duet

Zwei Charakterstücke, by Karl Eduard Goepfart

transcribed for Alto Flute and Piano by C. A. Vater

Alto Flute part and Piano score, PDF $8.99

Karl Eduard Goepfart (1859-1942) was a German pianist, composer and conductor. His Zwei Charakterstücke, Op. 27 (Two Character Pieces) were written for oboe and piano and first published in Leipzig in 1888. The two contrasting pieces are the very charming Mässig schnell, gehend and Mässig langsam (in ruhiger Bewegung) with its playful, energetic Lebhaft section. We prepared a transcription of this under-appreciated work for alto flute, complete with piano score. The pieces work well on alto flute, providing the accompanying pianist is sensitive to the alto flute’s lower sound power and projection capability, especially in the low register, compared to that of the oboe.

Piano Score, 8 pages; Alto Flute part, 3 pages; Total, 16 pages.

Lento - Bereavement, by Moritz Hauptmann

Transcribed for Alto Flute and Piano by C. A. Vater

Piano Score and Alto Flute Part, PDF $3.99

Hauptmann's 3 Violin Duos, Op.16 were first published in 1832. The Lento (Bereavement) from Op.16 later was arranged for violin and piano by the renowned violinist, violist, and composer Heinrich Wilhelm Ernst. It is this arrangement by Henri Ernst, published in 1880, that served as the basis for NSM’s transcription of the piece for alto flute and piano. The mournful simplicity of the Lento is perfectly captured and beautifully rendered by the alto flute.

Alto Flute part, 1 page; Piano Score, 2 pages; Total, 6 pages.

Adagio from Symphony No.24, by F. J. Haydn

Arranged for Alto Flute and Piano by John W. Pratt

Alto Flute Part and Piano Score, PDF $6.00

We offer a flute and piano edition of the gorgeous second movement Adagio for solo flute accompanied by strings from Haydn's Symphony No.24. An arrangement for alto flute that is mellower than that for flute but also extremely beautiful is obtained by lowering the pitch a minor third. Haydn's flute part needs no other change, nor does the cadenza that was written by Mr. Pratt for our C-flute edition. The string parts have been adapted to piano sonority in a number of ways, as well as transposing them in this alto flute edition. 

Alto Flute part, 2 pages; Alto Flute & Piano score, 4 pages; Total, 10 pages.

Adagio from Symphony No. 24, by F. J. Haydn

Arranged for Flute and Piano by John W. Pratt

Flute Part and Piano Score, PDF $6.00

Franz Joseph Haydn (1732-1809) wrote his Symphony No. 24 in 1764. The second movement is a beautiful Adagio for solo flute accompanied by strings, with a place for a cadenza.  We offer here a piano transcription of the string accompaniment, with appropriate adaptations in sonority, and the flute part with a written cadenza based closely on Haydn's material and style.  Players will find the resulting one-movement flute sonata both affecting and highly rewarding. 

Flute part, 2 pages; Flute & Piano score, 4 pages; Total, 10 pages. 

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We also offer a professionally-printed hard copy edition of the Haydn Adagio for $13.49 plus a $5.95 shipping and handling fee. Due to prohibitively high international shipping rates, we ship print editions only to addresses in the USA. Please use the Contact Us form to let us know which hard copy publication(s) you would like to purchase, along with your email contact information and USPS mailing address. We will then send you a PayPal invoice for the sale and, once we receive notice from PayPal that you have paid for the item(s), we will ship your music to the address provided for delivery in 7-10 business days.

Adagio from Quartet in E Major, Op.17, No.1, by F. J. Haydn

Transcribed for Alto Flute and Piano by John W. Pratt

Alto Flute Part and Piano Score, PDF $8.00

Haydn's early quartets, especially the three sets of six written between 1768 and 1771 (Opus 9, Opus 17, and Opus 20), advanced the development of the classical string quartet enormously in all respects. The third movement of Opus 17, No. 1 is an Adagio with a beautiful violin melody that is harmonized simply by the other three strings. Whereas Haydn's more complex movements generally are unsuitable for transcription, the relative simplicity of this gorgeous Adagio makes it an exception. We present here a transcription for alto flute and piano. The melody is highly effective on the alto flute, and the other string parts are readily adaptable to the piano.   

Alto Flute part, 2 pages of music; Piano score, 6 pages; Total, 12 pages. 

Adagio from Quartet in F Major, Op.17, No.2, by F. J. Haydn 

Transcribed for Alto Flute and Piano by John W. Pratt

Alto Flute Part and Piano Score, PDF $8.00

The third movement of Haydn's Opus 17, No. 2, like that of Opus 17, No. 1, is an Adagio with a beautiful violin melody that is harmonized simply by the other three strings.  The melody is compelling on alto flute, with just a few changes to accommodate its sonic differences from the violin.  Lest the effect be too placid when the lower string parts are transferred to the piano, our piano transcription elaborates them in the style of Haydn's keyboard music in several places.  We also incorporate a few changes for better sonority and to disentangle the voices where the string parts have overlaps and unisons that are poorly suited to the piano.  All told, this transcription is highly effective and a delight for both players.  

