Noteworthy Sheet Music, LLC

Uncommon Sheet Music for Flute and Alto Flute

piano

Scores with at least one part for piano.
  • Kalliwoda - Concertino - Alto Flute

    kalliwoda concertino 245px nsmConcertino, Op.110, by J. W. Kalliwoda

    Transcribed for Alto Flute by C.A.Vater

    Alto Flute Part ― PDF $6.99

    Johann Wenzel Kalliwoda (1801‒1866) was a Bohemian violinist, orchestra conductor, and prolific composer who wrote numerous compositions, including operas, symphonies, various works for violin and orchestra, piano pieces, and chamber music works.  He was considered a significant composer in his day, especially for pieces written early in his career, and his music received the praise of Robert Schumann.  Kalliwoda was immensely popular and a favorite of American concert-going audiences in the first half of the 19th century.

    His Concertino, Op.110, for oboe and orchestra was first published by Schott in 1841.  An arrangement of the work for oboe and piano is available on imslp.org, in addition to an orchestral score and parts for oboe, violins I and II, violas, cellos, and basses.  Like many of Kalliwoda's earlier compositions, the Concertino is highly melodic and energetic.  We created a transcription of the solo oboe part for alto flute that gives alto flutists an opportunity to experience first-hand the joy of playing this style of classical 19th century bravura work, for which the alto flute is well-suited.   Perhaps it should be pointed out that Theodore Boehm, who developed the modern alto flute in G during the mid-1850's, intended that the alto become a new instrument in its own right, utilized in a variety of musical roles and characterized by a unique quality of sound.  Indeed, we think Boehm likely would have approved of our creating new opportunities, such as this transcription of the Kalliwoda Concertino, to show off the alto flute's versatility and the alto flute performer's virtuosity.

    Click to preview p1 of the alto flute transcription of Kalliwoda's Concertino Concertino.  We provide our alto flute part only; appropriate parts for piano or orchestral accompaniment may be obtained as free pdf downloads from public domain resources, such as imslp.org.

    Alto Flute part, 7 pages; Total, 10 pages.

  • Kalliwoda - In die Ferne - Voice, Violin/Flute, & Piano

    kalliwoda in die ferne cover image 240pxIn die Ferne, Op.98, No.1, by J. W. Kalliwoda

    Facsimile Edition plus Transcription of Violin part for Flute by C.A.Vater

    Score for Violin, Voice, & Piano, Violin Part, Flute Part, PDF $5.99

    Johann Wenzel Kalliwoda (1801‒1866) was a Bohemian violinist, conductor, and composer who spent much of his career in Donaueschingen, where he served as the conductor of the court orchestra for Prince Karl Egon II of Fürstenberg.  Kalliwoda composed numerous works, including operas, symphonies, pieces for piano, violin and orchestra, and chamber music.

    Kalliwoda's song In die Ferne (Far Away) was published in a nineteenth century collection of lieder, along with several songs by Hauptmann and Reinecke.  The vocal range of In die Ferne extends from E4 to G#5, and thus is well-suited for either soprano or mezzo-soprano.  Our edition contains "enhanced" facsimiles of the original score (violin, voice, and piano) and violin part, plus a transcription of the violin part for flute created using a modern music notation program. Therefore, In die Ferne may be performed using the accompaniment of either violin or flute, along with the voice and piano.  Click here to preview p1 of the score.

    Score, 6 pages; Violin and Flute parts, 1 page each; Total, 12 pages.

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    U.S. customers may purchase professionally-printed hard copies of In die Fernefor $10.18 plus a $5.95 shipping and handling fee.  Please use the Contact Us form to let us know which print edition(s) you would like to purchase, along with your contact information and your USPO mailing address.

