Noteworthy Sheet Music, LLC

Uncommon Sheet Music for Flute and Alto Flute

alto flute

All scores that include a part for at least one alto flute.

  • Haydn - Adagio, Quartet Op.17, No.2 - Afl & Pf

    haydn_op17_2_image-webAdagio from Quartet in F Major, Op.17, No.2, by F. J. Haydn 

    Transcribed for Alto Flute and Piano by John W. Pratt

    Alto Flute Part and Piano Score, PDF $8.00

    The third movement of Haydn's Opus 17, No. 2, like that of Opus 17, No. 1, is an Adagio with a beautiful violin melody that is harmonized simply by the other three strings.  The melody is compelling on alto flute, with just a few changes to accommodate its sonic differences from the violin.  Lest the effect be too placid when the lower string parts are transferred to the piano, our piano transcription elaborates them in the style of Haydn's keyboard music in several places.  We also incorporate a few changes for better sonority and to disentangle the voices where the string parts have overlaps and unisons that are poorly suited to the piano.  All told, this transcription is highly effective and a delight for both players.  Click here to preview p1 of the score.

    Alto Flute part, 2 pages of music; Piano score, 6 pages of music; Total, 12 pages.

  • Schubert - Der Hirt auf dem Felsen - Alto Flute (clarinet trans.)

    rupert.fortunato.bloom-240Der Hirt auf dem Felsen, Op.129, by F. Schubert 

    Obbligato Transcribed for Alto Flute in G by Peter H. Bloom

    Alto Flute Part, PDF $5.99

    In the preface to his transcription, Mr. Bloom writes: "In terms of color, nuance, expression, dynamics, and tessitura the obbligato works exquisitely on the alto flute.  Theobald Boehm (1794-1881) designed our first modern alto flute in 1847.  Had Schubert (born in 1797) survived to hear it, I have no doubt that he would have made the alto flute an essential part of his armory of orchestration..... Der Hirt auf dem Felsen is very effective, also, in a purely instrumental arrangement for flute (taking the vocal line) and alto flute obbligato.  It's an ideal didactical vehicle for coaching the developing flutist in the art of rhetorical performance as well as a splendid concert/recital piece."der hirt cover image.240px

    The premiere of Schubert's The Shepherd on the Rock, with obbligato transcribed for alto flute, was performed by D'Anna Fortunato (Mezzo-Soprano), Peter H. Bloom (Alto Flute), and Mary Jane Rupert (Piano) during a concert at the Gibson Theatre in Elmira, NY, on November 3, 2009, as part of the Elmira College Encore Series.

    "Flutist Peter Bloom has done an invaluable service to Schubert and to concert singers by providing this charming arrangement, for alto flute, of the original clarinet obbligato to Der Hirt auf dem Felsen.  I've performed it in this version on several occasions and find that the flute timbre is alluring.  It's so easy to blend with and respond to the alto flute!  I believe that, had it been possible, the composer, himself, would have truly enjoyed this arrangement at a Schubertiade performance of his own."  - D'Anna Fortunato

    We provide our alto flute transcription of the obbligato part, originally for clarinet.  The voice and piano parts are readily available as a free pdf download of the score, from sources such as imslp.org/.

    Alto Flute part, 4 pages of music; Total, 8 pages.

  • Mozart - Concerto in D Major - Alto Flute

    mozart k412 image 240 pxConcerto in D Major, K.412, by W. A. Mozart 

    Transcribed (from horn and piano arrangement) for Alto Flute by C.A.Vater

    Alto Flute Part, PDF $3.99

    Mozart's Concerto for Horn in D major for Horn and Orchestra is scored for solo horn in D, with two oboes, two bassoons, and strings.  Henri Kling (1842-1918), horn player, composer, conductor, and professor, arranged the concerto for horn and piano.  We used the Kling arrangement as the source from which to create a transcription of the horn part for alto flute.  The piano scoreis in the public domain and available as a free pdf download from other sources such as imslp.org/.

