Noteworthy Sheet Music, LLC

Uncommon Sheet Music for Flute and Alto Flute

clarinet

All scores that include a part for at least one clarinet.

  • Mendelssohn Op-113 fl-cl-pf nsmConcert Piece No.1, Op.113, by Felix Mendelssohn

    Transcribed for Various Wind Instruments and Piano by John W. Pratt
    (originally for Clarinet, Basset Horn, and Piano)


    Individual Primo parts for Clarinet, Flute, or Oboe, PDFs $5.99 each


    Individual Secondo parts for Bassoon, Clarinet, or English Horn, PDFs $5.99 each


    Piano Score, with original Clarinet and Basset Horn parts in concert pitch, PDF $6.99


    Piano Score (original winds in concert pitch), Flute & Clarinet Parts, PDF $13.99


    Piano Score (original winds in concert pitch), Clarinet & Bassoon Parts, PDF $13.99


    The following is excerpted from John Pratt's © foreword:
    "In 1833, Felix Mendelssohn (1809-1847) wrote two Concert Pieces for Clarinet, Basset Horn, and Piano, op. 113 and op. 114, as show-pieces for the famous clarinetist Heinrich Bärmann (1784-1847) to play with his up-and-coming son Karl (1811-1885) on the basset horn. // Mendelssohn's two Concert Pieces are very suitable for transcription, even aside from the rarity of the basset horn today. We provide, as well as the original clarinet part, transcriptions of it for flute and oboe. Transcriptions of the basset horn part are provided for bassoon, clarinet, and English horn. These primo and secondo parts can be mixed and matched at will. For the score, we use Mendelssohn's instruments rather than some other arbitrary pair. This enables anyone interested to check any transcribed part against the original. The score gives the parts in concert pitch, because a transposition would apply to only one of the possible winds, and because the pianist can then easily play any part at original pitch."

    Please note that PDFs of the original score and clarinet-primo part are available free of charge in the public domain (see the listing of this work on IMSLP.org), and our transcribed primo and secondo wind parts can readily be used with the original score. Therefore, you should purchase our Score and/or Clarinet-primo part only if you would like Mr. Pratt's concert pitch version of the score (for piano with clarinet and basset horn) and/or would like to take advantage of the price break provided by one of our complete trio editions.

     

    Mendelssohn Op-113 fl-cl-pf nsmComplete Edition for Flute, Clarinet, and Piano; PDF $13.99

    Score, 8 pages; Flute Part, 4 pages; Clarinet Part, 4 pages, Total, 24 pages.

     

    Mendelssohn Op-113 cl-bn-pf nsm

    Complete Edition for Clarinet, Bassoon, and Piano; PDF $13.99

    Score, 8 pages; Clarinet Part, 4 pages, Bassoon Part, 4 pages; Total, 24 pages.

     

    Piano Score with Clarinet and Basset Horn lines in concert pitch, 8 pages; Total, 10 pages; PDF $6.99

    (note that the original score is freely available on IMSLP.org)

     

    Clarinet in B-flat, primo part, 4 pages; Total, 6 pages; PDF $5.99

    (note that the original clarinet part is freely available on IMSLP.org)

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    Flute, primo part, 4 pages; Total, 6 pages; PDF $5.99

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    Oboe, primo part, 4 pages; Total, 6 pages; PDF $5.99

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    Bassoon, secondo part, 4 pages; Total, 6 pages; PDF $5.99

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    Clarinet in B-flat, secondo part, 4 pages; Total, 6 pages; PDF $5.99

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    English Horn, secondo part, 4 pages; Total, 6 pages; PDF $5.99

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  • Mendelssohn Op114 Bn-2 nsmConcert Piece No.2, Op.114, by Felix Mendelssohn

    Transcribed for Various Wind Instruments (and piano) by John W. Pratt

    (originally for Clarinet, Basset Horn, and Piano)

    Primo parts for Clarinet, Flute, or Oboe, PDFs $5.99 each

    Secondo parts for Bassoon, Clarinet, or English Horn, PDFs $5.99 each

    The following is excerpted from John Pratt's © foreword:

