Noteworthy Sheet Music, LLC

Uncommon Sheet Music for Flute and Alto Flute

Austrian

  • Mozart K304-cl nsmSonata in E minor, K.304, by W. A. Mozart

    Transcribed for Clarinet (and Piano) by John W. Pratt

    Clarinet in A Part, PDF $5.99


    Mozart's second group of violin sonatas, the seven "Mannheim" sonatas of 1778, were begun in Mannheim where the composer also worked on a flute commission. The violin parts rarely make significant use of double stops and are in general well suited to a wind instrument. Mozart's works in minor keys are rare and special: consider the G-minor quintet and Symphony No. 40. The K.304 sonata is his only work in E minor and it is mysteriously compelling in its simplicity. Mr. Pratt has created an excellent transcription of the Sonata in E minor, K.304 for A-clarinet. K.304 was written the same summer that Mozart's mother died, an association often pointed to and the inspiration for our cover image selection.

    Note that Mr. Pratt's transcription offers the advantage of being in the original key, and that we provide the A-clarinet part only.  The clarinet part works perfectly with the piano part in Mozart's score for piano and violin, which is in the public domain and readily available on imslp.org, free of charge. 

    For additional information about the seven Mozart Mannheim sonatas and Mr. Pratt's previous transcriptions of them for alto flute, please read his article Mozart's Mannheim Sonatas, which was originally published by Flute Focus and subsequently republished by NSM on our Resources – Reviews and Articles page.


    Clarinet part, 5 pages; Total, 8 pages.

  • Mozart Kegelstatt Afl nsm"Kegelstatt" Trio in E-flat major, K.498, by W. A. Mozart


    Transcribed for Alto Flute, Viola, and Piano by John W. Pratt, with a Program Note by Peter H. Bloom
    Alto Flute Part, PDF $7.99

    As Editor-in-Chief of Noteworthy Sheet Music, LLC, I recently found myself in the unusual situation of having received transcriptions of the "Kegelstatt" Trio clarinet part for alto flute from two of NSM's most experienced and proficient arrangers, John W. Pratt and Peter H. Bloom. That both arrangers chose to create a "Kegelstatt" part for alto flute, and that their transcriptions were nearly identical, attests to the value of adapting this Mozart clarinet part and its natural fit for the alto flute. Our edition includes Mr. Pratt's alto flute part transcription, as well as a program note written by Mr. Bloom for his upcoming alto flute performances of the "Kegelstatt" Trio with Ensemble Aubade (Peter H. Bloom, flutes; Francis Grimes, viola; and Mary Jane Rupert, piano/harp). —cav, December, 2016

    Our edition includes only the alto flute transcription of the clarinet part; the original piano score and viola part are in the public domain and may be downloaded free of charge from IMSLP.org as good quality PDFs.


    Alto Flute part, 6 pages; Total, 10 pages.

  • Schubert Auf-dem-Strom VoClPf nsmAuf dem Strom, Op.119, by Franz Schubert

    Obbligato transcribed for A-Clarinet by C. A. Vater

    Piano Score and Parts for Voice and A-Clarinet, PDF $9.50

    The great Austrian composer Franz Peter Schubert (1797-1828) was a master at creating extremely beautiful, melodic, emotional lieder. His song Auf dem Strom (On the River) provided a musical setting for the text of the eponymous poem written by the German poet and music critic Ludwig Rellstab. The lyrics tell the story of a sad parting, of the yearning and loneliness that sets in as the narrator bids farewell to a loved one on shore, while his river journey carries him away towards the sea. The premier performance of Auf dem Strom took place in Schubert’s 1828 public concert, during which the obbligato part was played by Josef Lewy on horn, the instrument for which the obbligato was written and which undoubtedly can provide an appropriately mournful, sentimental character to the piece. However, an alternate obbligato version for cello was also published. Now, with all respect, we provide an A-clarinet version of the obbligato, in expectation that clarinetists will appreciate this addition to the voice/clarinet/piano repertoire. We believe that a well-played clarinet can aptly contribute a suitably complex, dolorous essence and tone that will adequately do justice to this highly romantic lied by Schubert. Schubert himself created one of his most wonderful and popular works, Der Hirt auf dem Felsen, for clarinet obbligato, and we hope he would welcome our adaptation of Auf dem Strom for A-clarinet.