    The Concerto in D major, K.412 is a short work of approximately 8-10 min duration, consisting of only two movements - an Allegro and a Rondo Allegro. The movements are light and joyous, and pose no particular technical challenges to the alto flute player.  The written range is quite limited, extending only from D5 to E6.  Thus, this piece can be played by less advanced students as well as by more experienced alto flutists.  Click here to preview p1 of the Alto Flute part.

    Alto Flute part, 4 pages of music; Total, 8 pages. 

  • Bloch - Petite Fantaisie Hongroise - Pf & Afl

    bloch cover website image 240 pxPetite Fantaisie Hongroise No.1, Op.21, by J. Bloch 

    Transcribed for Alto Flute and Piano by C.A.Vater

    Piano Score and Alto Flute Part, PDF $5.99

    József Bloch (1862-1922) was a Hungarian violin virtuoso, composer, and professor at the National Academy of Music and the National Conservatory (www.jewishencyclopedia.com).  His Petite Fantaisie Hongroise No.1, Opus 21, was written for piano and violin and published by Bárd, ca. 1901.  We thought this piece would work beautifully on alto flute, so we created a transcription of the violin part.  In the range written for the Petite Fantaisie Hongroise, the alto flute may evoke the dark, mournful tone of the modern tárogató, which is often referred to as the Hungarian national instrument.  We provide both our transcribed alto flute part and a re-notated edition of the piano score.  Petite Fantaisie Hongroise by Bloch – sheet music for alto flute and piano – click to preview p1 of the score.

    Alto Flute part, 3 pages; Piano Score, 6 pages; Total, 12 pages.

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    For those who would prefer to purchase a professionally-printed hard copy of this piece, rather than the PDF download offered above, our print edition of the Bloch Petite Fantaisie Hongroise No.1, Op. 21 transcribed for Piano & Alto Flute is available from Amazon, under Books (sheet music).  Click to view the listing of the print edition on Amazon.com.  Or, order a print edition directly from NSM for $13.49 plus a $5.95 shipping and handling fee to addresses in the USA. Use the Contact Us form to let us know which hard copy publication(s) you would like to purchase, along with your email contact information and USPS mailing address. We will then send you a PayPal invoice for the sale and, once we receive notice from PayPal that you have paid for the item(s), we will ship your music to the address provided.

  • Mozart - Sonata in G Major - Alto Flute

    mozart.k301 image 240 pxSonata in G Major, K.301, by W. A. Mozart

    Transcribed for Alto Flute and Piano by John W. Pratt

    Alto Flute Part, PDF $4.99

    This sunny sonata has two movements, an up-beat Allegro con spirito followed by an Allegro that is actually a sprightly minuet with a trio section in the minor, almost as near to a Beethoven scherzo as a Haydn minuet.  The violin leads as often as the piano, including at the beginning and throughout the trio, but is largely spared Mozart's typical keyboard passage work.  As with six other violin sonatas composed in 1778, the first of Mozart's maturity, the violin part rarely makes significant use of double stops and is in general very well suited to alto flute.  In fact, K.301 was begun with flute in mind. We provide our transcribed alto flute part - please click to preview p1.  The piano score is available in the public domain as a free pdf download from imslp.org/. 

    For additional information about the seven Mozart Mannheim sonatas and their alto flute transcriptions, please read the Mozart’s Mannheim Sonatas article written by Mr. Pratt; the article was originally published by Flute Focus and subsequently republished by NSM on our Resources – Reviews and Articles page.

    Alto Flute part, 4 pages; Total, 6 pages.