    In 1833, Felix Mendelssohn (1809-1847) wrote two Concert Pieces for Clarinet, Basset Horn, and Piano, op. 113 and op. 114, as show-pieces for the famous clarinetist Heinrich Bärmann (1784-1847) to play with his up-and-coming son Karl (1811-1885) on the basset horn. // These works are very suitable for transcription, even aside from the rarity of the basset horn today. We provide, as well as the original clarinet part, transcriptions of it for flute and oboe. Transcriptions of the basset horn part are provided for bassoon, clarinet, and English horn. These primo and secondo parts can be mixed and matched at will. // Since a good quality PDF of the original piano score with excellent page turns is freely available in the public domain (see IMSLP.org), we have not provided a score here; our transcribed primo and secondo wind parts can readily be used with the original score.

    Each wind part is 4 pages of music; 6 pages total.

    Flute (primo)

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    Clarinet in B-flat (primo)... note that the original primo clarinet part is freely available on IMSLP.org

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    Oboe (primo)

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    Clarinet in B-flat (secondo)

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    Bassoon (secondo)

     

    English Horn (secondo)

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  • mozart sinfonia nsmSinfonia Concertante, K.364, by Wolfgang Amadeus Mozart

    Transcribed for Flute, Clarinet, and Piano by John W. Pratt

    (originally for Violin, Viola, and Orchestra)

    Piano Score, Flute & Clarinet Parts, PDF $17.99

    Excerpted from the Foreword by J. W. Pratt:  "The idea that every piece, especially a major one, can be satisfactorily transcribed for whatever instruments one would like is one I firmly reject.  However, a trio arrangement of this Sinfonia Concertante for flute, clarinet, and piano can, I believe, capture and present in a new light many of the wonders of this great work, even the wonders of its sonorities..... In the arrangement here, the flute and clarinet almost always play either a solo part or an orchestral part with only octave changes..... For the piano, on the other hand, straightforward orchestral reduction is often ineffective and unsatisfying, and that would certainly be true here, even with the flute and clarinet taking some wind parts. I have attempted instead to find natural piano "orchestrations" as alternatives to Mozart's orchestral layouts, especially where the full orchestra is playing..... Such effects, often heightened on returns, are better suited to the piano's capabilities and its role as a member of a trio than a straightforward reduction would be..... The music available for flute, clarinet, and piano includes surprisingly few major works.   The purpose of our arrangement is to add a significant piece to this repertoire and to enable players and listeners to enjoy Mozart's magnificent Sinfonia Concertante in a new way."

    Click to preview a page of the score from Mr. Pratt's transcription of the Mozart Sinfonia Concertante for flute, clarinet, and piano.

    Score, 41 pages; Flute part, 18 pages; Clarinet part, 17 pages; Total, 82 pages.

  • Mozart K304-cl nsmSonata in E minor, K.304, by W. A. Mozart

    Transcribed for Clarinet (and Piano) by John W. Pratt

    Clarinet in A Part, PDF $5.99


    Mozart's second group of violin sonatas, the seven "Mannheim" sonatas of 1778, were begun in Mannheim where the composer also worked on a flute commission. The violin parts rarely make significant use of double stops and are in general well suited to a wind instrument. Mozart's works in minor keys are rare and special: consider the G-minor quintet and Symphony No. 40. The K.304 sonata is his only work in E minor and it is mysteriously compelling in its simplicity. Mr. Pratt has created an excellent transcription of the Sonata in E minor, K.304 for A-clarinet. K.304 was written the same summer that Mozart's mother died, an association often pointed to and the inspiration for our cover image selection.

    Note that Mr. Pratt's transcription offers the advantage of being in the original key, and that we provide the A-clarinet part only.  The clarinet part works perfectly with the piano part in Mozart's score for piano and violin, which is in the public domain and readily available on imslp.org, free of charge. 