  • Lane - Seven Rants - Wind Quintet & Piano

    lane.sevenrants nsmSeven Rants, by Peter Van Zandt Lane

    Contemporary Composition for Flute, Oboe, Clarinet, Horn, Bassoon, and Piano, PDF $0.00

    Peter Van Zandt Lane was commissioned to compose this piece for the 67th Composers Conference and Chamber Music Workshop at Wellesley College, which took place in the summer of 2011.   The annual Conference is a wonderful two-week event, which brings together prominent young composers, superb professional musicians, dedicated amateur chamber musicians, and enthusiastic listeners.   The professional musicians premiere the composers' new works and also coach the amateur musicians in chamber ensembles. Concerts are free and open to the public.  For more information on the program, please visit the Composers Conference website.

    After the Conference each year, one of the composer fellows is selected to create a new work for the next year's chamber music workshop participants.   That composer returns the following summer to coach two groups of players on the new composition, in preparation for performances in the Saturday evening concerts of Week I and Week II.   Peter Van Zandt Lane's Seven Rants was an enormous success in 2011, absolutely loved by the players and received exceptionally well by the audience.   Written for flute, oboe, clarinet, horn, bassoon, and piano, Seven Rants is a series of seven delightful and diverse movements.  The first and last movements are strict palindromes.  The five middle movements or "rants" are "mini-concertos", each highlighting a different wind instrument.   Great fun to play, and highly accessible.

    With permission from both the composer and the Wellesley Composers Conference and Chamber Music Center, Noteworthy Sheet Music is thrilled to offer our customers a free PDF download of Seven Rants by Peter Van Zandt Lane.   And please check out more of this terrific young composer's work, including two other listings in the NSM catalog, Danzas Mecánicas and Transverse Fractures.

    Score, 37 pages: Flute part, 10 pages; Oboe part, 9 pages; Clarinet part, 10 pages; Horn part, 9 pages; Bassoon part, 9 pages; Piano part, 15 pages; Total, 103 pages.

  • Lane - Transverse Fractures - Flute & Piano

    lane.transverse fractures.imageTransverse Fractures, by Peter Van Zandt Lane

    Contemporary Composition for Flute and Piano, PDF $20.00

    Peter Van Zandt Lane's compositions have been featured on various festivals and conferences such as the New York City Electroacoustic Music Festival, Spark Festival, FEASt Fest, SEAMUS National Conferences, Forecast Music, Festival Miami, and LIPM/IEMS at the world renowned Teatro Colón in Buenos Aires.  He has received awards in several competitions including the CRS Young Composers competition, the Forecast Music International Composers Competition, The Greater Miami Youth Symphony Composition Competition, and the Cleveland Orchestra Miami Residency Call for Scores.  He has been a finalist twice for the ASCAP/SEAMUS Student Commission, and is an active member of the Composers in Red Sneakers, one of the country's longest-running composer consortiums.

    Transverse Fractures (2009) is a short, virtuosic, high-energy duet for flute and piano.  The piece was derived from a larger, longer chamber work entitled Partial Fractures, which the composer wrote for NotaRiotous Ensemble.  Transverse Fractures, approximately 5 minutes long, is a piece of considerable difficulty for both the flutist and the pianist.  Click to preview p1 of the score.

    Piano Score, 13 pages; Flute Part, 7 pages; Total, 23 pages.  

  • Mendelssohn - Concert Piece No.1 - Two Winds and Piano

    Mendelssohn Op-113 fl-cl-pf nsmConcert Piece No.1, Op.113, by Felix Mendelssohn

    Transcribed for Various Wind Instruments and Piano by John W. Pratt
    (originally for Clarinet, Basset Horn, and Piano)


    Individual Primo parts for Clarinet, Flute, or Oboe, PDFs $5.99 each


    Individual Secondo parts for Bassoon, Clarinet, or English Horn, PDFs $5.99 each


    Piano Score, with original Clarinet and Basset Horn parts in concert pitch, PDF $6.99


    Piano Score (original winds in concert pitch), Flute & Clarinet Parts, PDF $13.99


    Piano Score (original winds in concert pitch), Clarinet & Bassoon Parts, PDF $13.99