  • Mozart - Sonata in E-flat Major, K.302 - Alto Flute

    mozart.sonata in e flat major.k302.image 240 pxSonata in E-flat Major, K.302, by W. A. Mozart

    Transcribed for Alto Flute and Piano by John W. Pratt

    Alto Flute Part, PDF $4.99

    Mozart's Sonata in E-flat Major, K.302 has two movements, an Allegro and a rondo Andante grazioso.  This ebullient sonata opens with a striking call to attention, much used later, which descends on the tonic triad but alternates half and quarter notes in 3/4 time, thus avoiding both square rhythm and repeated root positions on every down beat.  The theme which follows is contrastingly gentle.  The second movement offers a firmly forward-moving theme whose immediate repeat and final returns are variously and charmingly re-orchestrated.  (excerpted from JWP's foreword to the edition) 

    We provide our transcription of the violin part for alto flute - please click to preview p1. The piano score is available in the public domain as a free pdf download from imslp.org/.

    For additional information about the seven Mozart Mannheim sonatas and their alto flute transcriptions, please read the Mozart’s Mannheim Sonatas article written by Mr. Pratt; the article was originally published by Flute Focus and subsequently republished by NSM on our Resources – Reviews and Articles page.

    Alto Flute part, 5 pages; Total, 8 pages.

  • Mozart - Sonata in C Major, K.303 - Alto Flute

    mozart.k.303 image 240 pxSonata in C Major, K.303, by W. A. Mozart

    Transcribed for Alto Flute and Piano by John W. Pratt

    Alto Flute Part, PDF $4.99

    Both movements of Mozart's Sonata in C Major, K.303 are quite different from others of his 'Mannheim' set. The unusual first movement is in sonata form mixing retro and novel features—the whole first subject and transition to the dominant are adagio and considerably varied in the recapitulation, and there is no development. The second movement is an old-style minuet (without trio), ending with a pedal point terminating in a tremble.  Our transcription for alto flute shifts the violin part to a different octave in three short segments and we have substituted musically appropriate alternatives for the double stops.  We provide our transcription of the violin part for Alto Flute in G... please click to preview p1 of the part. The piano scoreis available in the public domain as a free pdf download from imslp.org/.

    Alto Flute part, 5 pages; Total, 8 pages.


     

  • Haydn - Adagio from Sym. No.24 - Afl & Pf

    haydn.sym24.afl image 240pxAdagio from Symphony No.24, by F. J. Haydn

    Arranged for Alto Flute and Piano by John W. Pratt

    Alto Flute Part and Piano Score, PDF $6.00

    We offer a flute and piano edition of the gorgeous second movement Adagio for solo flute accompanied by strings from Haydn's Symphony No.24. An arrangement for alto flute that is mellower than that for flute but also extremely beautiful is obtained by lowering the pitch a minor third. Haydn's flute part needs no other change, nor does the cadenza that was written by Mr. Pratt for our C-flute edition. The string parts have been adapted to piano sonority in a number of ways, as well as transposing them in this alto flute edition. Click to view a sample page from the score.

    Alto Flute part, 2 pages; Alto Flute & Piano score, 4 pages; Total, 10 pages.

  • Mozart - Sonata in A Major, K.305 - Alto Flute

    mozart.k305 cover image 240pxSonata in A Major, K.305, by W. A. Mozart

    Transcribed for Alto Flute and Piano by John W. Pratt

    Alto Flute Part, PDF $3.99

    Mozart's Sonata in A Major, K.305 is perhaps the most completely extroverted of the Mannheim sonatas.  Like K.302, it opens with four emphatically tonic bars, followed by a gentle, linear four-bar theme, all immediately repeated.  The second movement of K.305 is the only movement of the Mannheim sonatas in theme-and-variations form.  It is far from routine.  The theme has an unusual variety of rhythms and accompaniment figurations; the 32nd-note variation is the very first, not a later one; the minor variation is at the prevailing tempo, not slow; and a brief but telling piano cadenza interrupts the antepenultimate variation's peroration. (excerpted from JWP's foreword to the edition)

    We provide the transcribed alto flute part—click to preview p1. The piano scoreis available in the public domain as a free pdf download from imslp.org/.

    Alto Flute part, 4 pages; Total, 6 pages.