    For additional information about the seven Mozart Mannheim sonatas and Mr. Pratt's previous transcriptions of them for alto flute, please read his article Mozart's Mannheim Sonatas, which was originally published by Flute Focus and subsequently republished by NSM on our Resources – Reviews and Articles page.


    Clarinet part, 5 pages; Total, 8 pages.

  • Schubert Auf-dem-Strom VoClPf nsmAuf dem Strom, Op.119, by Franz Schubert

    Obbligato transcribed for A-Clarinet by C. A. Vater

    Piano Score and Parts for Voice and A-Clarinet, PDF $9.50

    The great Austrian composer Franz Peter Schubert (1797-1828) was a master at creating extremely beautiful, melodic, emotional lieder. His song Auf dem Strom (On the River) provided a musical setting for the text of the eponymous poem written by the German poet and music critic Ludwig Rellstab. The lyrics tell the story of a sad parting, of the yearning and loneliness that sets in as the narrator bids farewell to a loved one on shore, while his river journey carries him away towards the sea. The premier performance of Auf dem Strom took place in Schubert’s 1828 public concert, during which the obbligato part was played by Josef Lewy on horn, the instrument for which the obbligato was written and which undoubtedly can provide an appropriately mournful, sentimental character to the piece. However, an alternate obbligato version for cello was also published. Now, with all respect, we provide an A-clarinet version of the obbligato, in expectation that clarinetists will appreciate this addition to the voice/clarinet/piano repertoire. We believe that a well-played clarinet can aptly contribute a suitably complex, dolorous essence and tone that will adequately do justice to this highly romantic lied by Schubert. Schubert himself created one of his most wonderful and popular works, Der Hirt auf dem Felsen, for clarinet obbligato, and we hope he would welcome our adaptation of Auf dem Strom for A-clarinet.

     

    Score, 19 pages; Voice part, 4 pages; A-Clarinet part, 4 pages; Total, 32 pages.

  • Simeon_Loring_photoDeath and the Maiden, Op.95, by Franz Schubert

    Arranged for Woodwind Quintet by Simeon Loring

     

    Simeon Loring is a retired professor of music at CUNY (City University of New York). He played for many years with the Goldman Band and also served as conductor. He is now essentially a chamber music player, and is the clarinetist in the L'Amore della Musica woodwind quintet. He has been a member of the Amato Opera and is on the Board of Directors of the Amore Opera in New York City. He also serves on the Board of Directors for the Mr. Holland's Opus Foundation and is the music director of the Stockbridge Sinfonia in Massachusetts.

    Mr. Loring has arranged music for various ensembles over the years. Regarding his arrangement of Schubert's String Quartet No. 14 in D minorfor woodwind quintet he writes: "Schubert's Death and the Maiden is one of the great masterworks of the Romantic Era.  I have attempted to keep the pathos and beauty while changing the instrumentation.  We woodwind players need the opportunity to experience the sublime beauty of this work."  Click to preview p1 of the score.

    The arranger has provided his piece as four independent movements which may be purchased separately; each movement contains the score and parts for flute, oboe, clarinet, horn, and bassoon.  Alternatively, the piece may be downloaded as a complete edition, which contains the score and parts for all four movements combined into a single pdf.   

    Complete Edition (Movements 1-4), Score & Parts, 296 pages, PDF $60.00

     

    1st Movement, Score & Parts, 96 pages, PDF $29.95

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    2nd Movement, Score & Parts, 51 pages, PDF $16.95 

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    3rd Movement, Score & Parts, 41 pages, PDF $16.95

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    4th Movement, Score & Parts, PDF 120 pages, $29.95

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  • Schubert Der-Hirt vo-to-afl nsmDer Hirt auf dem Felsen, Op.129, by F. Schubert 