    The following is excerpted from John Pratt's © foreword:
    "In 1833, Felix Mendelssohn (1809-1847) wrote two Concert Pieces for Clarinet, Basset Horn, and Piano, op. 113 and op. 114, as show-pieces for the famous clarinetist Heinrich Bärmann (1784-1847) to play with his up-and-coming son Karl (1811-1885) on the basset horn. // Mendelssohn's two Concert Pieces are very suitable for transcription, even aside from the rarity of the basset horn today. We provide, as well as the original clarinet part, transcriptions of it for flute and oboe. Transcriptions of the basset horn part are provided for bassoon, clarinet, and English horn. These primo and secondo parts can be mixed and matched at will. For the score, we use Mendelssohn's instruments rather than some other arbitrary pair. This enables anyone interested to check any transcribed part against the original. The score gives the parts in concert pitch, because a transposition would apply to only one of the possible winds, and because the pianist can then easily play any part at original pitch."

    Please note that PDFs of the original score and clarinet-primo part are available free of charge in the public domain (see the listing of this work on IMSLP.org), and our transcribed primo and secondo wind parts can readily be used with the original score. Therefore, you should purchase our Score and/or Clarinet-primo part only if you would like Mr. Pratt's concert pitch version of the score (for piano with clarinet and basset horn) and/or would like to take advantage of the price break provided by one of our complete trio editions.

     

    Mendelssohn Op-113 fl-cl-pf nsmComplete Edition for Flute, Clarinet, and Piano; PDF $13.99

    Score, 8 pages; Flute Part, 4 pages; Clarinet Part, 4 pages, Total, 24 pages.

     

    Mendelssohn Op-113 cl-bn-pf nsm

    Complete Edition for Clarinet, Bassoon, and Piano; PDF $13.99

    Score, 8 pages; Clarinet Part, 4 pages, Bassoon Part, 4 pages; Total, 24 pages.

     

    Piano Score with Clarinet and Basset Horn lines in concert pitch, 8 pages; Total, 10 pages; PDF $6.99

    (note that the original score is freely available on IMSLP.org)

     

    Clarinet in B-flat, primo part, 4 pages; Total, 6 pages; PDF $5.99

    (note that the original clarinet part is freely available on IMSLP.org)

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    Flute, primo part, 4 pages; Total, 6 pages; PDF $5.99

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    Oboe, primo part, 4 pages; Total, 6 pages; PDF $5.99

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    Bassoon, secondo part, 4 pages; Total, 6 pages; PDF $5.99

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    Clarinet in B-flat, secondo part, 4 pages; Total, 6 pages; PDF $5.99

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    English Horn, secondo part, 4 pages; Total, 6 pages; PDF $5.99

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  • Mendelssohn - On Wings of Song - Alto Flute & Piano

    MendelssohnOWOS.NSMOn Wings of Song, Op.34, No.2, by Felix Mendelssohn

    Transcribed for Alto Flute and Piano by C.A.Vater

    Alto Flute Part and Piano Score, PDF $5.99

    Having made significant contributions as a poet, essayist, journalist, and critic, Christian Johann Heinrich Heine (1797-1856) is considered one of the great German writers of the 19th century.  Many of his romantic poems were chosen as the text for Lieder by such eminent composers as Schubert, Schumann, and Brahms.  The Heine poem Auf Flügeln des Gesanges, which translates into English as On Wings of Song, was set to music by Felix Mendelssohn and published as No. 2 of six songs for voice and piano constituting his Opus 34.  Auf Flügeln des Gesanges became one of Mendelssohn's most famous art songs, and remains popular to this day.  Arrangements and transcriptions of the music have been created for small orchestra, flute and guitar, flute and piano, violin and piano, two violins, cello and piano, treble choir, and piano solo, among others.  With its charming, simple melody and narrow pitch range, On Wings of Song is highly accessible and understandably a favorite of vocal and instrumental soloists of all levels.  Our transcription is in the key of G, and the song is especially mellow and lovely when played on alto flute. 

    Alto Flute part, 1 page; Piano Score, 4 pages; Total, 8 pages.