  • Mozart - Sonata in D Major, K.306 - Alto Flute

    mozart.sonata in d major.k306 image 240pxSonata in D Major, K.306, by W. A. Mozart

    Transcribed for Alto Flute and Piano by John W. Pratt

    Alto Flute Part, PDF $9.99

    Mozart's Sonata in D Major, K.306 is by far the longest and showiest of the 'Mannheim' sonatas, with three large-scale movements, some quasi orchestral textures, much doubling, and brilliant passage work.  The first movement's development expands four transitional bars of the exposition into a far-reaching harmonic excursion.  The recapitulation begins with the second subject and returns to the first so late it amounts to a coda, the only instance of 'mirror' sonata-form in the Mannheim set.  In contrast, the second movement, Andante cantabile, has a structurally orthodox sonata form, compressing and ornamenting the themes in the recapitulation, as befits the tempo.  The finale is an elaborate rondo alternating between allegretto in 2/4 and allegro in 6/8. (excerpted from JWP's foreword to the edition)

    We provide our transcribed alto flute part—click to preview p1.  The piano scoreis available in the public domain as a free pdf download from imslp.org/.

    Alto Flute part, 10 pages; Total, 12 pages.

  • Bach - Prelude & Fugue - Wind Quintet

    bach wtc 1 22 ww5.image 240pxPrelude and Fugue, WTC Book I, No.22, by J.S.Bach

    Transcribed for Woodwind Quintet by John W. Pratt, PDF $16.00

    Though written for keyboard, this Prelude and Fugue from Book I of Bach's Well-Tempered Clavier is wonderfully adaptable to an instrumental quintet.  The Prelude, with its serene harmonic pacing, reveals an almost Schubertian sublime beauty, and the magical counterpoint of the five-part fugue emerges crystal-clear.  The challenge for the players, as well as the pleasure, lies in ensemble achievements, not technical difficulties in individual parts.  Scored for Flute, Oboe, B-flat Clarinet, Horn, and Bassoon, with an alternate part for Alto Flute in place of Oboe.  Click to preview p1 of the score for the Bach Prelude and Fugue for woodwind quintet Prelude and Fugue for woodwind quintet.

    Score, 6 pages; Parts, 2 pages each for Flute, Oboe (plus alternate Alto Flute), Clarinet, Horn, and Bassoon; Total, 20 pages.

     

  • Mozart - Sonata in C Major, K.296 - Alto Flute

    mozart.sonata in c major k296.cover image 240pxSonata in C Major, K.296, by W. A. Mozart

    Transcribed for Alto Flute and Piano by John W. Pratt

    Alto Flute Part, PDF $6.99

    Mozart composed K.296 in 1778 under the same creative impulse as the other Mannheim violin sonatas, K.301‒306, but published it later, in 1781, with five other three-movement sonatas.  He dedicated it to his Mannheim landlord's 15-year old daughter, Therese-Pierron Serrarius, who perhaps inspired the turns lightening the opening fanfares, quick trills in the first theme, and contrasting textures and sparkling interplay between the instruments in the first movement.  The second movement is a beautiful arietta with wonderful opportunities for the alto flute to both present and accompany the melody.  In the concluding Rondo, in sonata-rondo form, the instruments repeatedly swap the theme and much of the episodic material. ―J. W. Pratt

    We provide our transcription of the violin part for alto flute.... please click to preview p1 of the part. The piano score is available in the public domain as a free pdf download from imslp.org/.

    For additional information about the seven Mozart Mannheim sonatas and their alto flute transcriptions, please read the Mozart’s Mannheim Sonatas article written by Mr. Pratt; the article was originally published by Flute Focus and subsequently republished by NSM on our Resources – Reviews and Articles page.

    Alto Flute part, 7 pages; Total, 10 pages.