    Voice Part Transcribed for Alto Flute in G by Carol A. Vater

    Alto Flute Part, PDF $5.99

    NSM published Peter H. Bloom's alto flute transcription of the clarinet obbligato from Schubert's Shepherd on the Rock in 2012. Please find information about that publication in our article for that edition. Later we realized that the voice part, which I have performed on flute in a flute/clarinet/piano group, would work much better when played on alto flute. So we created a transcription of the vocal part for alto flute. This alto flute transcription is to be played in an entirely instrumental version of Der Hirt auf dem Felsen for alto flute, clarinet (or alto flute), and piano, which as noted by Mr. Bloom, is "an ideal didactical vehicle for coaching the developing flutist in the art of rhetorical performance as well as a splendid concert/recital piece." Our alto flute transcription of the voice part is a simple transposition requiring no octave changes; the part falls naturally and beautifully within the alto flute range. The clarinet part and piano score are freely available at IMSLP.org.

  • ScriabinRomance, by Alexander Scriabin

    Transcribed for Clarinet or Flute or Alto Flute (and Piano) by J. W. Pratt

    Parts, PDF $0.00

    Alexander Scriabin (1872-1915), the mystic Russian composer with music to match, wrote nine mind-bending orchestral works and myriad mostly miniature piano pieces. He began as a "Russian Chopin" and ended planning a week-long "Mysterium" to be performed in the Himalayas using "an orchestra, a large mixed choir, an instrument with visual effects, dancers, a procession, incense, and... mists and lights" (Wikipedia).

    The Romance of 1890, his only chamber work except one variation for string quartet, is nearer the Chopin end of that spectrum, though the piano part adds harmonic and rhythmic complexities not evident from the solo part alone.

    - John W. Pratt, Jan. 19, 2016

    Please click on the links to download your free PDFs:

    Transcription for clarinet required no changes of pitch.  Scriabin - Romance - Clarinet

    The transcription for flute is raised an octave, except the last five measures.  Scriabin - Romance - Flute

    The transcription for alto flute raises MM21-24 and MM36-48 an octave.  Scriabin - Romance - Alto Flute

    The piano score is freely available on IMSLP.org.

    Scriabin image courtesy of Wikimedia.org, PD-old.

  • Cover We-Gather-Together WW5 NSMWe Gather Together, by Adrianus Valerius

    Arranged for Woodwind Quintet by John W. Pratt
    Score and Parts for Flute, Oboe, Bb Clarinet, F Horn, and Bassoon; PDF $5.99

     

    Wilt heden nu treden, nowadays more commonly known as We Gather Together, is a Christian hymn of Dutch origin composed by Adrianus Valerius and first published in 1626 (imslp.org); it was later harmonized by Eduard Kremser (en.wikipedia.org).  In the United States, We Gather Together is the most popular song traditionally associated with the Thanksgiving holiday.  John Pratt has created an arrangement of We Gather Together for woodwind quintet that lends new excitement and interesting harmonies to this old favorite.  In his family, the tradition goes back as far as John Pratt (b. 1931) can remember, and when it fell to him to play all three stanzas at his family's annual gathering, he got interested in livening it up.  The opportunistic half-step modulations introduced to help amateur voices warm up also brighten successive stanzas for winds.  Our Noteworthy Sheet Music edition includes a score in concert pitch, as well as parts for flute, oboe, Bb clarinet, horn in F, and bassoon.

    To listen to a computer-generated audio file of the WW5 arrangement, click the link.    

    Of course, the piece will sound much better live on real instruments.

    Note that for this publication, the parts should be printed one-sided since they are only one page each and we have not inserted blank filler pages.

    Score, 3 pages; Parts for Flute, Oboe, Bb Clarinet, F Horn, and Bassoon, 1 page each; Total, 10 pages.

  • vercoe1Woodwind Duos, by Elizabeth Vercoe

    Original Compositions for 2 Flutes, 2 Oboes, or 2 Clarinets, $0.00 (free!)

    Elizabeth Vercoe's Duos for woodwinds are available as free downloads from the composer's own website at http://www.elizabethvercoe.com/.  Dr. Vercoe kindly offered to allow Noteworthy Sheet Music, LLC to make these duets available from our website as well.

    The Duos, in versions for two flutes, two oboes, or two clarinets, are "fun and quite easy. They are suitable for intermediate students."