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    We also offer a professionally-printed hard copy edition of On Wings of Song for $10.18 plus a shipping and handling fee. Please use the Contact Us form to let us know which hard copy publication(s) you would like to purchase, along with your contact information and USPS mailing address. We will then send you a PayPal invoice for the sale and, once we receive notice from PayPal that you have paid for the item(s), we will ship your music to the address provided.

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  • Mozart - Concerto in D Major - Alto Flute

    mozart k412 image 240 pxConcerto in D Major, K.412, by W. A. Mozart 

    Transcribed (from horn and piano arrangement) for Alto Flute by C.A.Vater

    Alto Flute Part, PDF $3.99

    Mozart's Concerto for Horn in D major for Horn and Orchestra is scored for solo horn in D, with two oboes, two bassoons, and strings.  Henri Kling (1842-1918), horn player, composer, conductor, and professor, arranged the concerto for horn and piano.  We used the Kling arrangement as the source from which to create a transcription of the horn part for alto flute.  The piano scoreis in the public domain and available as a free pdf download from other sources such as imslp.org/.

    The Concerto in D major, K.412 is a short work of approximately 8-10 min duration, consisting of only two movements - an Allegro and a Rondo Allegro. The movements are light and joyous, and pose no particular technical challenges to the alto flute player.  The written range is quite limited, extending only from D5 to E6.  Thus, this piece can be played by less advanced students as well as by more experienced alto flutists.  Click here to preview p1 of the Alto Flute part.

    Alto Flute part, 4 pages of music; Total, 8 pages. 

  • Mozart - Concerto in E-flat major - Alto Flute & Piano

    mozart k417 nsmConcerto No.2 in E-flat major, K.417, by W. A. Mozart

    Transcribed for Alto Flute (from horn and piano arrangement) by C.A.Vater

    Piano Score and Alto Flute Part, PDF $9.99

    Mozart wrote his Concerto No. 2 in E-flat major for Horn and Orchestra for his good friend, the virtuoso horn soloist Joseph Leutgeb (c.1745-1811), who became first horn in the orchestra of the Salzburg archbishop in 1770.  The concerto was completed in 1783.   Its movements are light, joyous, and teeming with melody: a wide-ranging opening allegro, a slow middle movement, and a final rondo. The second movement Andante is particularly lyrical and beautiful, whereas the concluding Rondo is quite comic with an obvious hunting theme.

    The concerto was arranged for horn and piano by Henri Kling (1842-1918), horn player, composer, conductor, and professor.   We used the Kling arrangement, which was published ca.1890 and is now in the public domain, as the basis of our transcription of the concerto for alto flute and piano.  We introduced only minor changes to the solo horn line to adapt it for alto flute, and those alterations were made with sensitivity and the intention of preserving Mozart's inspired creation to the fullest extent possible.

    Click here to preview a page of the Score for Alto Flute and Piano.

    Alto Flute part, 4 pages; Piano Score, 16 pages; Total, 22 pages.

  • Mozart - Concerto in Eb Major, K.447 - Alto Flute

    mozart k.447 nsmConcerto in E-flat Major, K.447, by W. A. Mozart

    Transcribed for Alto Flute (from horn and piano arrangement) by C.A.Vater

    Alto Flute Part, PDF $5.99

    Wolfgang Amadeus Mozart (1756-1791) wrote four horn concertos for his good friend Joseph Leutgeb (1732-1811).   Leutgeb was a virtuoso horn player, who served as principal horn in Salzburg and thus became a colleague of Leopold Mozart, during the young Wolfgang's early years.  Leutgeb appears to have remained a friend and inspiration for W. A. Mozart throughout the composer's life.

    The Mozart horn concertos are delightful, joyous works.  The third horn concerto, K.447, like two of the three others, was written in the key of E-flat major.  It is thought to have been composed in 1787.   The work is in typical concerto form, consisting of three movements—an Allegro, a Romanze, and another Allegro, which together have an average performance duration time of approximately 15 minutes.