  • Schubert - Sonatas, Op.137 - Alto Flute

    schubert.op.137.no.1.240pxSonatas, Op.137, by F. Schubert

    Transcribed for Alto Flute and Piano by C. A. Vater & J. W. Pratt

    No.1, Sonata in D major, D.384, Alto Flute Part, PDF $5.99

    No.2, Sonata in A minor, D.385, Alto Flute Part, PDF $7.99

    No.3, Sonata in G minor, D.408, Alto Flute Part, PDF $5.99

     

    Franz Schubert (1797-1828) wrote his three violin sonatas Opus 137 when he was barely 19.  They were published posthumously as 'Sonatinas', perhaps for marketing reasons, but they are full-scale sonatas in traditional classical style and format, the first having three movements and the others four.  These plus the violin sonata in A of the next year constitute fully half of Schubert's known works for piano and solo instrument.

    Schubert's Op.137 sonatas are truly delightful, and we have adapted the violin parts for alto flute.  Where appropriate, changes have been introduced to better accommodate the range, sonority, and general characteristics of the alto flute.  Such modifications include occasional octave adjustments, dynamic changes, and suitable flute-friendly alternatives to the violin's doublestops.  We provide our transcribed alto flute parts—click to preview p1 of No.1, Sonata in D major, or No.2, Sonata in A minor, or No.3, Sonata in G minor.  The piano scoresare readily available in the public domain as free pdf downloads from imslp.org/.

     

    No.1, Sonata in D major:  Alto Flute part, 6 pages; Total, 8 pages. PDF $5.99

     

    No.2, Sonata in A minor:  Alto Flute part, 8 pages; Total, 10 pages. PDF $7.99

     

    No.3, Sonata in G minor: Alto Flute part, 6 pages; Total, 8 pages. PDF $5.99

  • Pierné - Canzonetta - Alto Flute & Piano

    pierne canzonetta cover 240pxCanzonetta, Op.19, by G. Pierné

    Transcribed for Alto Flute and Piano by C.A.Vater

    Piano Score and Alto Flute Part, PDF $6.99

    Gabriel Pierné composed his Canzonetta for clarinet and piano (Op.19) in 1888, and it is among his most charming lighter works.  The number of commercial recordings of the piece attest to its enduring popularity, extending into the modern era.  Pierné dedicated this short, cheerful little song to his friend Charles Turban (1845-1905), the French clarinetist and professor of clarinet at the Paris Conservatory.  The main melody is bouncy and gay, and brings merriment to players and audiences alike.  Others have created transcriptions for alto sax and for flute.  The piece is just as delightful when played on alto flute, and we now offer our new edition for alto flute and piano—click to preview p1 of the score.  Canzonetta would make a great encore piece for a concert or recital.

    Alto Flute Part, 2 pages; Piano Score, 5 pages; Total, 10 pages. 

  • Haydn - Fantasia in C Major - Flute & Alto Flute

    haydn fantasia image 240pxFantasia in C major, by F. J. Haydn

    Arranged as a Duet for Flute and Alto Flute by John W. Pratt

    Flute Part, Alto Flute Part, and Score ― PDF $12.99

    Fantasia in C major (Op.58; Hob. XVII:4) was written by Haydn in 1789 for the pianoforte.  Based on a folk song about a farmer's wife chasing her cat, one can easily imagine in the music kittenish scampering, stealthy approaches, unexpected pounces, and mad chases with abrupt changes of direction.  The style and playfulness of the piece are beautifully suited to the agility and sparkle of flutes.  The transcription is able to capture the feel Haydn intended, with new coloring, while at the same time affording flutists the joy of experiencing the work first-hand.  (adapted from JWP's foreword to the edition)

    Please click to preview p1-2 of the mini-Score.  After opening the file, adjust the orientation using "View - Rotate View - Clockwise" in your pdf reader program.

    Flute part, 6 pages; Alto Flute part, 7 pages; Mini-score, 6 pages; Total, 22 pages. 