     

    Score, 19 pages; Voice part, 4 pages; A-Clarinet part, 4 pages; Total, 32 pages.

  • Schubert Auf-dem-Strom VoBFlPf nsmAuf dem Strom, Op.119, by Franz Schubert

    Obbligato transcribed for Bass Flute by C. A. Vater
    Piano Score and Parts for Voice and Bass Flute, PDF $9.50


    The great Austrian composer Franz Peter Schubert (1797-1828) was a master at creating extremely beautiful, melodic, emotional lieder.  His song Auf dem Strom (On the River) provided a musical setting for the text of the eponymous poem written by the German poet and music critic Ludwig Rellstab.  The lyrics tell the story of a sad parting, of the yearning and loneliness that sets in as the narrator bids farewell to a loved one on shore, while his river journey carries him away towards the sea.  The premier performance of Auf dem Strom took place in Schubert's 1828 public concert, during which the obbligato part was played by Josef Lewy on horn, the instrument for which the obbligato was written and which undoubtedly can provide an appropriately mournful, sentimental character to the piece.  However, an alternate obbligato version for cello was also published.  Now, with all respect, and at the suggestion of our flutist colleague Peter H. Bloom, we offer a bass flute version of the obbligato.  Most of the transposed horn part falls nicely within the sweet range of the bass flute, and very few adaptations were required.  Though clearly having different sonic qualities than a horn, the bass flute lends a forlorn, haunting, earthy tone that can well do justice to this Schubert song.  After giving the bass flute obbligato a try, Mr. Bloom commented: "Fabulous! // The tone-color of the bass flute for this number is gorgeous."

  • Schubert RondoD895 Fl nsmRondo in B minor, D.895, by Franz Schubert

    Transcribed for Flute (and Piano) by J.W.Pratt and C.A.Vater

    Flute Part, PDF $11.99

    The Rondo in B minor, D.895 (alternatively known as Rondeau brillant) was written for violin and piano in 1826 by the great Austrian composer Franz Peter Schubert.  Dedicated to the young violin virtuoso Josef Slawjk, the Rondo is demanding in both the solo and piano parts.  The work consists of an Andante introduction and an Allegro rondo, and is quite long at 713 measures and typically some thirteen minutes or more in duration.  Inexplicably, the piece is less familiar to players and audiences than many of Schubert’s other works.  Brian Newbould, renowned composer, conductor, author, and Schubert expert, wrote of the Rondo in his treatise Schubert: The Music and the Man (University of California Press, Jan 1, 1997, p365): “Not surprisingly, perhaps, it is little known because it is seldom played. But it is also undervalued: it scintillates, dances and sings, with a blend of infectious joy, tireless energy, rhythmic zip and ‒ from time to time ‒ heart-melting turns of melody and harmony.”


    These characteristics and the way the music realizes them are not only suitable to but often even suggestive of a wind instrument. Our transcription provides effective flute-friendly alternatives for the violin’s double-stops as well as for notes that fall below the flute’s range, so the piece can be played comfortably and beautifully on flute. The Rondo is virtuosic in places, showy and exciting, and overall great fun to play.  The Noteworthy Sheet Music edition of our transcribed flute part does not include a re-notated copy of the score, since high-quality PDFs of the piano and violin score are freely available in the public domain and are sufficient to use along with our flute part, in lieu of violin. To download one such PDF of the score, please visit the Rondo’s page on IMSLP.

    Flute part, 12 pages; Total 14 pages.