    K.447, Concerto for Horn in E-flat major for Horn and Orchestra, is scored for solo horn in E-flat, with two clarinets, two bassoons, and strings.   Henri Kling (1842-1918), a horn player who was also a composer, conductor, and professor, arranged the concerto for horn and piano.  His transcription was published by Breitkopf und Härtel, n.d. (ca. 1890).  We used the Kling edition, now in the public domain and available as a free pdf download from imslp.org, to create a transcription of the horn part for alto flute.  Our edition incorporates adjustments that account for differences in range and sonority between the alto flute and horn, while striving to maintain the style and character of the original composition.

    Click to preview a page of the transcribed Alto Flute part for K.447.   We provide the alto flute part only; the piano score (horn and piano) by Henri Kling is freely available from imslp.org.

    Alto Flute part, 5 pages; Total, 8 pages.

  • Mozart - Concerto in Eb Major, K.495 - Alto Flute

    mozart k.495 nsmConcerto in E-flat Major, K.495, by W. A. Mozart

    Transcribed for Alto Flute (from horn and piano arrangement) by C.A.Vater

    Alto Flute Part, PDF $7.99

    Mozart's Horn Concerto No.4, K.495, was composed in 1786 and scored for solo horn, with two oboes, two horns, and strings (bassoon ad libitum).   The work consists of three movements—Allegro moderato, Romanza-Andante, and Rondo-Allegro vivace—with the rousing Rondo clearly evoking a hunt scene.   The horn player Henri Kling (1842-1918) created arrangements of all the Mozart horn concerti for horn and piano.   His transcription of K.495 was published by Breitkopf und Härtel, n.d. (ca. 1882).  We used the Kling edition, now in the public domain and available as a free pdf download from imslp.org, to create a transcription of the horn part for alto flute.  Our edition incorporates adjustments that account for differences in range and sonority between the alto flute and horn, while striving to maintain the style and character of the original composition.

    Click to preview a page of the transcribed Alto Flute part for K.495.   We provide the alto flute part only; the piano score (horn and piano) by Henri Kling is freely available from imslp.org.

    Alto Flute part, 7 pages; Total, 10 pages.

  • Mozart - Sinfonia Concertante - Fl/Cl/Pf

    mozart sinfonia nsmSinfonia Concertante, K.364, by Wolfgang Amadeus Mozart

    Transcribed for Flute, Clarinet, and Piano by John W. Pratt

    (originally for Violin, Viola, and Orchestra)

    Piano Score, Flute & Clarinet Parts, PDF $17.99

    Excerpted from the Foreword by J. W. Pratt:  "The idea that every piece, especially a major one, can be satisfactorily transcribed for whatever instruments one would like is one I firmly reject.  However, a trio arrangement of this Sinfonia Concertante for flute, clarinet, and piano can, I believe, capture and present in a new light many of the wonders of this great work, even the wonders of its sonorities..... In the arrangement here, the flute and clarinet almost always play either a solo part or an orchestral part with only octave changes..... For the piano, on the other hand, straightforward orchestral reduction is often ineffective and unsatisfying, and that would certainly be true here, even with the flute and clarinet taking some wind parts. I have attempted instead to find natural piano "orchestrations" as alternatives to Mozart's orchestral layouts, especially where the full orchestra is playing..... Such effects, often heightened on returns, are better suited to the piano's capabilities and its role as a member of a trio than a straightforward reduction would be..... The music available for flute, clarinet, and piano includes surprisingly few major works.   The purpose of our arrangement is to add a significant piece to this repertoire and to enable players and listeners to enjoy Mozart's magnificent Sinfonia Concertante in a new way."

    Click to preview a page of the score from Mr. Pratt's transcription of the Mozart Sinfonia Concertante for flute, clarinet, and piano.

    Score, 41 pages; Flute part, 18 pages; Clarinet part, 17 pages; Total, 82 pages.