  • Debussy - Première Rhapsodie - Alto Flute

    debussy.premiere rhapsodie.nsmPremière Rhapsodie, by Claude Debussy

    Transcribed for Alto Flute by C.A.Vater, with a Foreword by P.H.Bloom

    Alto Flute Part ― PDF $5.99

    Since its introduction as a morceau de concours for the Paris Conservatoire in 1910, Debussy's Première Rhapsodie has been an essential piece of the clarinet repertoire.... Although most of the morceaux are, by definition, run-of-the mill exercises of virtuosity à la mode, a number have endured as works of significant musical merit.  Debussy's Première Rhapsodie is one such piece.  It's a vehicle for expressive interpretation and artistry, with charm, warmth, passion, and humor; a lasting treasure at the core of every clarinetist's collection of indispensable works.... But a transcription?  Of a work by Debussy - the great colorist of instrumental sonority?  From clarinet to alto-flute?... Each and every element, in fact, evokes the alto-flute!... Of course the piece sounds different on the two instruments.  Although the sonic hues are different, the colors are just as vivid.  The distinct sonorities of the alto-flute support the nuance, the affect, and the power of the work. (excerpted from Peter H. Bloom © 2012)

    Please click to preview p1 of the alto flute transcription of Première Rhapsodie by Debussy.  We provide our alto flute part only; appropriate parts for piano or orchestral accompaniment may be obtained as free pdf downloads from public domain resources, such as imslp.org.

    Alto Flute part, 4 pages.

  • Mozart - Concerto in E-flat major - Alto Flute & Piano

    mozart k417 nsmConcerto No.2 in E-flat major, K.417, by W. A. Mozart

    Transcribed for Alto Flute (from horn and piano arrangement) by C.A.Vater

    Piano Score and Alto Flute Part, PDF $9.99

    Mozart wrote his Concerto No. 2 in E-flat major for Horn and Orchestra for his good friend, the virtuoso horn soloist Joseph Leutgeb (c.1745-1811), who became first horn in the orchestra of the Salzburg archbishop in 1770.  The concerto was completed in 1783.   Its movements are light, joyous, and teeming with melody: a wide-ranging opening allegro, a slow middle movement, and a final rondo. The second movement Andante is particularly lyrical and beautiful, whereas the concluding Rondo is quite comic with an obvious hunting theme.

    The concerto was arranged for horn and piano by Henri Kling (1842-1918), horn player, composer, conductor, and professor.   We used the Kling arrangement, which was published ca.1890 and is now in the public domain, as the basis of our transcription of the concerto for alto flute and piano.  We introduced only minor changes to the solo horn line to adapt it for alto flute, and those alterations were made with sensitivity and the intention of preserving Mozart's inspired creation to the fullest extent possible.

    Click here to preview a page of the Score for Alto Flute and Piano.

    Alto Flute part, 4 pages; Piano Score, 16 pages; Total, 22 pages.

  • Tchaikovsky - Arab Dance - Alto Flute & Harp/Piano

    tchaikovsky.arab dance aflpf 240pxArab Dance, by P. Tchaikovsky

    Arranged for Flute and Harp or Piano by Mary Jane Rupert

    Transcribed for Alto Flute by C.A.Vater

    Alto Flute Part and Harp or Piano Score, PDF $7.99

    Mary Jane Rupert's arrangement of The Nutcracker for flute and harp or piano includes all of the pieces from the original Suite, Op. 71a, except the Overture.   Dr. Rupert stayed as close as possible to the original orchestration, in terms of key, harmony, register, and color.  Originally published in 1988, the arrangement was re-edited by Dr. Rupert in 2013 for publication as separate flute/piano and flute/harp editions by Noteworthy Sheet Music.   After creating the new flute editions, Noteworthy Sheet Music's editors realized that one of the pieces of the suite in particular, Arab Dance, would work beautifully on alto flute.   We created an alto flute transcription of the flute part, both for ourselves and for our alto flutist friends.

    We offer separate versions of the score for piano or harp, although in the case of the Arab Dance the harp-specific notation is minimal compared to some of the other pieces contained in the complete edition of The Nutcracker arranged for flute and harp.