Alto Flute part, 2 pages of music; Piano score, 6 pages of music; Total, 12 pages.

Adagio from Quartet in F Major, Op.20, No.5, by F. J. Haydn

Arranged for Flute and Piano by John W. Pratt

Flute Part and Piano Score, PDF $10.00

The third movement of Haydn's string quartet Opus 20, No. 5 is an Adagio with a simple melody that is treated to delightful filigreed elaboration and obbligato decoration by the violin.  Although more complex quartet movements are typically unsuited to transcription, in this beautiful Adagio the soloistic nature of the violin part and the simplicity of the lower string parts lend themselves very well to an arrangement for flute and piano, as in the fine transcription we offer here.  

Flute part, 3 pages of music; Piano score, 7 pages of music; Total, 14 pages.

Early Sonatas, by Franz Joseph Haydn

Arranged as Woodwind Duets by John W. Pratt (originally for keyboard)

Even the earliest of Franz Joseph Haydn’s keyboard sonatas have great rhythmic variety and vitality, and are delightful when played with verve. They are mostly in two voices, and even where not, their early classical harmonies are easily conveyed by two instruments. They incorporate few pianistic effects and lie comfortably within range for flute or oboe and bassoon or clarinet, and thus make natural woodwind duets of lively, interesting music. All these editions include a score and parts.  Those wishing to consult the keyboard editions of the Haydn sonatas, from which Mr. Pratt created his arrangements, can find them at imslp.org.  (Adapted from J. W. Pratt’s preface to the edition.)

Cover image “Decorations of the Sala Terrena, Eszterházy Palace in Fertőd, Hungary“ by Monyesz, Creative Commons Attribution-Share Alike 3.0 Unported license.

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This edition includes seven of Haydn's early keyboard sonatas arranged as duets for flute and bassoon. John Pratt's creation of these duets was inspired by a desire to offer two of his music colleagues some new music to enjoy, as they had exhausted their available flute and bassoon duo repertoire. These duets work nicely for winds and are fun to play.  For a sense of how they sound when played by flute and bassoon, click below to listen to a computer-generated audio excerpt: the first 45” of the recording come from the Andante of Sonata 5 (Hob. XVI:11), followed by 25” of the Sonata 6 (Hob. XVI:10) Presto.  Alternatively, the flute part can be played on oboe, making these sonata arrangements nicely amenable to oboe and bassoon duos as well.

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►Early Haydn Sonatas arranged by John W. Pratt as Duets for Flute and B

Fantasia in C major, by F. J. Haydn

Arranged as a Duet for Flute and Alto Flute by John W. Pratt

Flute Part, Alto Flute Part, and Score ― PDF $12.99

Fantasia in C major (Op.58; Hob. XVII:4) was written by Haydn in 1789 for the pianoforte.  Based on a folk song about a farmer's wife chasing her cat, one can easily imagine in the music kittenish scampering, stealthy approaches, unexpected pounces, and mad chases with abrupt changes of direction.  The style and playfulness of the piece are beautifully suited to the agility and sparkle of flutes.  The transcription is able to capture the feel Haydn intended, with new coloring, while at the same time affording flutists the joy of experiencing the work first-hand.  (adapted from JWP's foreword to the edition)

Please click the Preview button to see p1-2 of the mini-Score (in concert pitch).  After opening the file, adjust the orientation using "View - Rotate View - Clockwise" in your pdf reader program.

Flute part, 6 pages; Alto Flute part, 7 pages; Mini-score, 6 pages; Total, 22 pages. 

Fantasia in C major, by F. J. Haydn

Arranged as a Duet for Flute and Clarinet by John W. Pratt

Flute Part, A Clarinet Part, and Mini-Score ― PDF $12.99

Fantasia in C major (Op.58; Hob. XVII:4) was written by Haydn in 1789 for the pianoforte.  Based on a folk song about a farmer's wife chasing her cat, one can easily imagine in the music kittenish scampering, stealthy approaches, unexpected pounces, and mad chases with abrupt changes of direction.   The style and playfulness of the piece lend themselves well to flute and clarinet.  The transcription is able to capture the feel Haydn intended, with new coloring, while at the same time affording flutists and clarinetists the joy of experiencing the work first-hand. (adapted from JWP's foreword to the edition)

Flute part, 6 pages; Clarinet in A part, 6 pages; Mini-score in concert pitch, 6 pages; Total, 24 pages.