  • Mozart - Sonata in A Major, K.305 - Alto Flute

    mozart.k305 cover image 240pxSonata in A Major, K.305, by W. A. Mozart

    Transcribed for Alto Flute and Piano by John W. Pratt

    Alto Flute Part, PDF $3.99

    Mozart's Sonata in A Major, K.305 is perhaps the most completely extroverted of the Mannheim sonatas.  Like K.302, it opens with four emphatically tonic bars, followed by a gentle, linear four-bar theme, all immediately repeated.  The second movement of K.305 is the only movement of the Mannheim sonatas in theme-and-variations form.  It is far from routine.  The theme has an unusual variety of rhythms and accompaniment figurations; the 32nd-note variation is the very first, not a later one; the minor variation is at the prevailing tempo, not slow; and a brief but telling piano cadenza interrupts the antepenultimate variation's peroration. (excerpted from JWP's foreword to the edition)

    We provide the transcribed alto flute part—click to preview p1. The piano scoreis available in the public domain as a free pdf download from imslp.org/.

    Alto Flute part, 4 pages; Total, 6 pages.

  • Mozart - Sonata in C Major, K.296 - Alto Flute

    mozart.sonata in c major k296.cover image 240pxSonata in C Major, K.296, by W. A. Mozart

    Transcribed for Alto Flute and Piano by John W. Pratt

    Alto Flute Part, PDF $6.99

    Mozart composed K.296 in 1778 under the same creative impulse as the other Mannheim violin sonatas, K.301‒306, but published it later, in 1781, with five other three-movement sonatas.  He dedicated it to his Mannheim landlord's 15-year old daughter, Therese-Pierron Serrarius, who perhaps inspired the turns lightening the opening fanfares, quick trills in the first theme, and contrasting textures and sparkling interplay between the instruments in the first movement.  The second movement is a beautiful arietta with wonderful opportunities for the alto flute to both present and accompany the melody.  In the concluding Rondo, in sonata-rondo form, the instruments repeatedly swap the theme and much of the episodic material. ―J. W. Pratt

    We provide our transcription of the violin part for alto flute.... please click to preview p1 of the part. The piano score is available in the public domain as a free pdf download from imslp.org/.

    For additional information about the seven Mozart Mannheim sonatas and their alto flute transcriptions, please read the Mozart’s Mannheim Sonatas article written by Mr. Pratt; the article was originally published by Flute Focus and subsequently republished by NSM on our Resources – Reviews and Articles page.

    Alto Flute part, 7 pages; Total, 10 pages.

  • Mozart - Sonata in C Major, K.303 - Alto Flute

    mozart.k.303 image 240 pxSonata in C Major, K.303, by W. A. Mozart

    Transcribed for Alto Flute and Piano by John W. Pratt

    Alto Flute Part, PDF $4.99

    Both movements of Mozart's Sonata in C Major, K.303 are quite different from others of his 'Mannheim' set. The unusual first movement is in sonata form mixing retro and novel features—the whole first subject and transition to the dominant are adagio and considerably varied in the recapitulation, and there is no development. The second movement is an old-style minuet (without trio), ending with a pedal point terminating in a tremble.  Our transcription for alto flute shifts the violin part to a different octave in three short segments and we have substituted musically appropriate alternatives for the double stops.  We provide our transcription of the violin part for Alto Flute in G... please click to preview p1 of the part. The piano scoreis available in the public domain as a free pdf download from imslp.org/.

    Alto Flute part, 5 pages; Total, 8 pages.


     

  • Mozart - Sonata in D Major, K.306 - Alto Flute

    mozart.sonata in d major.k306 image 240pxSonata in D Major, K.306, by W. A. Mozart

    Transcribed for Alto Flute and Piano by John W. Pratt

    Alto Flute Part, PDF $9.99

    Mozart's Sonata in D Major, K.306 is by far the longest and showiest of the 'Mannheim' sonatas, with three large-scale movements, some quasi orchestral textures, much doubling, and brilliant passage work.  The first movement's development expands four transitional bars of the exposition into a far-reaching harmonic excursion.  The recapitulation begins with the second subject and returns to the first so late it amounts to a coda, the only instance of 'mirror' sonata-form in the Mannheim set.  In contrast, the second movement, Andante cantabile, has a structurally orthodox sonata form, compressing and ornamenting the themes in the recapitulation, as befits the tempo.  The finale is an elaborate rondo alternating between allegretto in 2/4 and allegro in 6/8. (excerpted from JWP's foreword to the edition)

    We provide our transcribed alto flute part—click to preview p1.  The piano scoreis available in the public domain as a free pdf download from imslp.org/.