     

    tchaikovsky.arab dance aflhp 240pxAlto Flute & Harp Edition: Harp score, 6 pages; Alto Flute part, 1 page; Total, 10 pages. $7.99

     

     

     

    tchaikovsky.arab dance aflpf 240pxAlto Flute & Piano Edition: Piano score, 6 pages; Alto Flute part, 1 page; Total, 10 pages. $7.99

  • Nielsen - Fantasy Pieces - Alto Flute & Piano

    nielsen op2 245 px nsmFantasy Pieces, Op.2, by Carl Nielsen

    Transcribed for Alto Flute by C.A.Vater

    Piano Score and Alto Flute Part, PDF $9.99

    The Fantasy Pieces for Oboe and Piano, Op.2 (Fantasistykker for obo og klavier) were composed in 1889, when Nielsen was 24.  They were written in the romantic idiom before his compositions became more experimental, chromatic, and dissonant.  Nielsen wrote the Fantasy Pieces for his good friend Olivo Kraüse, the Danish oboist and composer to whom the work is dedicated.  Nielsen and Krause were colleagues in the Royal Chapel Orchestra.   The Fantasy Pieces were premiered by Krause and the pianist Victor Bendix at a Royal Orchestra Soirée in Copenhagen in 1891.  Arrangements of the pieces for violin (with orchestra or piano), created by Hans Sitt, subsequently became quite popular.

    Our transcription of the oboe part for alto flute is a simple transposition, as the entire oboe part falls nicely within the range of the alto flute.  Although the tonal characteristics of the alto flute and oboe are very different, the Fantasistykker sound so natural on alto flute that the listener might think that the two pieces were composed specifically for that instrument.

    The first piece, Romance, is a beautiful andante that allows the alto flutist to exploit the rich, sensuous sonority of the instrument.  The contrasting second piece is a lively Humoresque in which the performer's lightheartedness and technical agility prevail.

    Click here to preview a page of the Nielsen Fantasy Pieces score for Alto Flute and Piano.

    Alto Flute part, 3 pages; Piano Score, 10 pages; Total, 18 pages.

  • Kalliwoda - Concertino - Alto Flute

    kalliwoda concertino 245px nsmConcertino, Op.110, by J. W. Kalliwoda

    Transcribed for Alto Flute by C.A.Vater

    Alto Flute Part ― PDF $6.99

    Johann Wenzel Kalliwoda (1801‒1866) was a Bohemian violinist, orchestra conductor, and prolific composer who wrote numerous compositions, including operas, symphonies, various works for violin and orchestra, piano pieces, and chamber music works.  He was considered a significant composer in his day, especially for pieces written early in his career, and his music received the praise of Robert Schumann.  Kalliwoda was immensely popular and a favorite of American concert-going audiences in the first half of the 19th century.

    His Concertino, Op.110, for oboe and orchestra was first published by Schott in 1841.  An arrangement of the work for oboe and piano is available on imslp.org, in addition to an orchestral score and parts for oboe, violins I and II, violas, cellos, and basses.  Like many of Kalliwoda's earlier compositions, the Concertino is highly melodic and energetic.  We created a transcription of the solo oboe part for alto flute that gives alto flutists an opportunity to experience first-hand the joy of playing this style of classical 19th century bravura work, for which the alto flute is well-suited.   Perhaps it should be pointed out that Theodore Boehm, who developed the modern alto flute in G during the mid-1850's, intended that the alto become a new instrument in its own right, utilized in a variety of musical roles and characterized by a unique quality of sound.  Indeed, we think Boehm likely would have approved of our creating new opportunities, such as this transcription of the Kalliwoda Concertino, to show off the alto flute's versatility and the alto flute performer's virtuosity.

    Click to preview p1 of the alto flute transcription of Kalliwoda's Concertino Concertino.  We provide our alto flute part only; appropriate parts for piano or orchestral accompaniment may be obtained as free pdf downloads from public domain resources, such as imslp.org.

    Alto Flute part, 7 pages; Total, 10 pages.