - Facsimile Edition by C.A.Vater/Noteworthy Sheet Music with a Foreword by Peter H. Bloom
Flute Part and Piano Score, PDF $12.00
Anton Bernhard Fürstenau (1792-1852) was among the most revered flutists of the 19th century. Following his appointment to the post of principal flute for the Royal Chapel at Dresden in 1820, Fürstenau became a valued colleague and close personal friend of the court's music director, Carl Maria von Weber. The influence of Weber's dramatic melodic gestures and edgy harmonic shifts can be heard in this passionately evocative Adagio et Rondo Brillant. An NSM favorite!
For additional information about the Gassett Collection, please see see our article An Introduction to the Gassett Collection.
Piano score, 12 pages; Flute part, 4 pages; Total, 20 pages.
PreviewBerbiguier - Nouvelle Fantaisie - Flute & Piano
Nouvelle Fantaisie pour Flûte, Op. 80, by T. BerbiguierGassett Collection - Facsimile Edition by C.A.Vater/Noteworthy Sheet Music, with a Foreword by Peter H. Bloom
Flute and Piano Parts, PDF $13.50
Berbiguier's Nouvelle Fantaisie (Opus 80), like his Grande Fantaisie (Opus 77), was composed on melodies from Carl Maria von Weber's genre-defining opera Der Freischütz. Both pieces were published around 1825. Enthusiasm for Der Freischütz continued to build in subsequent decades, as evinced by the nearly numberless fantaisies, paraphrases, souvenirs, and variations that have been published. Melodies from Freischutz pervade the classic repertoire of instruments from aeolian pianola to zither, including examples for concertina, mandolin, saxophone, and ocarina quartet. Piano and flute sheet music.
For additional information about the Gassett Collection, please see see our article An Introduction to the Gassett Collection.
Piano part, 11 pages; Flute part, 7 pages
PreviewBerbiguier - Grande Fantaisie - Flute & Piano
Grande Fantaisie, Op. 77, by T. BerbiguierGassett Collection - Facsimile Edition by C.A.Vater/Noteworthy Sheet Music, with a Foreword by Peter H. Bloom
Flute and Piano Parts, PDF $16.99
Benoit Tranquille Berbiguier (1782-1838) was among the preeminent European flutists of the early nineteenth century. Berbiguier was a prolific composer, and his nearly 150 published works include sets of duos and trios for flutes, as well as music that features flute with piano, orchestra, and chamber ensembles. His Grande Fantaisie avec Variations pour Flûte avec Accompagnement de Piano Forte (Opus 77) was composed on two motifs from Der Freischütz, Carl Maria von Weber's monumental opera which premiered in Berlin in 1821 and became an immediate international sensation. Sheet music for flute and piano.
For additional information about the Gassett Collection, please see see our article An Introduction to the Gassett Collection.
Piano part, 9 pages; Flute part, 8 pages; Total, 24 pages.
Sicilienne, Op.78, by Gabriel Fauré
Adagio from Quartet in F Major, Op.20, No.5, by F. J. Haydn
Adagio from Quartet in E Major, Op.17, No.1, by F. J. Haydn
Adagio from Symphony No. 24, by F. J. Haydn
Adagio et Variations pour la Flûte sur un Thême de Caraffa, Op. 71, by W. Gabrielsky
Portrait Charmant, by Raphael Dressler
Transverse Fractures, by Peter Van Zandt Lane
Trois Duos Concertants Brillants et Faciles pour Deux Flutes, by Eugène Walckiers
Three Concertante Duets for Two Flutes, by Eugène Walckiers
Les Regrets, Op.104, by T. Berbiguier
Coolun, A favorite Irish Air with Four Variations, by C. Nicholson
To Music, by Elizabeth Vercoe
titled 
La Pasta! Op.36, by Reissiger & Sedlatzek
Fantaisie pour la Flûte, Op.110, by Briccialdi
Introduction et Rondo pour la Flûte, Op.49, by Tulou
Les Inseparables!, Op.45, by Reissiger & Fürstenau
Fantaisie pour la Flûte, Op.65, by Eugène Walckiers
Adagio et Rondo Brillant, Op.95, by A. B. Fürstenau
Nouvelle Fantaisie pour Flûte, Op. 80, by T. Berbiguier
Grande Fantaisie, Op. 77, by T. Berbiguier