    Alto Flute part, 10 pages; Total, 12 pages.

  • Mozart - Sonata in E minor - Alto Flute

    Mozart.K304_imageSonata in E minor, K.304, by W. A. Mozart

    Transcribed for Alto Flute and Piano by John W. Pratt

    Alto Flute Part, PDF $5.99

    Mozart's second group of violin sonatas, the seven "Mannheim" sonatas of 1778, were begun in Mannheim where Mozart also worked on a flute commission.  The violin parts rarely make significant use of double stops and are in general very well suited to alto flute.  It is perhaps suggestive for performance that Mozart designated all his violin sonatas for "piano and violin".

    Mozart's works in minor keys are rare and special: consider the G-minor quintet and Symphony No. 40.  The K.304 sonata is his only work in E minor and it is mysteriously compelling in its simplicity.  It was written the same summer that his mother died.  Click to preview p1 of the Alto Flute part.

    We provide the transcribed alto flute part; the piano score is readily available in the public domain, free of charge.

    For additional information about the seven Mozart Mannheim sonatas and their alto flute transcriptions, please read the Mozart’s Mannheim Sonatas article written by Mr. Pratt; the article was originally published by Flute Focus and subsequently republished by NSM on our Resources – Reviews and Articles page.

    Alto Flute part, 5 pages; Total, 8 pages.

  • Mozart - Sonata in E-flat Major, K.302 - Alto Flute

    mozart.sonata in e flat major.k302.image 240 pxSonata in E-flat Major, K.302, by W. A. Mozart

    Transcribed for Alto Flute and Piano by John W. Pratt

    Alto Flute Part, PDF $4.99

    Mozart's Sonata in E-flat Major, K.302 has two movements, an Allegro and a rondo Andante grazioso.  This ebullient sonata opens with a striking call to attention, much used later, which descends on the tonic triad but alternates half and quarter notes in 3/4 time, thus avoiding both square rhythm and repeated root positions on every down beat.  The theme which follows is contrastingly gentle.  The second movement offers a firmly forward-moving theme whose immediate repeat and final returns are variously and charmingly re-orchestrated.  (excerpted from JWP's foreword to the edition) 

    We provide our transcription of the violin part for alto flute - please click to preview p1. The piano score is available in the public domain as a free pdf download from imslp.org/.

    For additional information about the seven Mozart Mannheim sonatas and their alto flute transcriptions, please read the Mozart’s Mannheim Sonatas article written by Mr. Pratt; the article was originally published by Flute Focus and subsequently republished by NSM on our Resources – Reviews and Articles page.

    Alto Flute part, 5 pages; Total, 8 pages.

  • Mozart - Sonata in G Major - Alto Flute

    mozart.k301 image 240 pxSonata in G Major, K.301, by W. A. Mozart

    Transcribed for Alto Flute and Piano by John W. Pratt

    Alto Flute Part, PDF $4.99

    This sunny sonata has two movements, an up-beat Allegro con spirito followed by an Allegro that is actually a sprightly minuet with a trio section in the minor, almost as near to a Beethoven scherzo as a Haydn minuet.  The violin leads as often as the piano, including at the beginning and throughout the trio, but is largely spared Mozart's typical keyboard passage work.  As with six other violin sonatas composed in 1778, the first of Mozart's maturity, the violin part rarely makes significant use of double stops and is in general very well suited to alto flute.  In fact, K.301 was begun with flute in mind. We provide our transcribed alto flute part - please click to preview p1.  The piano score is available in the public domain as a free pdf download from imslp.org/. 

