Wind Ensembles

Concert Piece No.1, Op.113, by Felix Mendelssohn

Transcribed for Various Wind Instruments and Piano by John W. Pratt
(originally for Clarinet, Basset Horn, and Piano)

The following is excerpted from John Pratt's © foreword:
"In 1833, Felix Mendelssohn (1809-1847) wrote two Concert Pieces for Clarinet, Basset Horn, and Piano, op. 113 and op. 114, as show-pieces for the famous clarinetist Heinrich Bärmann (1784-1847) to play with his up-and-coming son Karl (1811-1885) on the basset horn. // Mendelssohn's two Concert Pieces are very suitable for transcription, even aside from the rarity of the basset horn today. We provide, as well as the original clarinet part, transcriptions of it for flute and oboe. Transcriptions of the basset horn part are provided for bassoon, clarinet, and English horn. These primo and secondo parts can be mixed and matched at will. For the score, we use Mendelssohn's instruments rather than some other arbitrary pair. This enables anyone interested to check any transcribed part against the original. The score gives the parts in concert pitch, because a transposition would apply to only one of the possible winds, and because the pianist can then easily play any part at original pitch."

Please note that PDFs of the original score and clarinet-primo part are available free of charge in the public domain (see the listing of this work on IMSLP.org), and our transcribed primo and secondo wind parts can readily be used with the original score. Therefore, you should purchase our original instrument Score or Clarinet-primo part only if you would like measure numbers or Mr. Pratt's score (for piano with clarinet and basset horn) in concert pitch.

Preview of Flute primo part

- Piano Score with Clarinet and Basset Horn lines in concert pitch, 8 pages; Total, 10 pages (note that the original score is freely available on IMSLP.org)
- Clarinet in B-flat, primo part, 4 pages; Total, 6 pages (note that the original clarinet part is freely available on IMSLP.org)
- Flute, transcribed primo part, 4 pages; Total, 6 pages
- Oboe, transcribed primo part, 4 pages; Total, 6 pages
- Bassoon, transcribed secondo part, 4 pages; Total, 6 pages
- Clarinet in B-flat, transcribed secondo part, 4 pages; Total, 6 pages
- English Horn, transcribed secondo part, 4 pages; Total, 6 pages

Concert Piece No.2, Op.114, by Felix Mendelssohn

Transcribed for Various Wind Instruments (and piano) by John W. Pratt
(originally for Clarinet, Basset Horn, and Piano)

Primo parts for Clarinet, Flute, or Oboe, PDFs $5.99 each
Secondo parts for Bassoon, Clarinet, or English Horn, PDFs $5.99 each

Each wind part is 4 pages of music; 6 pages total.

Primo parts for Flute, Clarinet in B-flat (note that the original primo clarinet part is freely available on IMSLP.org), or Oboe.

Secondo parts for Clarinet in B-flat, Bassoon, or English Horn. Preview Bassoon II part

Sonata in E minor, K.304, by W. A. Mozart

Transcribed for Clarinet (and Piano) by John W. Pratt

Clarinet in A Part, PDF $5.99

Mozart's second group of violin sonatas, the seven "Mannheim" sonatas of 1778, were begun in Mannheim where the composer also worked on a flute commission. The violin parts rarely make significant use of double stops and are in general well suited to a wind instrument. Mozart's works in minor keys are rare and special: consider the G-minor quintet and Symphony No. 40. The K.304 sonata is his only work in E minor and it is mysteriously compelling in its simplicity. Mr. Pratt has created an excellent transcription of the Sonata in E minor, K.304 for A-clarinet. K.304 was written the same summer that Mozart's mother died, an association often pointed to and the inspiration for our cover image selection.

Note that Mr. Pratt's transcription offers the advantage of being in the original key, and that we provide the A-clarinet part only.  The clarinet part works perfectly with the piano part in Mozart's score for piano and violin, which is in the public domain and readily available on imslp.org, free of charge. 

For additional information about the seven Mozart Mannheim sonatas and Mr. Pratt's previous transcriptions of them for alto flute, please read his article Mozart's Mannheim Sonatas, which was originally published by Flute Focus and subsequently republished by NSM on our Resources – Reviews and Articles page.

Clarinet part, 5 pages; Total, 8 pages.

Auf dem Strom, Op.119, by Franz Schubert

Obbligato transcribed for A-Clarinet by C. A. Vater

Piano Score and Parts for Voice and A-Clarinet, PDF $9.50

The great Austrian composer Franz Peter Schubert (1797-1828) was a master at creating extremely beautiful, melodic, emotional lieder. His song Auf dem Strom (On the River) provided a musical setting for the text of the eponymous poem written by the German poet and music critic Ludwig Rellstab. The lyrics tell the story of a sad parting, of the yearning and loneliness that sets in as the narrator bids farewell to a loved one on shore, while his river journey carries him away towards the sea. The premier performance of Auf dem Strom took place in Schubert’s 1828 public concert, during which the obbligato part was played by Josef Lewy on horn, the instrument for which the obbligato was written and which undoubtedly can provide an appropriately mournful, sentimental character to the piece. However, an alternate obbligato version for cello was also published. Now, with all respect, we provide an A-clarinet version of the obbligato, in expectation that clarinetists will appreciate this addition to the voice/clarinet/piano repertoire. We believe that a well-played clarinet can aptly contribute a suitably complex, dolorous essence and tone that will adequately do justice to this highly romantic lied by Schubert. Schubert himself created one of his most wonderful and popular works, Der Hirt auf dem Felsen, for clarinet obbligato, and we hope he would welcome our adaptation of Auf dem Strom for A-clarinet.

Score, 19 pages; Voice part, 4 pages; A-Clarinet part, 4 pages; Total, 32 pages.

Sechs Lieder, by Clara Schumann

Transcribed for Clarinet by C. A. Vater

Part for B-flat Clarinet (in lieu of voice); PDF $5.99

In her Sechs Lieder, Op. 13, Clara Schumann set to music six German poems—two written by Heinrich Heine (Ich stand in dunklen Träumen and Sie liebten sich beide), three by Emanuel Geibel (Liebeszauber, Der Mond kommt still gegangen, and Die stille Lotosblume) and one by Friedrich Rückert (Ich hab’ in deinem Auge).  Many of Clara Schumann’s songs were composed as gifts for her beloved husband Robert; they are romantic, melodic and highly expressive, and the Sechs Lieder of Op. 13 appropriately convey the broad array of intense emotions portrayed in the poetry that inspired them.  These songs, which are absolutely charming, are nicely adaptable for a solo instrument in lieu of voice.  They have been transcribed previously for violin or cello, and likely other instruments as well, but are particularly lovely when played on either alto flute or clarinet, instruments for which the voice line falls completely in range. Our Noteworthy Sheet Music editions of Op. 13 for alto flute or clarinet do not include re-notated versions of the score, since a high-quality PDF of the original piano and voice score is available free of charge in the public domain, and that piano accompaniment works perfectly well with our instrumental transcriptions of the voice line.  The score we used when creating our parts may be downloaded from the IMSLP website.  For NSM’s alto flute transcription of the Sechs Lieder voice line, please click the link.

B-flat Clarinet Part, 4 pages; Total, 6 pages.