    Photo of Elizabeth Vercoe courtesy of Caroline Alden.

    Just click on the links below to download the Duos at no charge:

    Duo 1  for 2 flutesfor 2 oboesfor 2 clarinets

    Duo 2  for 2 flutesfor 2 oboesfor 2 clarinets

    Duo 3  for 2 flutesfor 2 oboesfor 2 clarinets

    Duo 4   for 2 flutesfor 2 oboesfor 2 clarinets

    Duo 5   for 2 flutesfor 2 oboes for 2 clarinets

  • walckiers.op11.duo 1.flcl image 240 pxTrois Duos Concertants Brillants et Faciles, by Eugène Walckiers

    2me Livre de Duos, Op.11

    Transcribed for Flute and B-flat Clarinet by C.A.Vater

    Duo 1: Flute Part, Clarinet Part, and Score, PDF $10.50

    Duo 2: Flute Part, Clarinet Part, and Score, PDF $15.00

    Duo 3: Flute Part, Clarinet Part, and Score, PDF $16.50

     

    Please view our listing for Eugène Walckiers' 2me Livre de Duos pour Deux Flutes to read a general description of this work.  After publishing our renotated modern editions of these wonderful Walckiers' flute/flute duets, Noteworthy Sheet Music received a request that we create transcriptions of the duets for flute and B-flat clarinet.  We thought this was a great idea, and our flute and clarinet versions are now available.  Click to preview p1 of the Scores for Duo 1 or Duo 2 or Duo 3.    

    Duo 1: Fl & Cl score, 10 pages;  Flute & Clarinet parts, each 7 pages of music; Total, 33 pages. PDF $10.50

     

    Duo 2: Fl & Cl score, 14 pages; Flute & Clarinet parts, each 7 pages of music; Total, 34 pages. PDF $15.00

     

    Duo 3: Fl & Cl score, 17 pages; Flute & Clarinet parts, each 11 pages of music; Total, 46 pages. PDF $16.50

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    For those who would prefer to purchase professionally-printed hard copies, our print editions ofthe 2nd Book of Duos, Op.11 by Eugène Walckiers,transcribed for Flute and Clarinetare available directly from NSM.  Duo 1, $17.85; Duo 2,  $25.50; Duo 3, $28.05; plus a $5.95 shipping and handling fee to addresses in the USA.  Please use the Contact Us form to let us know which hard copy publication(s) you would like to purchase, along with your email contact information and USPS mailing address.  We will then send you a PayPal invoice for the sale and, once we receive notice from PayPal that you have paid for the item(s), we will ship your music to the address provided.

  • Weber Andante-e-Rondo Op35 nsmAndante e Rondo Ongarese, Op.35, by Carl Maria von Weber

    Transcribed for Clarinet (and Piano) by John W. Pratt

    Bb Clarinet Part, PDF $6.99

    Carl Maria von Weber (1786-1826) is widely credited with being a founder and leading composer of the Romantic school.  He was prolific, making major and influential contributions to almost every kind of music, including 7 operas and 3 Singspiels, other vocal and choral music, orchestral and wind music, and piano music.  Yet his chamber music consists of just 9 works (counting a set of 6 minor violin sonatas as one), and only the Grand Duo, the flute trio, and the clarinet quintet are substantial.  The scarcity of Weber's chamber music makes a transcription of a concertante work, especially a fine one not often played like the Andante e Rondo Ongarese, particularly welcome.  Weber’s Op.35 was first written in 1809 for viola (J79), but revised in 1813 for bassoon (J158) and apparently proved more popular in that form.  Combining the viola's range and the bassoon's timbre points inexorably to the clarinet.

    — excerpted from J.W.P.’s foreword to the edition

     

    Clarinetists will find this work challenging and fun to play. We provide our clarinet transcription; a suitable piano part is readily available in the public domain as a free high quality pdf download of the score for bassoon and piano, which can be found at imslp.org: Piano Score

    BbClarinet part, 5 pages; Total, 8 pages.