    For additional information about the seven Mozart Mannheim sonatas and their alto flute transcriptions, please read the Mozart’s Mannheim Sonatas article written by Mr. Pratt; the article was originally published by Flute Focus and subsequently republished by NSM on our Resources – Reviews and Articles page.

    Alto Flute part, 4 pages; Total, 6 pages.

  • Mozart – Sonata in E minor – Clarinet (and Piano)

    Mozart K304-cl nsmSonata in E minor, K.304, by W. A. Mozart

    Transcribed for Clarinet (and Piano) by John W. Pratt

    Clarinet in A Part, PDF $5.99


    Mozart's second group of violin sonatas, the seven "Mannheim" sonatas of 1778, were begun in Mannheim where the composer also worked on a flute commission. The violin parts rarely make significant use of double stops and are in general well suited to a wind instrument. Mozart's works in minor keys are rare and special: consider the G-minor quintet and Symphony No. 40. The K.304 sonata is his only work in E minor and it is mysteriously compelling in its simplicity. Mr. Pratt has created an excellent transcription of the Sonata in E minor, K.304 for A-clarinet. K.304 was written the same summer that Mozart's mother died, an association often pointed to and the inspiration for our cover image selection.

    Note that Mr. Pratt's transcription offers the advantage of being in the original key, and that we provide the A-clarinet part only.  The clarinet part works perfectly with the piano part in Mozart's score for piano and violin, which is in the public domain and readily available on imslp.org, free of charge. 

    For additional information about the seven Mozart Mannheim sonatas and Mr. Pratt's previous transcriptions of them for alto flute, please read his article Mozart's Mannheim Sonatas, which was originally published by Flute Focus and subsequently republished by NSM on our Resources – Reviews and Articles page.


    Clarinet part, 5 pages; Total, 8 pages.

  • Nicholson - Coolun - Fl or Fl & Pf or Fl & Hp

    nicholson coolun 240pxCoolun, A favorite Irish Air with Four Variations, by C. Nicholson

    Gassett Collection - Facsimile Edition by Noteworthy Sheet Music

    Piano Score and Flute Part, PDF $9.99

    Charles Nicholson (1795-1837) was a masterful, hugely popular, and highly influential English flutist and teacher, famous for his individual style and powerful tone.  Among Nicholson's compositions are 13 fantasies and 15 airs with variations, including Coolun. A favorite Irish Air with Four Variations arranged for the Flute with an ad libitum Accompaniment for the Piano Forte, or Harp.  The "Coulin" or "Coolan" was described in an 1833 letter to the editor of the Dublin Penny Journal (www.libraryireland.com) as "an air, that once heard even in the earliest infancy, can never be forgotten—a melody which breathes the most touching tenderness and exquisite sensibility, and the memory of which, enables the Irish to hear Scotland's 'O, Nanny wilt thou gang with me,'—or her 'Banks and Braes,' without envious repinings."

    Nicholson's consummate rendition of Coolun is highly effective when played either as a solo for flute alone or by flute with accompaniment of piano, lever harp, or pedal harp.  The Gassett Collection print from which our facsimile was created consists of a score for piano forte and flute, without a separate flute part. The flute part included in our edition was created from the score using a modern music notation software program.  Click to preview p1 of the score.

    Noteworthy Sheet Music's publication of Coolun was favorably reviewed by Katherine Borst Jones in the January, 2014 issue of Flute Talk magazine.  You can read the review, reproduced on our website for your convenience, or at Flute Talk (subscribers).

    Piano score, 6 pages; Flute part, 5 pages; Total, 15 pages.

     

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    To order our print edition of Coolun, A Favorite Irish Air arranged for Flute and Piano or Harp for $16.98 plus a $5.95 shipping and handling fee to addresses in the USA. Use the Contact Us form to let us know which hard copy publication(s) you would like to purchase, along with your email contact information and USPS mailing address. We will then send you a PayPal invoice for the sale and, once we receive notice from PayPal that you have paid for the item(s), we will ship your music to the address provided.